The Art of the American Snapshot, 1888-1978 PDF Download
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Author: Sarah Greenough
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 312
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Book Description
'The Art of the American Snapshot' examines the evolution of this most common form of photography. The book shows that among the countless snapshots taken by American amateurs, some works, through intention or accident, continue to resonate long after their intimate context and original meaning have been lost.
Author: Sarah Greenough
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 312
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Book Description
'The Art of the American Snapshot' examines the evolution of this most common form of photography. The book shows that among the countless snapshots taken by American amateurs, some works, through intention or accident, continue to resonate long after their intimate context and original meaning have been lost.
Author: California Institute of the Arts. School of Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 9
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Book Description
Author: Ken Graves
Publisher:
ISBN:
Category : Instant photography
Languages : en
Pages : 128
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Book Description
"Collection of pictures gathered by the authors during a two-year search in which they canvassed neighborhoods and knocked on people's doors, asking to see people's dusty albums and yellowing scrapbooks."--From jacket flap
Author: Catherine Zuromskis
Publisher: MIT Press
ISBN: 0262544113
Category : Photography
Languages : en
Pages : 369
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Book Description
An examination of the contradictions within a form of expression that is both public and private, specific and abstract, conventional and countercultural. Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. The poses may be formulaic, but a photograph of loved ones can evoke a deep affective response. In Snapshot Photography, Catherine Zuromskis examines the development of a form of visual expression that is both public and private. Scholars of art and culture tend to discount snapshot photography; it is too ubiquitous, too unremarkable, too personal. Zuromskis argues for its significance. Snapshot photographers, she contends, are not so much creating spontaneous records of their lives as they are participating in a prescriptive cultural ritual. A snapshot is not only a record of interpersonal intimacy but also a means of linking private symbols of domestic harmony to public ideas of social conformity. Through a series of case studies, Zuromskis explores the social life of snapshot photography in the United States in the latter half of the twentieth century. She examines the treatment of snapshot photography in the 2002 film One Hour Photo and in the television crime drama Law and Order: Special Victims Unit; the growing interest of collectors and museum curators in “vintage” snapshots; and the “snapshot aesthetic” of Andy Warhol and Nan Goldin. She finds that Warhol’s photographs of the Factory community and Goldin’s intense and intimate photographs of friends and family use the conventions of the snapshot to celebrate an alternate version of “family values.” In today’s digital age, snapshot photography has become even more ubiquitous and ephemeral—and, significantly, more public. But buried within snapshot photography’s mythic construction, Zuromskis argues, is a site of democratic possibility.
Author: Jay Mechling
Publisher: University Press of Kansas
ISBN: 0700632921
Category : History
Languages : en
Pages : 234
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Book Description
In Soldier Snapshots Jay Mechling explores how American men socially construct their performance of masculinity in everyday life in all-male friendship groups during their service in the military. The evidence Mechling analyzes is a collection of vernacular photographs, “snapshots,” of and by American soldiers, sailors, Marines, and aviators. Since almost all of the snapshots are photographs taken of men by other men, this book offers a unique view into the social construction, performance, and repair of American masculinity. Mechling guides the reader from the snapshots to ideas about the everyday lives of male soldiers to ideas about the lives of men in groups to ideas about American culture. In his introduction Mechling offers his thoughts about how to undertake the interdisciplinary study of American culture; he draws from history, folklore, anthropology, sociology, rhetoric, psychology, gender and sexuality studies, ethnic studies, popular culture studies, and visual studies to reveal the intricacies of how men use their folk practices in an all-male group to manage the paradoxes of their friendship and comradeship under sometimes stressful conditions. Soldier Snapshots begins with a brief history of war photography and establishes the nature of vernacular photography: the snapshot. This is followed by a jargon-free discussion of the key ideas about masculinity and the vernacular practices of men in groups, exploring male friendship, the important role of play in men’s relationships, and the ways “animal buddies” adopted by male friendship groups actually tell us even more about male friendship and issues of trust. In the final section Mechling’s careful analysis reveals how the men employ different folk practices—including rough-and-tumble playfighting, building human pyramids, bathing naked in public, cross-dressing, hazing, and gallows humor—in order to manage their relationships. Regardless of the man’s sexual orientation and sexual identity, the strong heterosexual norm in the military means that the men must find ways to understand and even enact or perform their feelings of bonding while still defining those feelings and acts as heterosexual.
Author: Ransom Riggs
Publisher: Quirk Books
ISBN: 159474839X
Category : Young Adult Fiction
Languages : en
Pages : 1234
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Book Description
The New York Times #1 best-selling series. Includes 3 novels by Ransom Riggs and 12 peculiar photographs. Together for the first time, here is the #1 New York Times best seller Miss Peregrine's Home for Peculiar Children and its two sequels, Hollow City and Library of Souls. All three hardcovers are packaged in a beautifully designed slipcase. Also included: a special collector's envelope of twelve peculiar photographs, highlighting the most memorable moments of this extraordinary three-volume fantasy. MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN: A mysterious island. An abandoned orphanage. A strange collection of very curious photographs. It all waits to be discovered in this groundbreaking novel, which mixes fiction and photography in a thrilling new kind of reading experience. As our story opens, a horrific family tragedy sets sixteen-year-old Jacob Portman journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine's Home for Peculiar Children. HOLLOW CITY: September 3, 1940. Ten peculiar children flee an army of deadly monsters. And only one person can help them—but she's trapped in the body of a bird. The extraordinary adventure continues as Jacob Portman and his newfound friends journey to London, the peculiar capital of the world. There, they hope to find a cure for their beloved headmistress, Miss Peregrine. But in this war-torn city, hideous surprises lurk around every corner. LIBRARY OF SOULS: A boy, a girl, and a talking dog. They're all that stands between the sinister wights and the future of peculiar children everywhere. Jacob Portman ventures through history one last time to rescue the peculiar children from a heavily guarded fortress. He's joined by girlfriend and firestarter Emma Bloom, canine companion Addison MacHenry, and some very unexpected allies.
Author: Jennifer Cain Bohrnstedt
Publisher: AuthorHouse
ISBN: 1438969562
Category : Social Science
Languages : en
Pages : 125
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Book Description
Snapshots of a Century in African American Lives heralds the artistry and historical importance of amateur snapshots taken during the twentieth century. Noted scholar Professor Emeritus Edmund W. Gordon wrote (Foreword): "This is also a book about the universal celebration of the beauty and dignity of the human condition as it is and can be captured by amateur camera persons. . ." A book that captures visual history and visual culture is an ambitious project. Snapshots of a Century in African American Lives contains more than 100 images never before in publication. Images were culled from a private collection. Photojournalism professor D. Michael Cheers wrote (Introduction): "These creative expressions, which showcase posed, candid and ordinary, yet unique, images, hand us a lens that drops in on strangers and allows all of us to reconnect with 'our African heritage.'" Photography curator Carol McCusker described their impact in the Afterword: "Through their details, we are moved back in time or to somewhere in ourselves. They engage us in history in ways other media does not. In this capacity, Snapshots of a Century in African-American Lives makes us aware of what we know, what we think we know, and what we collectively aspire toward or want to forget, and, throughout, is undeniably American in our optimism." Educators, historical societies, and museums will identify the important relevance of this book and the collection represented. This 120 page book is available in 8.5 x 11 soft cover format. A limited edition of 100 copies (11 x 11 hard cover) will be available through the editor. The creator of this work, author and editor Jennifer Cain Bohrnstedt, is available for talks and book-signing events. Contact her at:
[email protected]
Author: Barry Sanders
Publisher: Catapult
ISBN: 1582436657
Category : Political Science
Languages : en
Pages : 282
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Book Description
During the nineteeth century, something vital went missing: the human being. In Unsuspecting Souls, Barry Sanders examines modern society's indifference to the individual. From the Industrial Revolution, where the disappearance of care for human beings begins slowly, to our own age, where societal events require less person–to–person interaction, Sanders laments that what makes us most human is slowly dying. Our days are filled with little but a continuous bombardment of "information," demands on our attention, that brings us out of our world and into one of inhumanity and abstraction. We are losing entirely any palpable attachment to our physical reality. And we've also lost the original sense of a collective consciousness. This loss has been fomenting for two centuries now, dating back to the rise of European powers and worldwide colonization. This has led to the notion that we need to define what is torture, an idea that not long ago would have seemed absurd, and need to pick our poisons among several forms of radical fundamentalisms, each one not only a threat to the other but a threat to humanity itself. From Edgar Allen Poe to Abu Ghraib, this is a fascinating and worrisome story, impeccably researched and compellingly written.
Author: Ann-Janine Morey
Publisher: Penn State Press
ISBN: 0271065702
Category : Photography
Languages : en
Pages : 248
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Book Description
Dogs are as ubiquitous in American culture as white picket fences and apple pie, embracing all the meanings of wholesome domestic life—family, fidelity, comfort, protection, nurturance, and love—as well as symbolizing some of the less palatable connotations of home and family, including domination, subservience, and violence. In Picturing Dogs, Seeing Ourselves, Ann-Janine Morey presents a collection of antique photographs of dogs and their owners in order to investigate the meanings associated with the canine body. Included are reproductions of 115 postcards, cabinet cards, and cartes de visite that feature dogs in family and childhood snapshots, images of hunting, posed studio portraits, and many other settings between 1860 and 1950. These photographs offer poignant testimony to the American romance with dogs and show how the dog has become part of cultural expressions of race, class, and gender. Animal studies scholars have long argued that our representation of animals in print and in the visual arts has a profound connection to our lived cultural identity. Other books have documented the depiction of dogs in art and photography, but few have reached beyond the subject’s obvious appeal. Picturing Dogs, Seeing Ourselves draws on animal, visual, and literary studies to present an original and richly contextualized visual history of the relationship between Americans and their dogs. Though the personal stories behind these everyday photographs may be lost to us, their cultural significance is not.
Author: Tina Campt
Publisher: Duke University Press
ISBN: 0822350742
Category : History
Languages : en
Pages : 256
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Book Description
Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.
