Author: Clay Reynolds
Publisher: Baen Publishing Enterprises
ISBN: 1618249398
Category : Fiction
Languages : en
Pages : 333
Book Description
A satire on modern life as seen through the eyes of a poetic (and extremely insightful) curmudgeon. Spur Award winning author Clay Reynolds explores the life of a modern-day Don Juan, a hedonistically ambitious poetaster of our own times, a self-styled Lothario, but, as the tragicomedy ultimately reveals, a man who ultimately discovers that he has more in common with Coleridges mariner than with any swashbuckling versifier of old. With an all-new introduction to the Baen Ebook Edition. Clay Reynolds is the winner of the Western Writers of America Spur Award. ". . .a satire with many layers. . .Darkly comic and compelling fiction."¾Booklist At the publisher's request, this title is sold without DRM (Digital Rights Management). "Ambitious and absorbing."¾Larry McMurtry "Ingenious . . . Leaves readers gasping and eager for more."¾Stephen King
Ars Poetica
Author: Clay Reynolds
Publisher: Baen Publishing Enterprises
ISBN: 1618249398
Category : Fiction
Languages : en
Pages : 333
Book Description
A satire on modern life as seen through the eyes of a poetic (and extremely insightful) curmudgeon. Spur Award winning author Clay Reynolds explores the life of a modern-day Don Juan, a hedonistically ambitious poetaster of our own times, a self-styled Lothario, but, as the tragicomedy ultimately reveals, a man who ultimately discovers that he has more in common with Coleridges mariner than with any swashbuckling versifier of old. With an all-new introduction to the Baen Ebook Edition. Clay Reynolds is the winner of the Western Writers of America Spur Award. ". . .a satire with many layers. . .Darkly comic and compelling fiction."¾Booklist At the publisher's request, this title is sold without DRM (Digital Rights Management). "Ambitious and absorbing."¾Larry McMurtry "Ingenious . . . Leaves readers gasping and eager for more."¾Stephen King
Publisher: Baen Publishing Enterprises
ISBN: 1618249398
Category : Fiction
Languages : en
Pages : 333
Book Description
A satire on modern life as seen through the eyes of a poetic (and extremely insightful) curmudgeon. Spur Award winning author Clay Reynolds explores the life of a modern-day Don Juan, a hedonistically ambitious poetaster of our own times, a self-styled Lothario, but, as the tragicomedy ultimately reveals, a man who ultimately discovers that he has more in common with Coleridges mariner than with any swashbuckling versifier of old. With an all-new introduction to the Baen Ebook Edition. Clay Reynolds is the winner of the Western Writers of America Spur Award. ". . .a satire with many layers. . .Darkly comic and compelling fiction."¾Booklist At the publisher's request, this title is sold without DRM (Digital Rights Management). "Ambitious and absorbing."¾Larry McMurtry "Ingenious . . . Leaves readers gasping and eager for more."¾Stephen King
Horace on Poetry
Author: C. O. Brink
Publisher: Cambridge University Press
ISBN: 0521283078
Category : History
Languages : en
Pages : 315
Book Description
This is the first of Professor Brink's three-volume commentary on Horace's literary epistles, originally published in 1963. The volumes' chief focus is the primary source of Horatian literary criticism: the Epistula ad Pisones, known as the Ars Poetica to most ancient and modern readers. Volume I of Horace on Poetry looks at the structure of the Ars Poetica, Neoptolemus and literary criticism, and the criticism and satire of Horace. Professor Brink's overriding argument is that the common dismissal of the Ars as a disorderly piece fails to take into account Horace's architectonic style. For Brink, this disorder is itself part of an intrinsic poetic design. The complete three-volume commentary constitutes one of the fullest scholarly commentaries on Horace's critical writing. It will continue to be of great value to all with an interest in this much-debated subject.
Publisher: Cambridge University Press
ISBN: 0521283078
Category : History
Languages : en
Pages : 315
Book Description
This is the first of Professor Brink's three-volume commentary on Horace's literary epistles, originally published in 1963. The volumes' chief focus is the primary source of Horatian literary criticism: the Epistula ad Pisones, known as the Ars Poetica to most ancient and modern readers. Volume I of Horace on Poetry looks at the structure of the Ars Poetica, Neoptolemus and literary criticism, and the criticism and satire of Horace. Professor Brink's overriding argument is that the common dismissal of the Ars as a disorderly piece fails to take into account Horace's architectonic style. For Brink, this disorder is itself part of an intrinsic poetic design. The complete three-volume commentary constitutes one of the fullest scholarly commentaries on Horace's critical writing. It will continue to be of great value to all with an interest in this much-debated subject.
Satires, Epistles and Ars Poetica
Author: Horace
Publisher:
ISBN:
Category :
Languages : la
Pages : 556
Book Description
Publisher:
ISBN:
Category :
Languages : la
Pages : 556
Book Description
Horace's Ars Poetica
Author: Jennifer Ferriss-Hill
Publisher: Princeton University Press
ISBN: 0691195021
Category : History
Languages : en
Pages : 348
Book Description
A major reinterpretation of Horace's famous literary manual For two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's baffling outlier. Here, Jennifer Ferriss-Hill for the first time fully reintegrates the Ars Poetica into Horace's oeuvre, reading the poem as a coherent, complete, and exceptional literary artifact intimately linked with the larger themes pervading his work. Arguing that the poem can be interpreted as a manual on how to live masquerading as a handbook on poetry, Ferriss-Hill traces its key themes to show that they extend beyond poetry to encompass friendship, laughter, intergenerational relationships, and human endeavor. If the poem is read for how it expresses itself, moreover, it emerges as an exemplum of art in which judicious repetitions of words and ideas join disparate parts into a seamless whole that nevertheless lends itself to being remade upon every reading. Establishing the Ars Poetica as a logical evolution of Horace's work, this book promises to inspire a long overdue reconsideration of a hugely influential yet misunderstood poem.
Publisher: Princeton University Press
ISBN: 0691195021
Category : History
Languages : en
Pages : 348
Book Description
A major reinterpretation of Horace's famous literary manual For two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's baffling outlier. Here, Jennifer Ferriss-Hill for the first time fully reintegrates the Ars Poetica into Horace's oeuvre, reading the poem as a coherent, complete, and exceptional literary artifact intimately linked with the larger themes pervading his work. Arguing that the poem can be interpreted as a manual on how to live masquerading as a handbook on poetry, Ferriss-Hill traces its key themes to show that they extend beyond poetry to encompass friendship, laughter, intergenerational relationships, and human endeavor. If the poem is read for how it expresses itself, moreover, it emerges as an exemplum of art in which judicious repetitions of words and ideas join disparate parts into a seamless whole that nevertheless lends itself to being remade upon every reading. Establishing the Ars Poetica as a logical evolution of Horace's work, this book promises to inspire a long overdue reconsideration of a hugely influential yet misunderstood poem.
The Art of Poetry of Horace
Author: Horace
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Horace
Author: R. O. A. M. Lyne
Publisher: Yale University Press
ISBN: 9780300063226
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
This fascinating study of one of the greatest poets of the Augustan Age sheds new light on Horace's works by the way it combines literary analysis with investigation into the poet's social and political circumstances. Lyne's personal and historical approach focuses on the poet's relations with his patron Maecenas, with the Emperor Augustus, and with other grandees. Closely analyzing poems from Satires, Odes, and Epistles, Lyne reveals not only the magnificence of Horace's public literature, but the private man behind it. He shows how Horace neatly balanced deference with the careful assertion of his own social and political standing. According to Lyne, Horace was a master of private insinuation, as well as a skilled maker of public poetry. He was also a master in the art of ordering his works: exactly where a poem occurs is often of the subtlest importance. Lyne also examines the resumption of the great political lyric in the Odes of Book 4 (set aside in 23 B.C.), and contends that, beneath the public face, Horace here exhibited resentment, recording views that undermined earlier patriotic statements.
Publisher: Yale University Press
ISBN: 9780300063226
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
This fascinating study of one of the greatest poets of the Augustan Age sheds new light on Horace's works by the way it combines literary analysis with investigation into the poet's social and political circumstances. Lyne's personal and historical approach focuses on the poet's relations with his patron Maecenas, with the Emperor Augustus, and with other grandees. Closely analyzing poems from Satires, Odes, and Epistles, Lyne reveals not only the magnificence of Horace's public literature, but the private man behind it. He shows how Horace neatly balanced deference with the careful assertion of his own social and political standing. According to Lyne, Horace was a master of private insinuation, as well as a skilled maker of public poetry. He was also a master in the art of ordering his works: exactly where a poem occurs is often of the subtlest importance. Lyne also examines the resumption of the great political lyric in the Odes of Book 4 (set aside in 23 B.C.), and contends that, beneath the public face, Horace here exhibited resentment, recording views that undermined earlier patriotic statements.
Satires and epistles
Author: Horace
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 504
Book Description
Horace's "Carmen Saeculare"
Author: Michael C. J. Putnam
Publisher: Yale University Press
ISBN: 0300130457
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
divThis is the first book devoted to Horace’s Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. for choral performance at the Ludi Saeculares, the Secular Games. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. Michael C. J. Putnam offers a close and sensitive reading of this hymn, shedding new light on the richness and virtuosity of its poetry, on the many sources Horace drew on, and on the poem’s power and significance as a public ritual. A rich and compelling work, this poem is a masterpiece, Putnam shows, and it represents a crucial link in the development of Rome’s outstanding lyric poet./DIV
Publisher: Yale University Press
ISBN: 0300130457
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
divThis is the first book devoted to Horace’s Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. for choral performance at the Ludi Saeculares, the Secular Games. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. Michael C. J. Putnam offers a close and sensitive reading of this hymn, shedding new light on the richness and virtuosity of its poetry, on the many sources Horace drew on, and on the poem’s power and significance as a public ritual. A rich and compelling work, this poem is a masterpiece, Putnam shows, and it represents a crucial link in the development of Rome’s outstanding lyric poet./DIV
I, the Poet
Author: Kathleen McCarthy
Publisher: Cornell University Press
ISBN: 1501739565
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice." In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres.
Publisher: Cornell University Press
ISBN: 1501739565
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice." In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres.
Horace and the Rhetoric of Authority
Author: Ellen Oliensis
Publisher: Cambridge University Press
ISBN: 0521573157
Category : Foreign Language Study
Languages : en
Pages : 255
Book Description
This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career.
Publisher: Cambridge University Press
ISBN: 0521573157
Category : Foreign Language Study
Languages : en
Pages : 255
Book Description
This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career.