Author: Ingrid Brainard
Publisher: AMS Press
ISBN: 9780404623333
Category :
Languages : en
Pages :
Book Description
The Art of Courtly Dancing in the Early Renaissance
Author: Ingrid Brainard
Publisher: AMS Press
ISBN: 9780404623333
Category :
Languages : en
Pages :
Book Description
Publisher: AMS Press
ISBN: 9780404623333
Category :
Languages : en
Pages :
Book Description
The Art of Courtly Dancing in the Early Renaissance
Author: Ingrid Brainard
Publisher:
ISBN:
Category : Basse danse (Dance)
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Basse danse (Dance)
Languages : en
Pages : 152
Book Description
The Art of Courtly Dancing in the Early Renaissance: The practice of courtly dancing in the early Renaissance
Author: Ingrid Brainard
Publisher:
ISBN:
Category : Court dancing
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : Court dancing
Languages : en
Pages : 182
Book Description
Three Court Dances of the Early Renaissance
Author: Ingrid Brainard
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 44
Book Description
Courtly Dance of the Renaissance
Author: Fabritio Caroso
Publisher: Courier Corporation
ISBN: 9780486286198
Category : Music
Languages : en
Pages : 420
Book Description
Renaissance classic includes choreography and music for 49 dances from the period 1550 to 1610, plus guidance on court dress and etiquette for men and women. Indispensable source of authentic information.
Publisher: Courier Corporation
ISBN: 9780486286198
Category : Music
Languages : en
Pages : 420
Book Description
Renaissance classic includes choreography and music for 49 dances from the period 1550 to 1610, plus guidance on court dress and etiquette for men and women. Indispensable source of authentic information.
The Art of Courtly Dancing in the Renaissance
Author: Ingrid Brainard
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
Book Description
The Dancing Body in Renaissance Choreography
Author: Mark Franko
Publisher: Anthem Studies in Theatre and
ISBN: 9781785278013
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical discourses of civility and conceptions of value emanating from descriptions of social interaction in courtesy books.
Publisher: Anthem Studies in Theatre and
ISBN: 9781785278013
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical discourses of civility and conceptions of value emanating from descriptions of social interaction in courtesy books.
Orchesography
Author: Thoinot Arbeau
Publisher: Courier Corporation
ISBN: 0486217450
Category : Performing Arts
Languages : en
Pages : 274
Book Description
The most valuable resource for 16th-century dances and dance music, this volume describes galliards, pavans, branles, gavottes, lavolta, basse dance, morris dance, and more, with detailed instructions of steps. 44 illustrations.
Publisher: Courier Corporation
ISBN: 0486217450
Category : Performing Arts
Languages : en
Pages : 274
Book Description
The most valuable resource for 16th-century dances and dance music, this volume describes galliards, pavans, branles, gavottes, lavolta, basse dance, morris dance, and more, with detailed instructions of steps. 44 illustrations.
Dance in the Renaissance
Author: Margaret M. McGowan
Publisher:
ISBN:
Category : History
Languages : en
Pages : 368
Book Description
"Margaret McGowan examines the diverse forms of dance in the Renaissance, contemporary attitudes towards dance, and the light this throws on moral, political and aesthetic concerns of the time. Among the subjects she covers are: expectations of dance; style, costume, music and social coding; court dance versus social dancing; dance and the Valois dynasty; professional dancers, virtuosos and choreographers; burlesque; opposition to dance; and dance and the people. McGowan's sophisticated analysis of formal dance treatises allows her to recreate a sense of the actual practice of Renaissance dance and the mechanics of making a ballet. Nearly one hundred illustrations, many of them rare, accompany the text."--BOOK JACKET.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 368
Book Description
"Margaret McGowan examines the diverse forms of dance in the Renaissance, contemporary attitudes towards dance, and the light this throws on moral, political and aesthetic concerns of the time. Among the subjects she covers are: expectations of dance; style, costume, music and social coding; court dance versus social dancing; dance and the Valois dynasty; professional dancers, virtuosos and choreographers; burlesque; opposition to dance; and dance and the people. McGowan's sophisticated analysis of formal dance treatises allows her to recreate a sense of the actual practice of Renaissance dance and the mechanics of making a ballet. Nearly one hundred illustrations, many of them rare, accompany the text."--BOOK JACKET.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.