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Author: Theodore Henry Fielding
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
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Book Description
Author: Theodore Henry Fielding
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
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Book Description
Author: Theodore Henry Fielding
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
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Author: Theodore Henry Fielding
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 258
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Book Description
By the second quarter of the nineteenth century both stipple engraving and aquatint, regarded by Fielding as an art 'invented for the torment of man', were no longer widely used by publishers for large-scale reproductive engravings. Line engraving with its 'beautiful but more or less mechanical arrangement of lines' was also losing ground to the freer style attainable through lithography. The manufactured demand for the 'beautiful productions of our best engravers' through literary annuals 'flung with a prodigal hand before the public, at a price for which they should never have been sold, and which only an excessive sale could render profitable', had outpaced both the supply of engravers and the speed with which such fine plates could be executed. It was therefore to an adaptation of the tonal characteristics offered by the eighteenth century mezzotint that artists such as Fielding turned, to offer a speedier means of producing the softer tonal qualities demanded by the lastest taste. Written in the midst of this period of technical experimentation Fielding's manual is particularly important in detailing the engraver's response to new commercial pressures."The first book to have a chapter solely devoted to all aspects of photography" (Quayle). Particular reference is made to J.N. Niepce, who took the first photograph in 1826, but whose achievement was not made public until 1841, and there is also a section on Daguerre. "...contains information on what were then the most up-to-date matters, including lithography and electrography. Fielding quotes Partington extensively, almost verbatim in parts, describing his source as a "celebrated work on engraving", but he commences with a highly critical view of steel engraving and its evils, having very little to say in its favour. [Fieldings book] was used extensively a year or two later by W.L. Maberley, who published The Print Collector in 1844." from Hunnisett p34. see also Dyson, Pictures to Print p.118 for good reference to this work. See also Printmaking and Picture Printing A28 for details on the plates.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 534
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Author: James Tregaskis (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1352
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Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs
Languages : en
Pages : 1418
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Author: Thomas M Bayer
Publisher: Routledge
ISBN: 1317323823
Category : Business & Economics
Languages : en
Pages : 306
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Book Description
This book gives a comprehensive account of the history and underlying economics of the modern art market in eighteenth- and nineteenth-century Britain.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 964
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Author: Theodore Henry a Fielding
Publisher: Legare Street Press
ISBN: 9781016407304
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
