Author: Douglas Kelly
Publisher: Univ of Wisconsin Press
ISBN: 9780299131906
Category : Language Arts & Disciplines
Languages : en
Pages : 504
Book Description
Douglas Kelly provides a comprehensive and historically valid analysis of the art of medieval French romance as the romancers themselves describe it. He focuses on well-known writers, such as Chrétien de Troyes and Marie de France, and also draws on a wide range of other sources—prose romances, non-Arthurian romances, thirteenth-century verse romances, and variant versions from the later Middle Ages. Kelly is the first scholar to present the “art” of medieval romance to a modern audience through the interventions and comments of medieval writers themselves. The book begins by examining the difficulties scholars perceive in medieval literature: problems such as source and intertextuality, structure in its manifold modern meanings, and character psychology and individuality. These issues frame Kelly’s identification and discussion of all the known authorial interventions on the art and craft of romance. Kelly’s careful reconstruction of the “art” of romance, based on the records left by the romancers themselves, will be an invaluable resource and guide for all medievalists.
The Art of Medieval French Romance
Author: Douglas Kelly
Publisher: Univ of Wisconsin Press
ISBN: 0299131939
Category : Literary Criticism
Languages : en
Pages : 491
Book Description
Douglas Kelly provides a comprehensive and historically valid analysis of the art of medieval French romance as the romancers themselves describe it. He focuses on well-known writers, such as Chrétien de Troyes and Marie de France, and also draws on a wide range of other sources—prose romances, non-Arthurian romances, thirteenth-century verse romances, and variant versions from the later Middle Ages. Kelly is the first scholar to present the “art” of medieval romance to a modern audience through the interventions and comments of medieval writers themselves. The book begins by examining the difficulties scholars perceive in medieval literature: problems such as source and intertextuality, structure in its manifold modern meanings, and character psychology and individuality. These issues frame Kelly’s identification and discussion of all the known authorial interventions on the art and craft of romance. Kelly’s careful reconstruction of the “art” of romance, based on the records left by the romancers themselves, will be an invaluable resource and guide for all medievalists.
Publisher: Univ of Wisconsin Press
ISBN: 0299131939
Category : Literary Criticism
Languages : en
Pages : 491
Book Description
Douglas Kelly provides a comprehensive and historically valid analysis of the art of medieval French romance as the romancers themselves describe it. He focuses on well-known writers, such as Chrétien de Troyes and Marie de France, and also draws on a wide range of other sources—prose romances, non-Arthurian romances, thirteenth-century verse romances, and variant versions from the later Middle Ages. Kelly is the first scholar to present the “art” of medieval romance to a modern audience through the interventions and comments of medieval writers themselves. The book begins by examining the difficulties scholars perceive in medieval literature: problems such as source and intertextuality, structure in its manifold modern meanings, and character psychology and individuality. These issues frame Kelly’s identification and discussion of all the known authorial interventions on the art and craft of romance. Kelly’s careful reconstruction of the “art” of romance, based on the records left by the romancers themselves, will be an invaluable resource and guide for all medievalists.
The Art of Medieval French Romance
Author: Douglas Kelly
Publisher: Univ of Wisconsin Press
ISBN: 9780299131906
Category : Language Arts & Disciplines
Languages : en
Pages : 504
Book Description
Douglas Kelly provides a comprehensive and historically valid analysis of the art of medieval French romance as the romancers themselves describe it. He focuses on well-known writers, such as Chrétien de Troyes and Marie de France, and also draws on a wide range of other sources—prose romances, non-Arthurian romances, thirteenth-century verse romances, and variant versions from the later Middle Ages. Kelly is the first scholar to present the “art” of medieval romance to a modern audience through the interventions and comments of medieval writers themselves. The book begins by examining the difficulties scholars perceive in medieval literature: problems such as source and intertextuality, structure in its manifold modern meanings, and character psychology and individuality. These issues frame Kelly’s identification and discussion of all the known authorial interventions on the art and craft of romance. Kelly’s careful reconstruction of the “art” of romance, based on the records left by the romancers themselves, will be an invaluable resource and guide for all medievalists.
Publisher: Univ of Wisconsin Press
ISBN: 9780299131906
Category : Language Arts & Disciplines
Languages : en
Pages : 504
Book Description
Douglas Kelly provides a comprehensive and historically valid analysis of the art of medieval French romance as the romancers themselves describe it. He focuses on well-known writers, such as Chrétien de Troyes and Marie de France, and also draws on a wide range of other sources—prose romances, non-Arthurian romances, thirteenth-century verse romances, and variant versions from the later Middle Ages. Kelly is the first scholar to present the “art” of medieval romance to a modern audience through the interventions and comments of medieval writers themselves. The book begins by examining the difficulties scholars perceive in medieval literature: problems such as source and intertextuality, structure in its manifold modern meanings, and character psychology and individuality. These issues frame Kelly’s identification and discussion of all the known authorial interventions on the art and craft of romance. Kelly’s careful reconstruction of the “art” of romance, based on the records left by the romancers themselves, will be an invaluable resource and guide for all medievalists.
Love and Death in Medieval French and Occitan Courtly Literature
Author: Simon Gaunt
Publisher: OUP Oxford
ISBN: 0191534021
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Some of medieval culture's most arresting images and stories inextricably associate love and death. Thus the troubadour Jaufre Rudel dies in the arms of the countess of Tripoli, having loved her from afar without ever having seen her. Or in Marie de France's Chevrefoil, Tristan and Iseult's fatal love is hauntingly symbolized by the fatally entwined honeysuckle and hazel. And who could forget the ethereal spectacle of the Damoisele of Escalot's body carried to Camelot on a supernatural funerary boat with a letter on her breast explaining how her unrequited love for Lancelot killed her? Medieval literature is fascinated with the idea that love may be a fatal affliction. Indeed, it is frequently suggested that true love requires sacrifice, that you must be ready to die for, from, and in love. Love, in other words, is represented, sometimes explicitly, as a form of martyrdom, a notion that is repeatedly reinforced by courtly literature's borrowing of religious vocabulary and imagery. The paradigm of the martyr to love has of course remained compelling in the early modern and modern period. This book seeks to explore what is at stake in medieval literature's preoccupation with love's martyrdom. Informed by modern theoretical approaches, particularly Lacanian psychoanalysis and Jacques Derrida's work on ethics, it offers new readings of a wide range of French and Occitan courtly texts from the twelfth and thirteenth centuries, and argues that a new secular ethics of desire emerges from courtly literature because of its fascination with death. This book also examines the interplay between lyric and romance in courtly literary culture and shows how courtly literature's predilection for sacrificial desire imposes a repressive sex-gender system that may then be subverted by fictional women and queers who either fail to die on cue, or who die in troublesome and disruptive ways.
Publisher: OUP Oxford
ISBN: 0191534021
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Some of medieval culture's most arresting images and stories inextricably associate love and death. Thus the troubadour Jaufre Rudel dies in the arms of the countess of Tripoli, having loved her from afar without ever having seen her. Or in Marie de France's Chevrefoil, Tristan and Iseult's fatal love is hauntingly symbolized by the fatally entwined honeysuckle and hazel. And who could forget the ethereal spectacle of the Damoisele of Escalot's body carried to Camelot on a supernatural funerary boat with a letter on her breast explaining how her unrequited love for Lancelot killed her? Medieval literature is fascinated with the idea that love may be a fatal affliction. Indeed, it is frequently suggested that true love requires sacrifice, that you must be ready to die for, from, and in love. Love, in other words, is represented, sometimes explicitly, as a form of martyrdom, a notion that is repeatedly reinforced by courtly literature's borrowing of religious vocabulary and imagery. The paradigm of the martyr to love has of course remained compelling in the early modern and modern period. This book seeks to explore what is at stake in medieval literature's preoccupation with love's martyrdom. Informed by modern theoretical approaches, particularly Lacanian psychoanalysis and Jacques Derrida's work on ethics, it offers new readings of a wide range of French and Occitan courtly texts from the twelfth and thirteenth centuries, and argues that a new secular ethics of desire emerges from courtly literature because of its fascination with death. This book also examines the interplay between lyric and romance in courtly literary culture and shows how courtly literature's predilection for sacrificial desire imposes a repressive sex-gender system that may then be subverted by fictional women and queers who either fail to die on cue, or who die in troublesome and disruptive ways.
The Comedy of Eros
Author: James B. Wadsworth
Publisher: University of Illinois Press
ISBN: 9780252065811
Category : History
Languages : en
Pages : 164
Book Description
Publisher: University of Illinois Press
ISBN: 9780252065811
Category : History
Languages : en
Pages : 164
Book Description
Text/image Relations in Late Medieval French and Burgundian Culture (fourteenth-sixteenth Centuries)
Author: Rosalind Brown-Grant
Publisher: Brepols Publishers
ISBN: 9782503553184
Category : Art and literature
Languages : en
Pages : 0
Book Description
From the contents:00Part I: Allegorical Dream-Visions and Debate Poems Jonathan Morton, 'Friars in love: Manuscript illumination as literary commentary in three fourteenth-century manuscripts of the Roman de la rose' (Paris, BnF, MS .25526; Baltimore, Walters, MS W. 143;London, BL, MS Royal 19 B XIII) - Emma Cayley, ‘Entre deux sommes’: Imagining desire in the songe de la Pucelle' - HelenJ. Swi , 'Limits of representation in late fifteenth-century Burgundy: What the eye doesn’t hear and the ear doesn’t see'. 00Part II: 'Burgundian prose narratives' Dominique Lagorgette, 'Staging transgression rough text and image: Violence and nudity in the cent nouvelles nouvelles'(Glasgow, University Library, MS Hunter252, and Vérard 1486 and 1498) – Rebecca Dixon, 'The Roman de Buscalus; or, the artof not being French' – Rosalind Brown-Grant, 'Personal drama or chivalric spectacle? The reception of the Roman d’Olivier de Castille in the illuminations of the Wavrin aster and Loyset Liédet'00Part III: Reworkings of classical and Medieval auctores' J. Chimène Bateman, 'The hybrid art of the compiler: Text/Image relations in the Ovidemoralisé of Colard Mansion' – KathleenWilson-Chevalier, 'Proliferating narratives: Texts, images, and (Mostly Female) dedicatees in a few héroïdes productions' – Elizabeth L’Estrange, 'Re-Presenting Emilia in the context of the Querelle des femmes: Text and image in Anne de Graville’s Beau Roman list of manuscripts and early printed editions'
Publisher: Brepols Publishers
ISBN: 9782503553184
Category : Art and literature
Languages : en
Pages : 0
Book Description
From the contents:00Part I: Allegorical Dream-Visions and Debate Poems Jonathan Morton, 'Friars in love: Manuscript illumination as literary commentary in three fourteenth-century manuscripts of the Roman de la rose' (Paris, BnF, MS .25526; Baltimore, Walters, MS W. 143;London, BL, MS Royal 19 B XIII) - Emma Cayley, ‘Entre deux sommes’: Imagining desire in the songe de la Pucelle' - HelenJ. Swi , 'Limits of representation in late fifteenth-century Burgundy: What the eye doesn’t hear and the ear doesn’t see'. 00Part II: 'Burgundian prose narratives' Dominique Lagorgette, 'Staging transgression rough text and image: Violence and nudity in the cent nouvelles nouvelles'(Glasgow, University Library, MS Hunter252, and Vérard 1486 and 1498) – Rebecca Dixon, 'The Roman de Buscalus; or, the artof not being French' – Rosalind Brown-Grant, 'Personal drama or chivalric spectacle? The reception of the Roman d’Olivier de Castille in the illuminations of the Wavrin aster and Loyset Liédet'00Part III: Reworkings of classical and Medieval auctores' J. Chimène Bateman, 'The hybrid art of the compiler: Text/Image relations in the Ovidemoralisé of Colard Mansion' – KathleenWilson-Chevalier, 'Proliferating narratives: Texts, images, and (Mostly Female) dedicatees in a few héroïdes productions' – Elizabeth L’Estrange, 'Re-Presenting Emilia in the context of the Querelle des femmes: Text and image in Anne de Graville’s Beau Roman list of manuscripts and early printed editions'
The Medieval French Alexander
Author: Donald Maddox
Publisher: State University of New York Press
ISBN: 0791488322
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
Alexander the Great was one of the legendary Nine Worthies in the medieval canon of ancient and modern heroes, and medieval writers exploited his legend in a wide variety of literary and didactic texts. Addressing the classical legacy to the Middle Ages as expressed in four centuries of vernacular narratives, this volume offers the first systematic collective study of Alexander the Great's thematic prominence in medieval culture. Contributors from Britain, France, the Netherlands, and the United States combine sensitive textual analyses with perspectives from such diverse fields as art history, codicology, anthropology, sociology, the history of mentalities, and postcolonial theory. Overall, the collection offers a provocative rethinking of the monumental medieval French tradition of Alexander the Great, as well as valuable insight into the emergence and transformations of French literature between the early twelfth century and the end of the Middle Ages.
Publisher: State University of New York Press
ISBN: 0791488322
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
Alexander the Great was one of the legendary Nine Worthies in the medieval canon of ancient and modern heroes, and medieval writers exploited his legend in a wide variety of literary and didactic texts. Addressing the classical legacy to the Middle Ages as expressed in four centuries of vernacular narratives, this volume offers the first systematic collective study of Alexander the Great's thematic prominence in medieval culture. Contributors from Britain, France, the Netherlands, and the United States combine sensitive textual analyses with perspectives from such diverse fields as art history, codicology, anthropology, sociology, the history of mentalities, and postcolonial theory. Overall, the collection offers a provocative rethinking of the monumental medieval French tradition of Alexander the Great, as well as valuable insight into the emergence and transformations of French literature between the early twelfth century and the end of the Middle Ages.
Outsiders
Author: Sylvia Huot
Publisher: University of Notre Dame Pess
ISBN: 0268081832
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Giants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentation—and suppression—of alternative narrative and historical trajectories that might have made Arthurian Britain a very different place. Focusing on medieval French prose romance and drawing on aspects of postcolonial theory, Huot examines the role of giants in constructions of race, class, gender, and human subjectivity. She selects for study the well-known prose Lancelot and the prose Tristan, as well as the lesser known Perceforest, Le Conte du papegau, Guiron le Courtois, and Des Grantz Geants. By asking to what extent views of giants in Arthurian romance respond to questions that concern twenty-first-century readers, Huot demonstrates the usefulness of current theoretical concepts and the issues they raise for rethinking medieval literature from a modern perspective.
Publisher: University of Notre Dame Pess
ISBN: 0268081832
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Giants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentation—and suppression—of alternative narrative and historical trajectories that might have made Arthurian Britain a very different place. Focusing on medieval French prose romance and drawing on aspects of postcolonial theory, Huot examines the role of giants in constructions of race, class, gender, and human subjectivity. She selects for study the well-known prose Lancelot and the prose Tristan, as well as the lesser known Perceforest, Le Conte du papegau, Guiron le Courtois, and Des Grantz Geants. By asking to what extent views of giants in Arthurian romance respond to questions that concern twenty-first-century readers, Huot demonstrates the usefulness of current theoretical concepts and the issues they raise for rethinking medieval literature from a modern perspective.
Roman de Silence
Author: Heldris (de Cornuälle.)
Publisher: MSU Press
ISBN:
Category : Fiction
Languages : en
Pages : 414
Book Description
This bilingual edition, based on a reexamination of the Old French manuscript, makes Silence available to specialists and students in various fields of literature, to those in women's studies and, most important, to everyone who loves a first-rate story.
Publisher: MSU Press
ISBN:
Category : Fiction
Languages : en
Pages : 414
Book Description
This bilingual edition, based on a reexamination of the Old French manuscript, makes Silence available to specialists and students in various fields of literature, to those in women's studies and, most important, to everyone who loves a first-rate story.
The Mélusine Romance in Medieval Europe
Author: Lydia Zeldenrust
Publisher: Boydell & Brewer
ISBN: 1843845210
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Readers have long been fascinated by the enigmatic figure of M lusine - a beautiful fairy woman cursed to transform into a half-serpent once a week, whose part-monstrous sons are the ancestor of several European noble houses. This study is the first to consider how this romance developed from a local legend to European bestseller, analysing versions in French, German, Castilian, Dutch, and English. It addresses questions on how to study medieval literature from a European perspective, moving beyond national canons, and reading M lusine's bodily mutability as a metaphor for how the romance itself moves and transforms across borders. It also analyses key changes to the romance's content, form, and material presentation - including its images - and traces how the people who produced and consumed this romance shaped its international transmission and spread. The author shows how M lusine's character is adapted within each local context, while also uncovering previously unknown connections between the different branches of this multilingual tradition. Moving beyond established paradigms of separate national traditions, manuscript versus print, and medieval versus Renaissance literature, the book integrates literary analysis with art historical and book historical approaches. LYDIA ZELDENRUST is a Leverhulme Early Career Fellow at the Department of English and Related Literature at the University of York.
Publisher: Boydell & Brewer
ISBN: 1843845210
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Readers have long been fascinated by the enigmatic figure of M lusine - a beautiful fairy woman cursed to transform into a half-serpent once a week, whose part-monstrous sons are the ancestor of several European noble houses. This study is the first to consider how this romance developed from a local legend to European bestseller, analysing versions in French, German, Castilian, Dutch, and English. It addresses questions on how to study medieval literature from a European perspective, moving beyond national canons, and reading M lusine's bodily mutability as a metaphor for how the romance itself moves and transforms across borders. It also analyses key changes to the romance's content, form, and material presentation - including its images - and traces how the people who produced and consumed this romance shaped its international transmission and spread. The author shows how M lusine's character is adapted within each local context, while also uncovering previously unknown connections between the different branches of this multilingual tradition. Moving beyond established paradigms of separate national traditions, manuscript versus print, and medieval versus Renaissance literature, the book integrates literary analysis with art historical and book historical approaches. LYDIA ZELDENRUST is a Leverhulme Early Career Fellow at the Department of English and Related Literature at the University of York.
The Art of Courtly Love
Author: Andreas (Capellanus.)
Publisher: Columbia University Press
ISBN: 9780231073059
Category : Family & Relationships
Languages : en
Pages : 232
Book Description
The social system of 'courtly love' soon spread after becoming popularized by the troubadours of southern France in the twelfth century. This book codifies life at Queen Eleanor's court at Poitiers between 1170 and 1174 into "one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization."
Publisher: Columbia University Press
ISBN: 9780231073059
Category : Family & Relationships
Languages : en
Pages : 232
Book Description
The social system of 'courtly love' soon spread after becoming popularized by the troubadours of southern France in the twelfth century. This book codifies life at Queen Eleanor's court at Poitiers between 1170 and 1174 into "one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization."