The Art of Courtly Dancing in the Early Renaissance PDF Download
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Author: Ingrid Brainard
Publisher:
ISBN:
Category : Basse danse (Dance)
Languages : en
Pages : 152
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Book Description
Author: Ingrid Brainard
Publisher:
ISBN:
Category : Basse danse (Dance)
Languages : en
Pages : 152
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Book Description
Author: Ingrid Brainard
Publisher:
ISBN:
Category : Court dancing
Languages : en
Pages : 182
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Book Description
Author: Ingrid Brainard
Publisher: AMS Press
ISBN: 9780404623333
Category :
Languages : en
Pages :
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Book Description
Author: Ingrid Brainard
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 44
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Book Description
Author: Fabritio Caroso
Publisher: Courier Corporation
ISBN: 9780486286198
Category : Music
Languages : en
Pages : 420
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Book Description
Renaissance classic includes choreography and music for 49 dances from the period 1550 to 1610, plus guidance on court dress and etiquette for men and women. Indispensable source of authentic information.
Author: A. William Smith
Publisher: Pendragon Press
ISBN: 9780945193258
Category : Juvenile Nonfiction
Languages : en
Pages : 340
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Book Description
Vol. 1: Treatises and music ; vol. 2: choreographic descriptions with concordances of variants.
Author: Skiles Howard
Publisher: Massachusetts Studies in Early
ISBN: 9781558491441
Category : History
Languages : en
Pages : 0
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Book Description
Scholar Skiles Howard examines the social and semiotic complexities of dance in Renaissance England as it changed over time and performed different work in court, city, and playhouse. Interdisciplinary in its approach, this well-researched study explores issues of power and the body, gender and rank, popular culture and European expansion. 20 illustrations.
Author: Jeffery Kite-Powell
Publisher: Indiana University Press
ISBN: 0253348668
Category : Music
Languages : en
Pages : 498
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Book Description
Vocal/choral issues. The solo voice in the Renaissance / Ellen Hargis ; On singing and the vocal ensemble I / Alexander Blachly ; On singing and the vocal ensemble II / Alejandro Planchart ; Practical matters of vocal performance / Anthony Rooley -- Wind, string, and percussion instruments. Recorder ; Renaissance flute / Herbert Myers ; Capped double reeds : crumhorn--Kortholt--Schreierpfeif / Jeffery Kite-Powell ; Shawm and curtal / Ross Duffin ; Racket : rackett, Rankett (Ger.), cervelas (Fr.), cervello (It.) / Jeffery Kite-Powell ; Bagpipe / Adam Knight Gilbert ; Cornett / Douglas Kirk ; Sackbut / Stewart Carter -- Bowed instruments / Wendy Gillespie -- The violin / David Douglass -- Plucked instruments / Paul O'Dette -- The harp / Herbert Myers -- Early percussion / Benjamin Harms -- Keyboard instruments / Jack Ashworth -- Practical considerations/instrumentation. Proto-continuo / Jack Ashworth and Paul O'Dette ; Mixed ensembles / James Tyler ; Large ensembles / Jeffery Kite-Powell ; Rehearsal tips for directors / Adam Knight Gilbert ; Performance editions / Frederick Gable -- Performance practice. Tuning and temperament / Ross Duffin ; Pitch and transposition / Herbert Myers ; Ornamentation in sixteenth-century music / Bruce Dickey ; Pronunciation guides / Ross Duffin -- Aspects of theory. Eight brief rules for composing a si placet altus, ca. 1470-1510 / Adam Knight Gilbert ; Renaissance theory / Sarah Mead -- Introduction to Renaissance dance. Early Renaissance dance, 1450-1520 / Yvonne Kendall -- For the early music director. Starting from scratch / Jeffery Kite-Powell.
Author: Rebecca Harris-Warrick
Publisher: Univ of Wisconsin Press
ISBN: 9780299203542
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in Italy and Vienna, the genre of pantomime ballet as it was practiced by Magri and his colleagues across Europe, the relationships between dance and pantomime in this type of work, the music used to accompany pantomime ballets, and the movement vocabulary of the grotesque dancer. Appendices contain scenarios from eighteenth-century pantomime ballets, including several of Magri’s own devising; an index to the step-vocabulary discussed in Magri’s book; and an index of dancers in Italy known to have performed as grotteschi. Illustrations, music examples, and dance notations also supplement the text.
Author: Ingrid Brainard
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
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Book Description
