The Ariadne Auf Naxos of Hugo Von Hofmannsthal and Richard Strauss PDF Download
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Author: Donald G. Daviau
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
This book presents in comprehensive fashion the extraordinary development of Ariadne auf Naxos from its conception to the final operatic version. The unique collaboration of Hofmannsthal and Strauss is examined and the classical myths that served as a basis for the libretto are investigated. The detailed analysis and interpretation of both the text and the music demonstrate that this work is epochal in the history of early nineteenth-century opera and commands central importance in the overall production of its authors.
Author: Donald G. Daviau
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
This book presents in comprehensive fashion the extraordinary development of Ariadne auf Naxos from its conception to the final operatic version. The unique collaboration of Hofmannsthal and Strauss is examined and the classical myths that served as a basis for the libretto are investigated. The detailed analysis and interpretation of both the text and the music demonstrate that this work is epochal in the history of early nineteenth-century opera and commands central importance in the overall production of its authors.
Author: Richard Strauss
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 32
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Book Description
Author: Karen Forsyth
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 312
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Book Description
Author: Richard Strauss
Publisher: London : M. Secker
ISBN:
Category : Authors, German
Languages : en
Pages : 376
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Book Description
Author: Hermann Broch
Publisher: University of Chicago Press
ISBN: 0226075168
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
Hermann Broch (1886-1951) is remembered among English-speaking readers for his novels The Sleepwalkers and The Death of Virgil, and among German-speaking readers for his novels as well as his works on moral and political philosophy, his aesthetic theory, and his varied criticism. This study reveals Broch as a major historian as well, one who believes that true historical understanding requires the faculties of both poet and philosopher. Through an analysis of the changing thought and career of the Austrian poet, librettist, and essaist Hugo von Hofmannsthal (1874-1929), Broch attempts to define and analyze the major intellectual issues of the European fin de siècle, a period that he characterizes according to the Nietzschean concepts of the breakdown of rationality and the loss of a central value system. The result is a major examination of European thought as well as a comparative study of political systems and artistic styles.
Author: Michael Kennedy
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 0
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Book Description
Author: Derrick Puffett
Publisher: Cambridge University Press
ISBN: 9780521359702
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
This first full-length study of Salome in English since Lawrence Gilman's (1907) moves from historical and literary analysis to critical appraisal and includes a synopsis, bibliography and discography.
Author: Wayne Heisler
Publisher: University Rochester Press
ISBN: 1580463215
Category : Music
Languages : en
Pages : 364
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Book Description
A richly interdisciplinary study of Strauss's contributions to ballet, his collaboration with prominent dance artists of his time, and his explorations of musical modernism.
Author: Morten Kristiansen
Publisher: Cambridge University Press
ISBN: 9781108422000
Category : Music
Languages : en
Pages : 400
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Book Description
Richard Strauss in Context offers a distinctive approach to the study of a composer in that it places the emphasis on contextualizing topics rather than on biography and artistic output. One might say that it inverts the relationship between composer and context. Rather than studies of Strauss's librettists that discuss the texts themselves and his musical settings, for instance, this book offers essays on the writers themselves: their biographical circumstances, styles, landmark works, and broader positions in literary history. Likewise, Strauss's contributions to the concert hall are positioned within the broader development of the orchestra and trends in programmatic music. In short, readers will benefit from an elaboration of material that is either absent from or treated only briefly in existing publications. Through this supplemental and broader contextual approach, this book serves as a valuable and unique resource for students, scholars, and a general readership.
Author: Bryan Gilliam
Publisher: Cambridge University Press
ISBN: 1316123154
Category : Music
Languages : en
Pages : 357
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Book Description
Richard Strauss' fifteen operas, which span the years 1893 to 1941, make up the largest German operatic legacy since Wagner's operas of the nineteenth century. Many of Strauss's works were based on texts by Europe's finest writers: Oscar Wilde, Hugo von Hofmannsthal and Stefan Zweig, among others, and they also overlap some of the most important and tumultuous stretches of German history, such as the founding and demise of a German empire, the rise and fall of the Weimar Republic, the period of National Socialism, and the post-war years, which saw a divided East and West Germany. In the first book to discuss all Strauss's operas, Bryan Gilliam sets each work in its historical, aesthetic, philosophical, and literary context to reveal what made the composer's legacy unique. Addressing Wagner's cultural influence upon this legacy, Gilliam also offers new insights into the thematic and harmonic features that recur in Strauss's compositions.
