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Author: Emily Merson
Publisher: Routledge
ISBN: 0429758618
Category : Political Science
Languages : en
Pages : 175
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Book Description
Artwork and popular cultures are crucial sites of contesting and transforming power relationships in world politics. The contributors to this edited collection draw on their experiences across arts, activist, and academic communities to analyze how the global politics of colonialism, capitalism, and patriarchy are expressed and may be transformed through popular cultures and artistic labour. Through their methodological treatment of artwork and popular cultures as material sites of generating aesthetic knowledge and embodying global power, the authors foreground an analysis of global hierarchies and transformative empowerment through critically engaged political imagination and cultural projects. By centralizing an intersectional analysis of the racialized, gendered, economic dimensions of the praxis of culture, The Art of Global Power demonstrates how artwork and popular culture projects, events, and institutions are vital sites of transgressing the material conditions that produce and sustain unjust global power hierarchies. This book intervenes in the international relations popular culture literature by problematizing the idea of a single homogenizing global popular culture and engaging with multiple popular cultures articulated from diverse global locations and worldviews. To the international relations aesthetics literature this book contributes an intersectional analysis of aesthetics as an embodied process of knowledge production and action that takes place within global conditions of colonialism, capitalism, and patriarchy. This book will be of interest to students, researchers and practitioners of international relations, and gender, cultural and media studies.
Author: Emily Merson
Publisher: Routledge
ISBN: 0429758618
Category : Political Science
Languages : en
Pages : 175
Get Book Here
Book Description
Artwork and popular cultures are crucial sites of contesting and transforming power relationships in world politics. The contributors to this edited collection draw on their experiences across arts, activist, and academic communities to analyze how the global politics of colonialism, capitalism, and patriarchy are expressed and may be transformed through popular cultures and artistic labour. Through their methodological treatment of artwork and popular cultures as material sites of generating aesthetic knowledge and embodying global power, the authors foreground an analysis of global hierarchies and transformative empowerment through critically engaged political imagination and cultural projects. By centralizing an intersectional analysis of the racialized, gendered, economic dimensions of the praxis of culture, The Art of Global Power demonstrates how artwork and popular culture projects, events, and institutions are vital sites of transgressing the material conditions that produce and sustain unjust global power hierarchies. This book intervenes in the international relations popular culture literature by problematizing the idea of a single homogenizing global popular culture and engaging with multiple popular cultures articulated from diverse global locations and worldviews. To the international relations aesthetics literature this book contributes an intersectional analysis of aesthetics as an embodied process of knowledge production and action that takes place within global conditions of colonialism, capitalism, and patriarchy. This book will be of interest to students, researchers and practitioners of international relations, and gender, cultural and media studies.
Author: Edward A. Kolodziej
Publisher: University of Georgia Press
ISBN: 0820336351
Category : Biography & Autobiography
Languages : en
Pages : 436
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Book Description
The essays in this volume argue that the Bush Doctrine, as outlined in the September 2002 National Security Strategy of the United States, squandered enormous military and economic resources, diminished American power, and undermined America’s moral reputation as a defender of democratic values and human rights. The Bush Doctrine misguidedly assumed that the United States was a superpower, a unique unipolar power that could compel others to accede to its preferences for world order. In reality the United States is a formidable but besieged global power, one of a handful of nations that could influence but certainly not dictate world events. The flawed doctrine has led to failed policies that extend America’s reach beyond its grasp, most painfully evident in the wars in Iraq and Afghanistan. Leading scholars and policy analysts from nine countries assess the impact of the Bush Doctrine on world order, explain how the United States reached its current low standing internationally, and propose ways that the country can repair the untold damage wrought by ill-conceived and incompetently executed security and foreign policies. Contributors focus on the principal regions of the world where they have expertise: Asia, Europe, Africa, the Middle East, Latin America, and Russia. The contributors agree that future security and foreign policies must be informed by the limitations of U.S. economic, cultural, and military power to shape world order to reflect American interests and values. American power and influence will increase only when the United States binds itself to moral norms, legal strictures, and political accords in cooperation with other like-minded states and peoples.
Author: Andrew Monaghan
Publisher: Russian Strategy and Power
ISBN: 9781526164629
Category : History
Languages : en
Pages : 224
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Book Description
This book offers a nuanced and detailed examination of two of the most important current debates about contemporary Russia's international activity: is Moscow acting strategically or opportunistically, and should this be understood in regional or global terms? The book addresses core themes of Russian activity - military, energy and economic - but it offers an unusual multi-disciplinary analysis to these themes. Monaghan incorporates both regional and thematic specialist expertise to give a fresh perspective to each of these core themes. Underpinned by detailed analyses of the revolution in Russian geospatial capabilities and the establishment of a strategic planning foundation, the book includes chapters on military and maritime strategies, energy security and economic diversification and influence. This serves to highlight the connections between military and economic interests that shape and drive Russian strategy.
Author: Alexander T.J. Lennon
Publisher: MIT Press
ISBN: 0262622181
Category : Political Science
Languages : en
Pages : 450
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Book Description
Although the United States is considered the world's only superpower, other major powers seek to strengthen the roles they play on the global stage. Because of the Iraq War and its repercussions, many countries have placed an increased emphasis on multilateralism. This new desire for a multipolar world, however, may obscure the obvious question of what objectives other powerful countries seek. Few scholars and policymakers have addressed the role of the other major powers in a post-9/11 world. Global Powers in the 21st Century fills this gap, offering in-depth analyses of China, Japan, Russia, India, and the European Union in this new global context. Prominent analysts, including Zbigniew Brzezinski, C. Raja Mohan, David Shambaugh, Dmitri Trenin, Akio Watanabe, and Wu Xinbo, examine the policies and positions of these global players from both international and domestic perspectives. The book discusses each power's domestic politics, sources of power, post-9/11 changes, relationship with the United States, adjustments to globalization, and vision of its place in the world. Global Powers in the 21st Century offers readers a clear look at the handful of actors that will shape the world in the years ahead. Contributors: Franco Algieri, Zbigniew Brzezinski, Yong Deng, Xenia Dormandy, Evan A. Feigenbaum, Michael J. Green, Robert E. Hunter, Edward J. Lincoln, Jeffrey Mankoff, C. Raja Mohan, Thomas G. Moore, Robin Niblett, George Perkovich, Gideon Rachman, Richard J. Samuels, Timothy M. Savage, Teresita C. Schaffer, David Shambaugh, Robert Sutter, Dmitri Trenin, Celeste A. Wallander, Akio Watanabe, Wu Xinbo. About the Editors Alexander T.J. Lennon is editor in chief of The Washington Quarterly, the journal of the Center for Strategic and International Studies (CSIS). He is the editor of The Epicenter of Crisis: The New Middle East (MIT Press, 2008) and other Washington Quarterly Readers. Amanda Kozlowski is associate editor of The Washington Quarterly.
Author: John Mikler
Publisher: John Wiley & Sons
ISBN: 0745698492
Category : Political Science
Languages : en
Pages : 178
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Book Description
We have long been told that corporations rule the world, their interests seemingly taking precedence over states and their citizens. Yet, while states, civil society, and international organizations are well drawn in terms of their institutions, ideologies, and functions, the world's global corporations are often more simply sketched as mechanisms of profit maximization. In this book, John Mikler re-casts global corporations as political actors with complex identities and strategies. Debunking the idea of global corporations as exclusively profit-driven entities, he shows how they seek not only to drive or modify the agendas of states but to govern in their own right. He also explains why we need to re-territorialize global corporations as political actors that reflect and project the political power of the states and regions from which they hail. We know the global corporations' names, we know where they are headquartered, and we know where they invest and operate. Economic processes are increasingly produced by the control they possess, the relationships they have, the leverage they employ, the strategic decisions they make, and the discourses they create to enhance acceptance of their interests. This book represents a call to study how they do so, rather than making assumptions based on theoretical abstractions.
Author: Jennifer Mitzen
Publisher: University of Chicago Press
ISBN: 022606025X
Category : Political Science
Languages : en
Pages : 275
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Book Description
How states cooperate in the absence of a sovereign power is a perennial question in international relations. With Power in Concert, Jennifer Mitzen argues that global governance is more than just the cooperation of states under anarchy: it is the formation and maintenance of collective intentions, or joint commitments among states to address problems together. The key mechanism through which these intentions are sustained is face-to-face diplomacy, which keeps states’ obligations to one another salient and helps them solve problems on a day-to-day basis. Mitzen argues that the origins of this practice lie in the Concert of Europe, an informal agreement among five European states in the wake of the Napoleonic wars to reduce the possibility of recurrence, which first institutionalized the practice of jointly managing the balance of power. Through the Concert’s many successes, she shows that the words and actions of state leaders in public forums contributed to collective self-restraint and a commitment to problem solving—and at a time when communication was considerably more difficult than it is today. Despite the Concert’s eventual breakdown, the practice it introduced—of face to face diplomacy as a mode of joint problem solving—survived and is the basis of global governance today.
Author: Fran Collyer
Publisher:
ISBN: 9781925495768
Category : Education and globalization
Languages : en
Pages : 0
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Book Description
Knowledge and Global Power is a ground-breaking international study which examines how knowledge is produced, distributed and validated globally. The authors use interviews, databases, and fieldwork to show how intellectual workers respond in Brazil, South Africa, and Australia. The study focuses on socially and politically important research fields: HIV/AIDS, climate change, and gender studies. The research demonstrates emphatically that 'place matters', shaping research, scholarship and knowledge itself.
Author: Michael Reid
Publisher: Yale University Press
ISBN: 0300165609
Category : History
Languages : en
Pages : 348
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Book Description
Examines the South American country that is destined to be one of the world's premier economic powers by the year 2030, and considers some of the abundant problems the nation faces.
Author: Nermeen Shaikh
Publisher: Columbia University Press
ISBN: 0231512414
Category : Political Science
Languages : en
Pages : 297
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Book Description
The Present as History is a rare opportunity to hear world-renowned scholars speak on the new imperialism, feminism and human rights, secularism and Islam, post-colonialism, and the global economy. They treat the United States as an object to be historically and politically interrogated rather than as the norm from which all else is to be evaluated and assess the Third World through its history of colonialism and neocolonialism rather than focusing on issues of culture and morality. Amartya Sen discusses the shortcomings of the development agenda as it was conceived at the close of the Second World War, while Joseph Stiglitz explains economic globalization and the power of the International Monetary Fund in guiding its trajectory. Sanjay Reddy argues that global poverty estimates are flawed, and Helena Norberg-Hodge uses her experience in Tibet to lay bare the problems with development practice. Political scientists Partha Chatterjee, Mahmood Mamdani, and Anatol Lieven chart the growth of hegemonic power from the colonial to the postcolonial period. Chatterjee examines the enduring effects of colonial administrative and governing practices, while Mamdani, focusing on the present global dispensation, explains the growth of terrorist movements around the world in the context of the Cold War. Lieven looks at the different strains of American nationalism and the continuities and ruptures between nineteenth-century empires and the present one. Iranian human rights lawyer Shirin Ebadi elaborates the relationship between Islam, democracy, and human rights while anthropologists Lila Abu-Lughod and Saba Mahmood respectively trace the historical use of women as an excuse for imperial intervention and discuss the relationship between liberalism, Islam, and secularism. Literary theorist and cultural critic Gayatri Chakravorty Spivak looks at the legacy of colonialism in the domain of language and education, and isolates the problems associated with human rights discourse and practice. In conclusion, Talal Asad traces the genealogy of the term secularism, the special place of Islam within it, and its relationship to modernity. Gil Anidjar considers the distinction between religion and politics and elaborates the historical links between secularism and Christianity. Taken together, these interviews offer a valuable understanding of world history and a corrective to predominant conventional discourses on global power and justice.
Author: Fiona Greenland
Publisher: University of Chicago Press
ISBN: 022675703X
Category : History
Languages : en
Pages : 264
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Book Description
"A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be "the world's greatest cultural power." Why do Italians believe this? Why is the patria, or "homeland," so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? Fiona Greenland's Ruling Culture addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"--
