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Author: Mark Cotta Vaz
Publisher: Simon and Schuster
ISBN: 1608873447
Category : Performing Arts
Languages : en
Pages : 87
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Book Description
Introduces the creative process behind the film, with concept illustrations, sketches, storyboards, and other pre-production materials, and features interviews with the director, key crew, and cast members.
Author: Mark Cotta Vaz
Publisher: Simon and Schuster
ISBN: 1608873447
Category : Performing Arts
Languages : en
Pages : 87
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Book Description
Introduces the creative process behind the film, with concept illustrations, sketches, storyboards, and other pre-production materials, and features interviews with the director, key crew, and cast members.
Author: Carel Blotkamp
Publisher: Reaktion Books
ISBN: 9781861891006
Category : Neoplasticism
Languages : en
Pages : 270
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Book Description
Piet Mondrian was one of the great pioneers of abstract art. This book looks at the relationship between his paintings and his theories on art.
Author: Stephen Barber
Publisher:
ISBN: 9780983248019
Category : Abstract expressionism
Languages : en
Pages : 0
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Book Description
1.The Origins Of The Vienna Action Group --2.Otto Muehl --3.Gunter Brus --4.Hermann Nitsch --5.Rudolf Schwarzkogler --6.Art Crimes And Exile --7.The Films Of The Vienna Action Group --8.Kurtkren --9.Ernst Schmidt Jr --10.Performance/Film --11.6/64 Mama Und Papa --12.Wiener Spaziergang --13.Bodybuilding --14.Kunst Und Revolution --15.Zerreissprobe --16.Blood Orgies And Art-Pornography --17.Sex And The Art Of Destruction --18.The Detritus Of The Vienna Action Group And Contemporary Art.
Author: Dario Gamboni
Publisher: Reaktion Books
ISBN: 1861893167
Category : Art
Languages : en
Pages : 529
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Book Description
"This is the first comprehensive examination of modern iconoclasm. Dario Gamboni looks at deliberate attacks carried out - by institutions as well as individuals - on paintings, buildings, sculptures and other works of art in the nineteenth and twentieth centuries. Truly international in scope, "The Destruction of Art" examines incidents, some comic and others disquieting, in the USA, France, the former Soviet Union and other eastern bloc states, Britain, Switzerland, Germany and elsewhere. Motivated in the first instance by the recent destruction of many monuments in Europe's former Communist states, which challenged the assumption that iconoclasm was truly a thing of the past, the author has discovered just how widespread the destruction of art is today, manifested in explicable and inexplicable vandalism, political protest and censorship of all sorts. Dario Gamboni examines the relationship between contemporary destructions of art, older forms of iconoclasm and the development of modern art. His analysis is illustrated by case studies from Europe and the United States, from Suffragette protests in London's National Gallery to the controversy surrounding the removal of Richard Serra's Tilted Arc in New York and the resultant debate on artists' moral rights. "The Destruction of Art" asks what iconoclasm can teach us about the place of works of art and material culture in society. The history of iconoclasm is shown to reflect, and to contribute to, the changing and conflicting definitions of art itself." -- BOOK JACKET.
Author: Stephen Barber
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
The Vienna Action Group formed the most provocative, insurgent, and challenging of all the worldwide art movements of the 1960s.
Author: Kerry Brougher
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Timely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.
Author:
Publisher: Rocky Mountain Books Ltd
ISBN: 1771600543
Category : Photography
Languages : en
Pages : 304
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Book Description
The Alberta oil/tar sands are a place of superlatives, of awesome beauty and equally awesome destruction. They are a kaleidoscope of contrasts, colours and patterns keeping time with the seemingly unstoppable movement of machinery, smoke and effluent set in an immense boreal landscape with its own immutable patterns, cadence and cycles. Beautiful Destruction is a large-format, high-quality photography book that uses over 100 stunning, full-colour aerial photographs to transcend the polarities that dominate public discourse of the largest industrial project in North America: the Alberta oil/tar sands. With short essays by renowned personalities Bill McKibben, Charles Wilkinson, Duff Connacher, Elizabeth May, Eric Reguly, Ezra Levant, Jennifer Grant, Rick George, Gil McGowan, Allan Adam, Megan Leslie and Francis Scarpaleggia from both sides of the oil/tar sands debate discussing the artistic, industrial and environmental perceptions of northern Alberta's petroleum-based mega-project, Beautiful Destruction is one of the most ambitious, provocative and unique photography projects to be published in years.
Author: Jennifer Walden
Publisher:
ISBN: 9781443849005
Category : Art
Languages : en
Pages : 0
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Book Description
Most talk of and writing on art is about its relationship to creation and creativity. This of course takes various forms, but ultimately the creative act in the making of art works is a key issue. What happens when we put together art and destruction? This has been referenced in some major areas, such as that of art and iconoclasm and auto-destructive art movements. Less evident are accounts of more intimate, smaller scale â ~destructiveâ (TM) interventions into the world of the made or exhibited art object, or more singular and particularised approaches to the representation of mass destruction. This volume addresses these lacunae by bringing together some distinct and very different areas for enquiry which, nevertheless, share a theme of destruction and share an emphasis upon the history of twentieth and twenty-first century art making. Scholars and makers have come together to produce accounts of artists whose making is driven by the breaking of, or breaking down of, matter and medium as part of the creative materialisation of the idea, such as Richard Wentworth, Bouke de Vries, Cornelia Parker, to name some of those artists represented here, and, indeed in one case, how our very attempts to write about such practices are challenged by this making process. Other perspectives have engaged in critical study of various destructive interventions in galleries. Some of these, whether as actual staged actions in real time, or filmic representations of precarious objects, are understood as artistic acts in and of themselves. At the same time, an account included in this volume of certain contemporary iconoclasts, defacing or otherwise effecting destructive attempts upon canonised exhibited artworks, reflects upon these destructive interventionists as self-styled artists claiming to add to the significance of works via acts of destruction. Yet other chapters provide a fresh outlook upon distinctive and unusual approaches to the representation of destruction, in terms of the larger scale and landscape of artistic responses to mass destruction in times of war. This book will be of interest to readers keen to encounter the range of nuance, complexity and ambiguity applicable to the bringing together of art and destruction.
Author: Sven Spieker
Publisher: National Geographic Books
ISBN: 0262534347
Category : Art
Languages : en
Pages : 0
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Book Description
Essays explore contemporary artists' engagement with destruction, and how it has disrupted the perceived integrity of built structures and institutions. The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art's fixity as arrested form and ushers in the ephemeral and contingent "open work." This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art. Artists surveyed include Ai Weiwei, John Baldessari, Monica Bonvicini, Alexander Brener, Stuart Brisley, Douglas Gordon, Huang Yong Ping, Enrique Jezik, Milan Knizak, Paul McCarthy, Piero Manzoni, Gordon Matta-Clark, Gustav Metzger, Otto Mühl, Yoko Ono, Raphael Montañez Ortiz, Petr Pavlensky, William Pope.L, Walid Raad, Arnulf Rainer, Robert Rauschenberg, Carolee Schneemann, Song Dong, Jean Tinguely, Wolf Vostell Writers include Alain Badiou, Walter Benjamin, Horst Bredekamp, Carolyn Christov-Bakargiev, Medina Cuauthémoc, Dario Gamboni, Richard Galpin, Caleb Kelly, Bruno Latour, Sven Lütticken, Antonio Negri, Sophie O'Brien, Kristine Stiles, Jennifer Walden
Author: Kristine Stiles
Publisher: University of Chicago Press
ISBN: 0226774538
Category : Art
Languages : en
Pages : 491
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Book Description
Kristine Stiles has played a vital role in establishing trauma studies within the humanities. A formidable force in the art world, Stiles examines the significance of traumatic experiences both in the individual lives and works of artists and in contemporary international cultures since World War II. In Concerning Consequences, she considers some of the most notorious art of the second half of the twentieth century by artists who use their bodies to address destruction and violence. The essays in this book focus primarily on performance art and photography. From war and environmental pollution to racism and sexual assault, Stiles analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible’s patriarchal legacies to documentary images of nuclear explosions, Concerning Consequences explores how art can provide a distinctive means of understanding trauma and promote individual and collective healing.
