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Author: Museum of Fine Arts, Houston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Author: Museum of Fine Arts, Houston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Author: University of Southern California. Art Galleries
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 72
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Book Description
Author: John Walker
Publisher: ABRAMS
ISBN: 9780810910690
Category : Art
Languages : en
Pages : 296
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Book Description
Author: Albright-Knox Art Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Author: Los Angeles County Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
This collection selected by John Walker, Director Emeritus, of theNational Gallery of Art, in Washington has been selected for exhi-bition at the Royal Academy in London, the National Gallery of Ire.
Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
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Book Description
Author: California Palace of the Legion of Honor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Kellie Jones
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 362
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Book Description
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.
Author: Bob Considine
Publisher: HarperCollins Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
"Considine's writing style goes onto any subject like a piece of contact paper on furniture, and with about as profound an effect. His biography of the Occidental Petroleum (""Oxy"") sultan--a self-made millionaire who engineered grain deals with Lenin, sold the Hearst art collection to the great unwashed in Gimbels, collected the finest herd of Black Angus Aberdeens in America, and finally turned his attention to oil at the age of fifty-nine--prudently masks all individuality with a thin film of unconvincing hagiography. Dr. Hammer (no relation to the baking-soda company) got waylaid by other interests on the way to a medical career; he was starting pencil factories in the USSR and collecting icons long before America recognized the Red government (or the Soviets recognized the value of their art heritage). He cornered the market on barrel staves just in time for the end of Prohibition, made forays into the grain alcohol, potato alcohol, and both bonded and blended bourbon markets, and found time for public-spirited gestures like buying Campobello to donate it to the U.S. and Canadian governments. Much is made here of Hammer's multimillion-dollar art collection and of his hobnobbings with the great. Not the slightest mention is made of a 1974 disagreement with the IRS about alleged overvaluation of art works Hammer used as charitable donations for tax purposes, or those other nasty allegations about channeling illegal contributions to Nixon's 1972 campaign through Governor Tim Babcock of Montana. The few legal squabbles Considine does mention are of course all due to the greed, malice, or underhandedness of others, and the disastrous slump in Oxy's stock since 1972 is blandly attributed to a tactless remark by the Secretary of Commerce pooh-poohing the huge fertilizer deal being negotiated between Oxy and the Russians. An instructive exercise in bowdlerization." --AbeBooks.com.
Author: Brooks Memorial Art Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
