The Art of Projection and Complete Magic Lantern Manual PDF Download
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Author:
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 216
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Book Description
Author:
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 216
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 246
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Book Description
Author: W. Haslam
Publisher:
ISBN: 9781021782465
Category : History
Languages : en
Pages : 0
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Book Description
Author: Expert
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 214
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Book Description
Author: An expert
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 0
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Book Description
Author: Great Britain. Patent Office. Library
Publisher:
ISBN:
Category : Technology
Languages : en
Pages : 388
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Book Description
Author:
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 876
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Book Description
Author: Henry Sturmey
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 1088
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Book Description
Author: Kendall R. Phillips
Publisher: University of Texas Press
ISBN: 1477315519
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
Horror is one of the most enduringly popular genres in cinema. The term “horror film” was coined in 1931 between the premiere of Dracula and the release of Frankenstein, but monsters, ghosts, demons, and supernatural and horrific themes have been popular with American audiences since the emergence of novelty kinematographic attractions in the late 1890s. A Place of Darkness illuminates the prehistory of the horror genre by tracing the way horrific elements and stories were portrayed in films prior to the introduction of the term “horror film.” Using a rhetorical approach that examines not only early films but also the promotional materials for them and critical responses to them, Kendall R. Phillips argues that the portrayal of horrific elements was enmeshed in broader social tensions around the emergence of American identity and, in turn, American cinema. He shows how early cinema linked monsters, ghosts, witches, and magicians with Old World superstitions and beliefs, in contrast to an American way of thinking that was pragmatic, reasonable, scientific, and progressive. Throughout the teens and twenties, Phillips finds, supernatural elements were almost always explained away as some hysterical mistake, humorous prank, or nefarious plot. The Great Depression of the 1930s, however, constituted a substantial upheaval in the system of American certainty and opened a space for the reemergence of Old World gothic within American popular discourse in the form of the horror genre, which has terrified and thrilled fans ever since.
Author: Marta Braun
Publisher: Indiana University Press
ISBN: 0861969138
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
This scholarly anthology presents a new framework for understanding early cinema through its usage outside the realm of entertainment. From its earliest origins until the beginning of the twentieth century, cinema provided widespread access to remote parts of the globe and immediate reports on important events. Reaching beyond the nickelodeon theatres, cinema became part of numerous institutions, from churches and schools to department stores and charitable organizations. Then, in 1915, the Supreme Court declared moviemaking a “busines, pure and simple,” entrenching the film industry’s role as a producer of “harmless entertainment.” In Beyond the Screen, contributors shed light on how pre-1915 cinema defined itself through institutional interconnections and publics interested in science, education, religious uplift, labor organizing, and more.
