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Author: Kyle Tran Myhre
Publisher: SCB Distributors
ISBN: 1638340102
Category : Fiction
Languages : en
Pages : 219
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Book Description
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
Author: Kyle Tran Myhre
Publisher: SCB Distributors
ISBN: 1638340102
Category : Fiction
Languages : en
Pages : 219
Get Book Here
Book Description
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
Author: Marc Smith
Publisher: Sourcebooks, Inc.
ISBN: 140224231X
Category : Poetry
Languages : en
Pages : 322
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Book Description
Get on Stage and Perfect Your Performance Have you ever enjoyed a slam or two and thought, "I could do this," but felt apprehensive staring at that empty mic—or worse, you climbed up on stage and struggled? Let Marc Kelly Smith, the founder of Slam Poetry, teach you everything you need to be a confident performer, from writing a powerful poem, to stage techniques, to going on tour (if that's where your muse leads you). Take the Mic is filled with insider tips, backstage advice, and tons of examples of slam poems that wake up an audience. With this book, you'll also be able to link to the PoetrySpeaks.com community to listen to samples, meet poets, and unearth inspirations for your next performance. The Ultimate Guide to Writing and Performing with Power Take the Mic is an essential guide for lifting your poetry from the page to the stage. Marc Kelly Smith (So What!), grand founder of the Slam movement, serves as you personal coach, showing you how to craft stage-worthy verse and deliver a poetry performance that shakes the rafters and sparks thunderous applause. In Take the Mic, you discover how to... Pen poetry that's conducive to on-stage performance Overcome stage fright Practice powerful performance techniques Rehearse like a pro Shape a loose collection of poems into a killer set Connect with your audience — heart and soul Master the art of self-promotion Schedule your own slam poetry tour Transform your hobby into paying gigs Act professional to establish a solid reputation in the Slam community Take the Mic is packed with practical exercises you can do alone or in class to hone your skills and transform your body, mind, voice, verse, and spirit into an engaging stage presence. You'll also find a brief history of slam, the rules and regulations that govern official slam competitions, and a list of PSI (Poetry Slam, Inc.) Certified Slams, so no matter where you are, you always have a place to Take the Mic!
Author: Pete Bearder
Publisher: Out Spoken Press
ISBN: 9781999679255
Category : Performance poetry
Languages : en
Pages : 0
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Book Description
Award-winning poet Pete Bearder presents the unwritten history, science, and skill of spoken word and answers some strangely under-explored questions: What is the history of performance poetry in the UK? How does emotional contagion happen in live literature? What has spoken word got to do with hypnotism and ecstatic states? This groundbreaking book explores a thriving ecology of artistry, and how it can serve us for cultural, social and political renewal. -- Publisher.
Author: Susan Somers-Willett
Publisher: University of Michigan Press
ISBN: 0472050591
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
How do slam poets and their audiences reflect the politics of difference?
Author: Darrell Mitchell
Publisher:
ISBN: 9781475105513
Category : Creative writing
Languages : en
Pages : 28
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Book Description
Helpful tools, tips, and techniques that can improve your spoken word poetry performance.The goal of this book is to provide a "How to" guide with principles that can be used to improve content and stage performance. This book doesn't come with the promise of making you a great spoken word artist or the experience of a world famous poet. Instead it provides tools, examples of techniques and it offers tips, which if practiced correctly, can improve your confidence, focus and execution. Every artist comes equipped with their own amount of creativity, imagination and inspiration. Storytelling is a big part of spoken word poetry as well, but if you are not able to tell that story or relay a message clearly to people then there might as well be no one listening. By utilizing examples from the P-Arts (Performing Arts) program and workshop courses that have been implemented in the San Fernando Valley, Los Angeles and San Diego area of Southern California through DM Ink Publishing. You will be able to apply the same techniques which have helped many spoken word artist and poets to develop and improve their skill. I've spent years performing, writing, reading, listening and publishing spoken word poetry. With three published spoken word poetry paper back and E-Books as well as two spoken word albums available internationally it has been a great learning experience. As a fan, an artist and facilitator of workshops I can relate to the frustration of having a good performance piece and not being able to get the message through to the audience. Or being nervous and not having any prior training or years of experience that would assist with speaking in a small or large venue. By incorporating a few tips used by spoken word poet professionals, readers will find this book will-Provide helpful tips of structuring the content to your piece so that it flows. -Go over various spoken word techniques.-Provide tools to improve your delivery. The areas of focus covered are just a few pieces to a larger puzzle in the areas of communication and writing that could benefit an aspiring spoken word artist. This book has been used in performing arts workshops and the tools have been successfully applied during performances and network writing sessions. Principles are universal and I'm not saying that every artist needs to adapt these tips in order to be considered great, because in the spoken word poetry market everyone is unique, or at least they should be. Each person has a story to tell and it can have a powerful effect depending on how the writer delivers it.
Author: Sarah Kay
Publisher: Hachette Books
ISBN: 0316386618
Category : Poetry
Languages : en
Pages : 51
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Book Description
Sarah Kay's powerful spoken word poetry performances have gone viral, with more than 10 million online views and thousands more in global live audiences. In her second single-poem volume, Kay takes readers along a lyrical road toward empowerment, exploring the promise and complicated reality of being a woman. During her spoken word poetry performances, audiences around the world have responded strongly to Sarah Kay's poem The Type. As Kay wrote in The Huffington Post: "Much media attention has been paid to what it means to 'be a woman,' but often the conversation focuses on what it means to be a woman in relation to others. I believe these relationships are important. I also think it is possible to define ourselves solely as individuals... We have the power to define ourselves: by telling our own stories, in our own words, with our own voices." Never-before-published in book form, The Type is illustrated throughout and perfect for gift-giving.
Author: Javon Johnson
Publisher: Rutgers University Press
ISBN: 081358003X
Category : Poetry
Languages : en
Pages : 194
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Book Description
Winner of the 2019 Lilla A. Heston Award Co-winner of the 2018 Ethnography Division’s Best Book from the NCA In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications. In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic. Killing Poetry—at times autobiographical, poetic, and journalistic—analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve.
Author: Darrell Mitchell
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 0
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Book Description
The goal of this book is to provide a "How to" guide with principles that can be used to improve content and stage performance. This book doesn't come with the promise of making you a great spoken word artist or the experience of a world-famous poet. Instead, it provides tools, examples of techniques and it offers tips, which if practiced correctly, can improve your confidence, focus and execution.
Author: Sarah Kay
Publisher: SCB Distributors
ISBN: 1938912578
Category : Poetry
Languages : en
Pages : 200
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Book Description
Top selling poet Sarah Kay releases her debut collection of work from the first decade of her career. Following the success of her breakout poem, "B," No Matter the Wreckage presents readers with new and beloved work that showcases Kay's skill for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"). Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. - 2011 TED speaker (recording has been viewed 3 million times online) - First book, "B" was ranked #1 Bestselling Poetry Book on Amazon - Featured on HBO, American Public Radio, Huffington Post, CNN.com, etc. - Founder and Co-Director of Project VOICE
Author: Peter Kahn
Publisher: Penguin
ISBN: 059322681X
Category : Young Adult Nonfiction
Languages : en
Pages : 177
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Book Description
An expansive, moving poetry anthology, representing 20 years of poetry from students and alumni of Chicago's Oak Park River Forest High School Spoken Word Club. "Poets I know sometimes joke that the poetry club at Oak Park River Forest High School is the best MFA program in the Chicagoland area. Like all great jokes, this one is dead serious." -Eve L. Ewing, award-winning poet, playwright, scholar, and sociologist For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, "It's a call of pride and history and tradition and hope." This vivid new collection of poetry and prose -- curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan "Sully" Sullivan -- illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA champion Iman Shumpert, National Youth Poet Laureate Kara Jackson, National Youth Poet Laureate Kara Jackson, National Student Poet Natalie Richardson, comedian Langston Kerman, and more. In its pages, you hear the sprawling echoes of students, siblings, lovers, new parents, athletes, entertainers, scientists, and more --all sharing a deep appreciation for the power of storytelling. A celebration of the past, a balm for the present, and a blueprint for the future, Respect the Mic offers a tender, intimate portrait of American life, and conveys how in a world increasingly defined by separation, poetry has the capacity to bind us together.
