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Author: Robert Spillman
Publisher: Simon & Schuster Books For Young Readers
ISBN:
Category : Music
Languages : en
Pages : 396
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Book Description
Author: Robert Spillman
Publisher: Simon & Schuster Books For Young Readers
ISBN:
Category : Music
Languages : en
Pages : 396
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Book Description
Author: Algernon H. Lindo
Publisher:
ISBN:
Category : Musical accompaniment
Languages : en
Pages : 128
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Book Description
Author: Kurt Adler
Publisher: Springer Science & Business Media
ISBN: 1461583659
Category : Music
Languages : en
Pages : 266
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Book Description
IN WRITING a book for which there is no precedent (the tistic achievements. But, alas, there has not been such last textbooks about accompanying were written during a genius in the realm of music during the twentieth the age of thorough bass or shortly thereafter - the century. The creative musical genius of our space age eighteenth and early nineteenth centuries - and dealt has yet to be discovered, if he has been born. exclusively with the problems timely then) one must Our time has perfected technique to such a degree make one's own rules and set one's own standards. This that it could not help but create perfect technician freedom makes the task somewhat easier, if, on the one artists. Our leading creative artists master technique hand, one looks to the past: there is no generally ap to the point of being able to shift from one style to proved model to be followed and to be compared with another without difficulty. Take Stravinsky and Picasso, one's work; but, on the other hand, the task is hard be for instance: they have gone back and forth through as cause one's responsibility to present and future genera many periods of style as they wished. Only with a stu tions of accompanists and coaches is great.
Author: Algernon H. Lindo
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Algernon H. Lindo
Publisher:
ISBN: 9781330356234
Category : Music
Languages : en
Pages : 125
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Book Description
Excerpt from The Art of Accompanying There are certain difficulties, both for author and student, connected with a book on Accompanying, that are not met with in works dealing with other branches of musical activity. The chief difficulty is that so little has been written about accompanying that this book possesses the disadvantage of being, not the last, but almost the first word upon the subject. In every phase of human endeavor, artistic, philosophical, theological, political or scientific, the heterodoxy of one generation becomes the orthodoxy of the next, and the student, with a choice of roads, all leading to Rome, can, when in doubt, weigh the conflicting theories of various guides, philosophers and friends, and choose some via media down which he can travel in safety to his goal. When, however, the choice of authorities is limited to almost a single work, he has no touchstone by which to test the validity of the advice therein proffered. The only claim to authority that this work possesses is that it records the author's experiences of more than twenty years of accompanying at every kind of concert and for every grade of artist. Each incident described in it is one that happened personally to the author, with the exception of the one mentioned at the end of Chapter I; but he was present on that occasion and overheard the conversation narrated. In addition to his personal experiences the author has enjoyed the acquaintanceship, and in some cases the personal friendship, of nearly every well-known English accompanist, and has carefully studied their methods as well as the methods of many famous Continental accompanists. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: ALGERNON H. LINDO
Publisher:
ISBN: 9781033052815
Category :
Languages : en
Pages : 0
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Book Description
Author: Gerald R. Lishka
Publisher: Indiana University Press
ISBN: 0253063361
Category : Music
Languages : en
Pages : 258
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Book Description
The Art of Ballet Accompaniment: A Comprehensive Guide addresses every imaginable topic and challenge that a ballet accompanist—whether a novice or a more experienced practitioner—might encounter. More than just a facile anthology of accessible music, this inclusive guide details all aspects of playing for ballet, including a complete manual for editing piano literature to accompany ballet technique classes. Author Gerald R. Lishka encourages ballet accompanists to be imaginative, creative, independent artists who can also communicate effectively with dance instructors. In addition, he clarifies the necessary balance between the use of existing musical scores and the art of improvisation. Featuring a new foreword by Kyra Nichols, an expanded section on Lishka's personal philosophy, an updated section on barre from Alison Hennessey, and over 100 music examples, The Art of Ballet Accompaniment offers invaluable advice for all levels of pianists and accompanists.
Author: Algernon H. Lindo
Publisher: Forgotten Books
ISBN: 9780265231838
Category : Music
Languages : en
Pages : 120
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Book Description
Excerpt from The Art of Accompanying A few anecdotes have been allowed to creep into the book, chiefly in this section. Humorous experiences fall to the lot of the accompanist far more frequently than to any other class of musicians, and it seems a pity not to put some of them on record. It is possible that a considerable portion of this sec ond part will prove anathema to art-lovers and to those who consider chapters on the lighter forms of music to be out of place in an educational treatise. Undoubtedly, it is not customary in an art-manual to deal with art except in its higher manifestations. We needs must love the high est when we see it. But whereas the creative artist can usually choose the type of work he will create, and the executive artist the type of work he will perform, the accompanist has no choice whatever. He must play what is given him to play, and this being so, he must learn to get the utmost possible effect even out of works that as art-products can make no claim to anybody's esteem. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Colleen Campbell
Publisher: Catholic Apostolate Center
ISBN: 1733734074
Category : Religion
Languages : en
Pages : 126
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Book Description
The Art of Accompaniment: Theological, Spiritual, and Practical Elements of Building a More Relational Church, is a resource from the Catholic Apostolate Center which assists in the development of true accompaniment within the Church Today. Building on the Church's rich history of accompaniment, The Art of Accompaniment makes theological and practical elements come to life and easily attainable.
Author: Max Springer
Publisher:
ISBN:
Category : History
Languages : en
Pages : 264
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Book Description
