The Art of Retouching Photographic Negatives and Practical Directions how to Finish and Colour Photographic Enlargements, Etc

The Art of Retouching Photographic Negatives and Practical Directions how to Finish and Colour Photographic Enlargements, Etc PDF Author: Robert Johnson
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 130

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The Art of Retouching Photographic Negatives and Practical Directions how to Finish and Colour Photographic Enlargements, Etc

The Art of Retouching Photographic Negatives and Practical Directions how to Finish and Colour Photographic Enlargements, Etc PDF Author: Robert Johnson
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 130

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Book Description


The Art of Retouching Photographic Negatives and Practical Directions how to Finish and Color Photographic Enlargements, Etc

The Art of Retouching Photographic Negatives and Practical Directions how to Finish and Color Photographic Enlargements, Etc PDF Author: Robert Johnson (writer on photography.)
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 176

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American Photography

American Photography PDF Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 658

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Faking it

Faking it PDF Author: Mia Fineman
Publisher: Metropolitan Museum of Art
ISBN: 1588394735
Category : Exhibitions
Languages : en
Pages : 298

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Book Description
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.

Standard Catalog for Public Libraries

Standard Catalog for Public Libraries PDF Author: H.W. Wilson Company
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 216

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Standard Catalog for High School Libraries

Standard Catalog for High School Libraries PDF Author: Zaidee Mabel Brown
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 212

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Popular Photography

Popular Photography PDF Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 594

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Photography and Spirit

Photography and Spirit PDF Author: John Harvey
Publisher: Reaktion Books
ISBN: 9781861893246
Category : Body, Mind & Spirit
Languages : en
Pages : 186

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Book Description
Photography and spirit examines images of phantoms, psychical emanations, and religious apparitions.

Photographic Literature

Photographic Literature PDF Author: Albert Boni
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 360

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The African Photographic Archive

The African Photographic Archive PDF Author: Christopher Morton
Publisher: Routledge
ISBN: 100021138X
Category : History
Languages : en
Pages : 260

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Book Description
African photography has emerged as a significant focus of research and scholarship over the last twenty years, the result of a growing interest in postcolonial societies and cultures and a turn towards visual evidence across the humanities and social sciences. At the same time, many rich and fascinating photographic collections have come to light. This volume explores the complex theoretical and practical issues involved in the study of African photographic archives, based on case studies drawn from across the continent dating from the 19th century to the present day. Chapters consider what constitutes an archive, from the familiar mission and state archives to more local, vernacular and personal accumulations of photographs; the importance of a critical and reflexive engagement with photographic collections; and the question of where and what is ‘Africa’, as constructed in the photographic archive. Essential reading for all researchers working with photographic archives, this book consolidates current thinking on the topic and sets the agenda for future research in this field.