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Author: Jennifer Beth Spiegel
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558365
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Amidst epidemics of youth alienation and cultural polarization, community-based artistic practices are sprouting up around the world as antidotes to policies of austerity and social exclusion. Rejecting the radical individualism of the neoliberal era, many artistic projects promote collectivity and togetherness in navigating challenges and constructing shared futures. The Art of Collectivity is about how one such creative social program deployed this approach in service of a post-neoliberal vision. Focusing on a national social circus initiative launched by a newly elected Ecuadorean government to help actualize its “citizens' revolution,” the book explores the intersection between global cultural politics, participatory arts, collective health, and social transformation. The authors include scholars and practitioners of community arts, humanities, social sciences, and health sciences from the Global North and Global South. Sensitive to hierarchical binaries such as research/practice, north/south, and art/science, they work together to provide a multifaceted analysis of the way cultural politics shape policy, pedagogy, and aesthetic sensibilities, as well as their socio-cultural and health-related effects. The largest study of social circus to date, combining detailed quantitative, qualitative, and arts-based research, The Art of Collectivity is a timely contribution to the study of cultural policies, critical pedagogies, collective art-making, and community development.
Author: Jennifer Beth Spiegel
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558365
Category : Performing Arts
Languages : en
Pages : 321
Get Book Here
Book Description
Amidst epidemics of youth alienation and cultural polarization, community-based artistic practices are sprouting up around the world as antidotes to policies of austerity and social exclusion. Rejecting the radical individualism of the neoliberal era, many artistic projects promote collectivity and togetherness in navigating challenges and constructing shared futures. The Art of Collectivity is about how one such creative social program deployed this approach in service of a post-neoliberal vision. Focusing on a national social circus initiative launched by a newly elected Ecuadorean government to help actualize its “citizens' revolution,” the book explores the intersection between global cultural politics, participatory arts, collective health, and social transformation. The authors include scholars and practitioners of community arts, humanities, social sciences, and health sciences from the Global North and Global South. Sensitive to hierarchical binaries such as research/practice, north/south, and art/science, they work together to provide a multifaceted analysis of the way cultural politics shape policy, pedagogy, and aesthetic sensibilities, as well as their socio-cultural and health-related effects. The largest study of social circus to date, combining detailed quantitative, qualitative, and arts-based research, The Art of Collectivity is a timely contribution to the study of cultural policies, critical pedagogies, collective art-making, and community development.
Author: Susanne Hætta
Publisher:
ISBN: 9788290625974
Category : Art
Languages : en
Pages : 232
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Book Description
The book documents the history of the legendary Sámi artist collective Mázejoavku (1978-1983), and deals with the importance of the group historically and also in relation to other Sámi artists and Indigenous collectives and practitioners globally today. The Sámi Artist Group was the first generation of young Sámi artists to regain pride in their Sámi heritage, to express their Sáminess freely, and to reclaim a renewed space within Sápmi by advocating and negotiating Sámi thinking and being through the arts. The book is based on individual interviews and extensive research by author Susanne Hætta. In addition it includes a rich selection of archival photographic material, as well as texts by Yorta Yorta curator and writer Kimberley Moulton, Spanish/British art historian Katya García-Antón and Sámi scholar and duojár Liisa-Rávná Finbog. The publication is edited by Katya García-Antón, and is co-published by Office for Contemporary Art Norway (OCA) and the Sámi publishing house DAT. ___________________ Boken handler om det samiske kunstnerkollektivet Mázejoavku/Masigruppen (1978-1983) og deres betydning betydning historisk i relasjon til andre samiske kunstnere, samt urfolkskollektiver og utøvende kunstnere globalt. Mázejoavku var første generasjon samiske kunstnere som med stolthet åpent stod frem med sin bakgrunn, hevdet sin rett til å være samer, og re-definerte og høynet statusen for samisk kunst. Boken er tuftet på personlige intervjuer og omfattende forskning av forfatteren Susanne Hætta. I tillegg har den et rikt billedmateriale og tekstbidrag fra Yorta Yorta-kurator og skribent Kimberley Moulton, forsker og duojár Liisa-Rávná Finbog, samt den spansk-britiske kunsthistorikeren Katya García-Antón, som også har vært bokens redaktør. Boken publiseres i samarbeid mellom Office for Contemporary Art Norway, OCA, og det samiske forlaget DAT.
Author: Andrew Wiskowski
Publisher: Routledge
ISBN: 1000553620
Category : Philosophy
Languages : en
Pages : 177
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Book Description
This book focuses attention on groups of performing people that are unique aesthetic objects, the focus of an artist’s vision, but at the same time a collective being; a singular, whole mass that exists and behaves like an individual entity. This text explores this unique experience, which is far from rare or special. Indeed, it is pervasive, ubiquitous and has, since the dawn of performance, been with us. Surveying installation art from Vanessa Beecroft & Kanye West, Greek tragedy, back-up dancing groups and even the mass dance of clubbing crowds, this text examines and names this phenomenon: Aesthetic Collectives. Drawing on a range of methods of investigation spanning performance studies, acting theory, studies of atmosphere and affect and sociology it presents an intervention in the literature for something that has long deserved its own attention. This book will be of great interest to scholars, students and practitioners in performance studies, theatre, live art, sociology (particularly of groups and subcultures), cultural studies and cultural geography.
Author: Snait B. Gissis
Publisher: MIT Press
ISBN: 0262036851
Category : Science
Languages : en
Pages : 433
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Book Description
Broad perspective on collectivity in the life sciences, from microorganisms to human consensus, and the theoretical and empirical opportunities and challenges. Many researchers and scholars in the life sciences have become increasingly critical of the traditional methodological focus on the individual. This volume counters such methodological individualism by exploring recent and influential work in the life sciences that utilizes notions of collectivity, sociality, rich interactions, and emergent phenomena as essential explanatory tools to handle numerous persistent scientific questions in the life sciences. The contributors consider case studies of collectivity that range from microorganisms to human consensus, discussing theoretical and empirical challenges and the innovative methods and solutions scientists have devised. The contributors offer historical, philosophical, and biological perspectives on collectivity, and describe collective phenomena seen in insects, the immune system, communication, and human collectivity, with examples ranging from cooperative transport in the longhorn crazy ant to the evolution of autobiographical memory. They examine ways of explaining collectivity, including case studies and modeling approaches, and explore collectivity's explanatory power. They present a comprehensive look at a specific case of collectivity: the Holobiont notion (the idea of a multi-species collective, a host and diverse microorganisms) and the hologenome theory (which posits that the holobiont and its hologenome are a unit of adaption). The volume concludes with reflections on the work of the late physicist Eshel Ben-Jacob, pioneer in the study of collective phenomena in living systems. Contributors Oren Bader, John Beatty, Dinah R. Davison, Daniel Dor, Ofer Feinerman, Raghavendra Gadagkar, Scott F. Gilbert, Snait B. Gissis, Deborah M. Gordon, James Griesemer, Zachariah I. Grochau-Wright, Erik R. Hanschen, Eva Jablonka, Mohit Kumar Jolly, Anat Kolumbus, Ehud Lamm, Herbert Levine, Arnon Levy, Xue-Fei Li, Elisabeth A. Lloyd, Yael Lubin, Eva Maria Luef, Ehud Meron, Richard E. Michod, Samir Okasha, Simone Pika, Joan Roughgarden, Eugene Rosenberg, Ayelet Shavit, Yael Silver, Alfred I. Tauber, Ilana Zilber-Rosenberg
Author: Wyndham Lewis
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 460
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Book Description
Author: Elizabeth Emma Ferry
Publisher: Columbia University Press
ISBN: 0231132387
Category : Business & Economics
Languages : en
Pages : 297
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Book Description
Elizabeth Ferry explores how members of the Santa Fe Cooperative, a silver mine in Mexico, give meaning to their labor in an era of rampant globalization. She analyzes the cooperative's practices and the importance of patrimonio (patrimony) in their understanding of work, tradition, and community. More specifically, she argues that patrimonio, a belief that certain resources are inalienable possessions of a local collective passed down to subsequent generations, has shaped and sustained the cooperative's sense of identity.
Author: Tina Chanter
Publisher: State University of New York Press
ISBN: 0791482642
Category : Philosophy
Languages : en
Pages : 226
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Book Description
These original essays explore how the concept of revolution permeates and unifies Julia Kristeva's body of work by tracing its trajectory from her early engagement with the Tel Quel group, through her preoccupation in the 1980s with abjection, melancholia, and love, to her latest work. Some of the leading voices in Kristeva scholarship examine her reevaluation of the concept of revolt in the context of the changing cultural and political conditions in the West; the questions of the stranger, race, and nation; her reflections on narrative, public spaces, and collectivity in the context of her engagement with Hannah Arendt's work; her development and refinement of the notions of abjection, melancholia, and narcissism in her ongoing interrogation of aesthetics; as well as her contribution to film theory. Focused primarily on Kristeva's newest work—much of it only recently translated into English—this book breaks new ground in Kristeva scholarship.
Author: Claudia Breger
Publisher: Columbia University Press
ISBN: 0231550693
Category : Performing Arts
Languages : en
Pages : 474
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Book Description
The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends. Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akın’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred.
Author: Sandra Noeth
Publisher: transcript Verlag
ISBN: 3839443636
Category : Performing Arts
Languages : en
Pages : 309
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Book Description
What does it take to cross a border, and what does it take to belong? Sandra Noeth examines the entangled experiences of borders and of collectivity through the perspective of bodies. By dramaturgical analyses of contemporary artistic work from Lebanon and Palestine, Noeth shows how borders and collectivity are constructed and negotiated through performative, corporeal, movement-based, and sensory strategies and processes. This interdisciplinary study is made urgent by social and political transformations across the Middle East and beyond from 2010 onwards. It puts to the fore the residual, body-bound structural effects of borders and of collectivity and proceeds to develop notions of agency and responsibility that are immanently bound to bodies in relation.
Author: Justin Jesty
Publisher: Cornell University Press
ISBN: 1501715062
Category : Art
Languages : en
Pages : 357
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Book Description
No detailed description available for "Art and Engagement in Early Postwar Japan".
