Author: Philadelphia Museum of Art
Publisher: Highlights from the Philadelph
ISBN: 9780876332924
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Through the exceptional permanent collection at the Philadelphia Museum of Art, this book looks at arms and armor as art--from warfare to war games, from hunting to the pursuit of glory The Philadelphia Museum of Art's holdings of arms and armor are among the finest of their kind in the world. Presenting nearly 100 masterpieces from the collection, this lavishly illustrated volume includes complete armors and armor elements, swords, firearms and crossbows, staff weapons, horse equipment, and related accessories. Drawn for the most part from the princely armories of Europe, these objects represent the epitome of the armorer's art, and many are published here in color for the first time. The engaging text by Dirk H. Breiding summarizes the latest scholarship and discusses how the museum's collection--the core of which consists of a 1977 bequest by the distinguished connoisseur and scholar Carl Otto Kretzschmar von Kienbusch (1884-1976)--has evolved over the years. This volume reveals how arms and armor--uniting art, fashion, design, politics, and technology--can be seen as unique expressions of human creativity.
Author: Pierre Terjanian
Publisher: Yale University Press
ISBN: 9780300176315
Category : Armor
Languages : en
Pages : 0
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Book Description
"This...publication examines two masterful armors for horse and man acquired in 2009 by the Philadelphia Museum of Art. Among the earliest complete European examples in existence, these German works demonstrate the superior design and craftsmanship of princely armor in the early sixteenth century. The celebrated master Wilhelm von Worms the Edler...of Nuremberg made the luxurious, exquisitely decorated steel horse armor for Duke Ulrich of Württemberg (148701550). The man's armor was crafted by Matthes Deutsch...of Landshut, another distinguished armorer patronized by German princes...."--Front inside flap of dust jacket.
Author: Braden Frieder
Publisher: Penn State Press
ISBN: 0271090758
Category : History
Languages : en
Pages : 258
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Book Description
Chivalry and the Perfect Prince is a survey of the ceremonial armor crafted for the Spanish Habsburg monarchs of the sixteenth century. It examines notable tournaments and pageantry held at the courts of Charles V and Philip II, and the artworks associated with them. Braden Frieder guides the reader through these tournaments, jousting, and other knightly exercises as part of a larger aristocratic culture that included arms and armor, paintings, tapestries, medals, and sculptures with chivalric themes. Frieder presents Habsburg tournaments in their proper historical context as an extension of imperial politics, drawing comparisons with popular chivalric literature of the period. Frieder’s study utilizes extensive primary source material and contemporary documents, many appearing for the first time in English. Included in this book are eighty-one illustrations of fine art and armor from the sixteenth century, the crescendo of the armorer's art in Europe. For the first time in print, these artworks are treated collectively, as integral parts of aristocratic life and culture during the Renaissance.
Author:
Publisher:
ISBN:
Category : Armor
Languages : en
Pages : 68
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Book Description
Author: Alvaro Soler del Campo
Publisher:
ISBN:
Category : Design
Languages : es
Pages : 314
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Book Description
The Royal Armory in Madrid, assembled at a time when the Spanish Crown was at the height of its international power, is the oldest and one of the finest and largest armories in the world, imbued with great historical, artistic, and symbolic significance. Armor drawn from the unsurpassed holdings of the Spanish Royal Armory is shown in this exhibition alongside portraits of rulers dressed in the same armor, painted by such masters as Peter Paul Rubens, Anthony van Dyck, Diego Velázquez, and Alonso Sánchez Coello. Several large and magnificent tapestries from the royal collection also depict the armor in use. Together, some 75 works illustrate the use of luxurious armor in projecting an image of royal power in Imperial Spain. The exhibition includes several full suits of armor, helmets, shields, and equestrian armor--worn in battle but more often in Renaissance parades, pageants, and jousting tournaments. The works of art on view date from the reigns of the Holy Roman Emperors Maximilian I of Austria (1508-1519) and Emperor Charles V (1519-1558), to those of his successors, King Philip II (1556-1598), King Philip III (1598-1621), and King Philip IV (1621-1665). This is the first time that the armor has been exhibited together with the portraits in which it is depicted.
Author: Charles John Ffoulkes
Publisher: Cosimo, Inc.
ISBN: 1605204110
Category : Reference
Languages : en
Pages : 258
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Book Description
As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.
Author: Donald J. La Rocca
Publisher: Metropolitan Museum of Art
ISBN: 1588396290
Category : Antiques & Collectibles
Languages : en
Pages : 162
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Book Description
Many of us have long been captivated by images of knights in shining armor evoking the age of chivalry and the ideals of Camelot. In this richly illustrated volume, the beauty and complexity of the actual armor worn by European knights and soldiers comes brilliantly to the fore. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} How to Read European Armor presents a compelling overview of armor in Europe from the Middle Ages through the seventeenth century, the period when armor as an art form achieved its highest levels of stylistic beauty and functional perfection. During that time, skilled armorers developed ingenious solutions for protecting the body with armor that was effective and often amazingly ornate. This volume features historically important examples of armor such as a suit made in the royal workshops of Greenwich, England, almost certainly for King Henry VIII himself; a masterfully etched work created by a famed Nuremberg armorer for Emperor Ferdinand I; and sumptuous armor for the warhorse of an Italian nobleman. The engaging text extensively examines armor's complex parts and many decorative techniques, and sets the lively historical context for how European armor thrived in the field of combat, in tournaments, and on ceremonial occasions. A book for any reader drawn to the chivalric and courtly life of Europe, How to Read European Armor highlights the many innovations of armorers who created these legendary marvels of art and technology.
Author: John Steakley
Publisher: Astra Publishing House
ISBN: 1101664290
Category : Fiction
Languages : en
Pages : 434
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Book Description
The military sci-fi classic of courage on a dangerous alien planet The planet is called Banshee. The air is unbreathable, the water is poisonous. It is home to the most implacable enemies that humanity, in all its interstellar expansion, has ever encountered. Body armor has been devised for the commando forces that are to be dropped on Banshee—the culmination of ten thousand years of the armorers’ craft. A trooper in this armor is a one-man, atomic powered battle fortress. But he will have to fight a nearly endless horde of berserk, hard-shelled monsters—the fighting arm of a species which uses biological technology to design perfect, mindless war minions. Felix is a scout in A-team Two. Highly competent, he is the sole survivor of mission after mission. Yet he is a man consumed by fear and hatred. And he is protected, not only by his custom-fitted body armor, but by an odd being which seems to live within him, a cold killing machine he calls “The Engine.” This is Felix’s story—a story of the horror, the courage, and the aftermath of combat, and the story, too, of how strength of spirit can be the greatest armor of all.
Author: Stuart W. Pyhrr
Publisher: Metropolitan Museum of Art
ISBN: 0870998722
Category : Armor
Languages : en
Pages : 370
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Book Description
The re-creation of classically inspired armor is invariably associated with Filippo Negroli, the most innovative and celebrated of the renowned armorers of Milan.
Author: Pierre Terjanian
Publisher: Metropolitan Museum of Art
ISBN: 1588396746
Category : Art
Languages : en
Pages : 345
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Book Description
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
