The Art of Poetry: an Epistle to the Pisos PDF Download
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Author: Квинт Гораций Флакк
Publisher: Litres
ISBN: 504182438X
Category : Fiction
Languages : en
Pages : 164
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Book Description
Author: Квинт Гораций Флакк
Publisher: Litres
ISBN: 504182438X
Category : Fiction
Languages : en
Pages : 164
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Book Description
Author: George Colman
Publisher: BoD – Books on Demand
ISBN: 3752358750
Category : Fiction
Languages : en
Pages : 102
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Book Description
Reproduction of the original: The Art of Poetry An Epistle To the Pisos by George Colman
Author: George Colman
Publisher: BoD – Books on Demand
ISBN: 3387326629
Category : Fiction
Languages : en
Pages : 166
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Horace
Publisher:
ISBN:
Category : Aesthetics, Ancient
Languages : en
Pages : 168
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Book Description
Author: Quintus Horatius Flaccus
Publisher: Legare Street Press
ISBN: 9781016051866
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Horace
Publisher: Cambridge University Press
ISBN: 9780521312929
Category : History
Languages : la
Pages : 260
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Book Description
This volume fulfills the need for a student edition of Horace's literary epistles, which have recently been the subject of renewed scholarly interest. Professor Rudd provides a clear introduction to each of the three poems: the Epistles to Augustus, to Florus, and to the Pisones (the so-called "Ars Poetica"). He sketches the historical context in which the poems were written and comments on their structure and purpose. He also discusses their literary preoccupations: the relations of poet and patron and the role of poetry in the state (Augustus), the problems of a professedly tiring poet (Florus), and the presentation of classical poetic theory ("Ars Poetica"). He notes Horace's influence on later criticism, drawing attention in one section to one of Alexander Pope's Imitations. He also addresses problems of grammar and style, focusing on linguistic difficulties and the subtle movement of the poet's thought.
Author:
Publisher: BRILL
ISBN: 9087909519
Category : Education
Languages : en
Pages : 404
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Book Description
Poetic Inquiry: Vibrant Voices in the Social Sciences, co-edited by Monica Prendergast, Carl Leggo and Pauline Sameshima, features many of the foremost scholars working worldwide in aesthetic ways through poetry.
Author: Horace
Publisher:
ISBN:
Category :
Languages : en
Pages : 82
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Book Description
Author: Decio Junio Juvenal
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
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Book Description
Author: Flemming Olsen
Publisher: Apollo Books
ISBN: 9781845195540
Category : Literary Criticism
Languages : en
Pages : 92
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Book Description
Eliot's dictum about the objective correlative has often been quoted but rarely analysed. This book traces the maxim to some of its sources and places it in a contemporary context. Eliot agreed with Locke about the necessity of sensory input, but for a poet to be able to create poetry, the input has to be processed by the poet's intellect. Respect for control of feelings and order of presentation were central to Eliot's conception of literary criticism. The result the objective correlative is not one word, but "a scene" or "a chain of events". Eliot's thinking was also inspired by late 19th century French critics like Gautier and Gourmont, whose terminology he not infrequently borrowed. But he chose the term "objective" out of respect for the prestige that still surrounded the Positivist paradigm. In its break-away from Positivist dogmas, criticism of art in the early 20th century was very much preoccupied with form. In poetry, that meant focus on the use and function of the word. That focus is perceptible everywhere in Eliot's criticism. Even though the idea of the objective correlative was not an original one, Eliot's treatment of it is interesting because he sees a seeming truism ("the right word in the right place") in a new light. He never developed the theory, but the thought is traceable in several of his critical essays. On account of its categorical and rudimentary form, the theory is not unproblematic: whose fault is it if the reader's response does not square with the poet's intention? And indeed, Eliot's own practice belies his theory -- witness the multifarious legitimate interpretations of his poems.
