Author: Sebastián Carassai
Publisher: Duke University Press
ISBN: 0822376571
Category : History
Languages : en
Pages : 348
Book Description
In The Argentine Silent Majority, Sebastián Carassai focuses on middle-class culture and politics in Argentina from the end of the 1960s. By considering the memories and ideologies of middle-class Argentines who did not get involved in political struggles, he expands thinking about the era to the larger society that activists and direct victims of state terror were part of and claimed to represent. Carassai conducted interviews with 200 people, mostly middle-class non-activists, but also journalists, politicians, scholars, and artists who were politically active during the 1970s. To account for local differences, he interviewed people from three sites: Buenos Aires; Tucumán, a provincial capital rocked by political turbulence; and Correa, a small town which did not experience great upheaval. He showed the middle-class non-activists a documentary featuring images and audio of popular culture and events from the 1970s. In the end Carassai concludes that, during the years of la violencia, members of the middle-class silent majority at times found themselves in agreement with radical sectors as they too opposed military authoritarianism but they never embraced a revolutionary program such as that put forward by the guerrilla groups or the most militant sectors of the labor movement.
The Argentine Silent Majority
Author: Sebastián Carassai
Publisher: Duke University Press
ISBN: 0822376571
Category : History
Languages : en
Pages : 348
Book Description
In The Argentine Silent Majority, Sebastián Carassai focuses on middle-class culture and politics in Argentina from the end of the 1960s. By considering the memories and ideologies of middle-class Argentines who did not get involved in political struggles, he expands thinking about the era to the larger society that activists and direct victims of state terror were part of and claimed to represent. Carassai conducted interviews with 200 people, mostly middle-class non-activists, but also journalists, politicians, scholars, and artists who were politically active during the 1970s. To account for local differences, he interviewed people from three sites: Buenos Aires; Tucumán, a provincial capital rocked by political turbulence; and Correa, a small town which did not experience great upheaval. He showed the middle-class non-activists a documentary featuring images and audio of popular culture and events from the 1970s. In the end Carassai concludes that, during the years of la violencia, members of the middle-class silent majority at times found themselves in agreement with radical sectors as they too opposed military authoritarianism but they never embraced a revolutionary program such as that put forward by the guerrilla groups or the most militant sectors of the labor movement.
Publisher: Duke University Press
ISBN: 0822376571
Category : History
Languages : en
Pages : 348
Book Description
In The Argentine Silent Majority, Sebastián Carassai focuses on middle-class culture and politics in Argentina from the end of the 1960s. By considering the memories and ideologies of middle-class Argentines who did not get involved in political struggles, he expands thinking about the era to the larger society that activists and direct victims of state terror were part of and claimed to represent. Carassai conducted interviews with 200 people, mostly middle-class non-activists, but also journalists, politicians, scholars, and artists who were politically active during the 1970s. To account for local differences, he interviewed people from three sites: Buenos Aires; Tucumán, a provincial capital rocked by political turbulence; and Correa, a small town which did not experience great upheaval. He showed the middle-class non-activists a documentary featuring images and audio of popular culture and events from the 1970s. In the end Carassai concludes that, during the years of la violencia, members of the middle-class silent majority at times found themselves in agreement with radical sectors as they too opposed military authoritarianism but they never embraced a revolutionary program such as that put forward by the guerrilla groups or the most militant sectors of the labor movement.
Moving Otherwise
Author: Victoria Fortuna
Publisher:
ISBN: 0190627018
Category : Art
Languages : en
Pages : 281
Book Description
Moving Otherwise examines how contemporary dance practices in Buenos Aires, Argentina enacted politics within climates of political and economic violence from the mid-1960s to the mid-2010s. From the repression of military dictatorships to the precarity of economic crises, contemporary dancers and audiences consistently responded to and reimagined the everyday choreographies that have accompanied Argentina's volatile political history. The titular concept, "moving otherwise" names how both concert dance and its off-stage practice and consumption offer alternatives to and modes to critique the patterns of movement and bodily comportment that shape everyday life in contexts marked by violence. Drawing on archival research based in institutional and private collections, over fifty interviews with dancers and choreographers, and the author's embodied experiences as a collaborator and performer with active groups, the book analyzes how a wide range of practices moved otherwise, including concert works, community dance initiatives, and the everyday labor that animates dance. It demonstrates how these diverse practices represent, resist, and remember violence and engender new forms of social mobilization on and off the theatrical stage. As the first book length critical study of Argentine contemporary dance, it introduces a breadth of choreographers to an English speaking audience, including Ana Kamien, Susana Zimmermann, Estela Maris, Alejandro Cervera, Renate Schottelius, Susana Tambutti, Silvia Hodgers, and Silvia Vladimivsky. It also considers previously undocumented aspects of Argentine dance history, including crossings between contemporary dancers and 1970s leftist political militancy, Argentine dance labor movements, political protest, and the prominence of tango themes in contemporary dance works that address the memory of political violence. Contemporary dance, the book demonstrates, has a rich and diverse history of political engagement in Argentina.
Publisher:
ISBN: 0190627018
Category : Art
Languages : en
Pages : 281
Book Description
Moving Otherwise examines how contemporary dance practices in Buenos Aires, Argentina enacted politics within climates of political and economic violence from the mid-1960s to the mid-2010s. From the repression of military dictatorships to the precarity of economic crises, contemporary dancers and audiences consistently responded to and reimagined the everyday choreographies that have accompanied Argentina's volatile political history. The titular concept, "moving otherwise" names how both concert dance and its off-stage practice and consumption offer alternatives to and modes to critique the patterns of movement and bodily comportment that shape everyday life in contexts marked by violence. Drawing on archival research based in institutional and private collections, over fifty interviews with dancers and choreographers, and the author's embodied experiences as a collaborator and performer with active groups, the book analyzes how a wide range of practices moved otherwise, including concert works, community dance initiatives, and the everyday labor that animates dance. It demonstrates how these diverse practices represent, resist, and remember violence and engender new forms of social mobilization on and off the theatrical stage. As the first book length critical study of Argentine contemporary dance, it introduces a breadth of choreographers to an English speaking audience, including Ana Kamien, Susana Zimmermann, Estela Maris, Alejandro Cervera, Renate Schottelius, Susana Tambutti, Silvia Hodgers, and Silvia Vladimivsky. It also considers previously undocumented aspects of Argentine dance history, including crossings between contemporary dancers and 1970s leftist political militancy, Argentine dance labor movements, political protest, and the prominence of tango themes in contemporary dance works that address the memory of political violence. Contemporary dance, the book demonstrates, has a rich and diverse history of political engagement in Argentina.
Musicians in Transit
Author: Matthew B. Karush
Publisher: Duke University Press
ISBN: 0822373777
Category : History
Languages : en
Pages : 295
Book Description
In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.
Publisher: Duke University Press
ISBN: 0822373777
Category : History
Languages : en
Pages : 295
Book Description
In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.
A Compact History of Latin America's Cold War
Author: Vanni Pettinà
Publisher: UNC Press Books
ISBN: 1469669773
Category : History
Languages : en
Pages : 219
Book Description
While not commonly centered in the Cold War story, Latin America was intensely affected by that historic conflict. In this book, available for the first time in English, Vanni Pettina makes sense of the region's diverse, complex political experiences of the Cold War era. Cross-fertilized by Latin American and Anglophone historiography, his account shifts from an overemphasis on U.S. interventions toward a comprehensive Latin American perspective. Connecting Cold War events to the region's political polarizations, revolutionary mobilizations, draconian state repression, and brutal violence in almost every sphere, Pettina demonstrates that Latin America's Cold War was rarely cold. In the midst of the tumult, some countries showed resilience and capacity to bend the disruptive dynamics to their advantage. Mexico, for example, drew on a mix of nationalism and anticommunism, aided by the United States, to achieve strong economic growth and political stability. Cuba, in contrast, used Soviet protection to shield its revolution from the United States and to strengthen its capacity to project power in Latin America and beyond. Interweaving global and local developments along an insightful analytical frame, Pettina reveals the distinct consequences of the Cold War in the Western Hemisphere.
Publisher: UNC Press Books
ISBN: 1469669773
Category : History
Languages : en
Pages : 219
Book Description
While not commonly centered in the Cold War story, Latin America was intensely affected by that historic conflict. In this book, available for the first time in English, Vanni Pettina makes sense of the region's diverse, complex political experiences of the Cold War era. Cross-fertilized by Latin American and Anglophone historiography, his account shifts from an overemphasis on U.S. interventions toward a comprehensive Latin American perspective. Connecting Cold War events to the region's political polarizations, revolutionary mobilizations, draconian state repression, and brutal violence in almost every sphere, Pettina demonstrates that Latin America's Cold War was rarely cold. In the midst of the tumult, some countries showed resilience and capacity to bend the disruptive dynamics to their advantage. Mexico, for example, drew on a mix of nationalism and anticommunism, aided by the United States, to achieve strong economic growth and political stability. Cuba, in contrast, used Soviet protection to shield its revolution from the United States and to strengthen its capacity to project power in Latin America and beyond. Interweaving global and local developments along an insightful analytical frame, Pettina reveals the distinct consequences of the Cold War in the Western Hemisphere.
Seeds of Power
Author: Amalia Leguizamón
Publisher: Duke University Press
ISBN: 1478012374
Category : Social Science
Languages : en
Pages : 143
Book Description
In 1996 Argentina adopted genetically modified (GM) soybeans as a central part of its national development strategy. Today, Argentina is the third largest global grower and exporter of GM crops. Its soybeans—which have been modified to tolerate being sprayed with herbicides—now cover half of the country's arable land and represent a third of its total exports. While soy has brought about modernization and economic growth, it has also created tremendous social and ecological harm: rural displacement, concentration of landownership, food insecurity, deforestation, violence, and the negative health effects of toxic agrochemical exposure. In Seeds of Power Amalia Leguizamón explores why Argentines largely support GM soy despite the widespread damage it creates. She reveals how agribusiness, the state, and their allies in the media and sciences deploy narratives of economic redistribution, scientific expertise, and national identity as a way to elicit compliance among the country’s most vulnerable rural residents. In this way, Leguizamón demonstrates that GM soy operates as a tool of power to obtain consent, to legitimate injustice, and to quell potential dissent in the face of environmental and social violence.
Publisher: Duke University Press
ISBN: 1478012374
Category : Social Science
Languages : en
Pages : 143
Book Description
In 1996 Argentina adopted genetically modified (GM) soybeans as a central part of its national development strategy. Today, Argentina is the third largest global grower and exporter of GM crops. Its soybeans—which have been modified to tolerate being sprayed with herbicides—now cover half of the country's arable land and represent a third of its total exports. While soy has brought about modernization and economic growth, it has also created tremendous social and ecological harm: rural displacement, concentration of landownership, food insecurity, deforestation, violence, and the negative health effects of toxic agrochemical exposure. In Seeds of Power Amalia Leguizamón explores why Argentines largely support GM soy despite the widespread damage it creates. She reveals how agribusiness, the state, and their allies in the media and sciences deploy narratives of economic redistribution, scientific expertise, and national identity as a way to elicit compliance among the country’s most vulnerable rural residents. In this way, Leguizamón demonstrates that GM soy operates as a tool of power to obtain consent, to legitimate injustice, and to quell potential dissent in the face of environmental and social violence.
Recasting the Nation in Twentieth-Century Argentina
Author: Benjamin Bryce
Publisher: Taylor & Francis
ISBN: 1000799654
Category : History
Languages : en
Pages : 220
Book Description
Recasting the Nation in Twentieth-Century Argentina tackles the meaning of "the nation" by looking to the geographical, ideological, and political peripheries of society. What it means to be Argentine has long consumed writers, political leaders, and many others. For almost two centuries prominent figures have defined national values while looking out from the urban centers of the country and above all Buenos Aires. They have described the nation in terms of urban experience and, secondarily, by surrounding frontiers; they have focused on the country’s European heritage and advanced an entangled vision of race and space. The chapters in this book take a dynamic new approach. While scholars and political leaders have routinely ignored the country’s many peripheries, the Argentine nation cannot be reasonably understood without them. Those on the margins also defined core tenets of the nation. This volume will be vital reading for those interested in how Latin American societies emerged over the past two centuries and for those curious about how ideas outside of the mainstream come to define national identities.
Publisher: Taylor & Francis
ISBN: 1000799654
Category : History
Languages : en
Pages : 220
Book Description
Recasting the Nation in Twentieth-Century Argentina tackles the meaning of "the nation" by looking to the geographical, ideological, and political peripheries of society. What it means to be Argentine has long consumed writers, political leaders, and many others. For almost two centuries prominent figures have defined national values while looking out from the urban centers of the country and above all Buenos Aires. They have described the nation in terms of urban experience and, secondarily, by surrounding frontiers; they have focused on the country’s European heritage and advanced an entangled vision of race and space. The chapters in this book take a dynamic new approach. While scholars and political leaders have routinely ignored the country’s many peripheries, the Argentine nation cannot be reasonably understood without them. Those on the margins also defined core tenets of the nation. This volume will be vital reading for those interested in how Latin American societies emerged over the past two centuries and for those curious about how ideas outside of the mainstream come to define national identities.
Liberationist Christianity in Argentina (1930-1983)
Author: Pablo Bradbury
Publisher: Boydell & Brewer
ISBN: 1855663635
Category :
Languages : en
Pages : 269
Book Description
How did liberationist Christianity develop in Argentina between the 1930s and early 1970s? And how did it respond to state terrorism during the Dirty War? How did liberation theology develop in Argentina between the 1930s and early 1970s? And how did it respond to state terrorism during the Dirty War? Understanding the movement to be dynamic and highly diverse, this book reveals that ecclesial and political conflicts, especially over Peronism and celibacy, were at the heart of the construction of a liberationist Christian identity, which simultaneously internalised deep tensions over its relationship to the Catholic Church. It first situates the rise of a revolutionary Christian impulse in Argentina within changes in society, in Catholicism and Protestantism and in Marxism in the 1930s, before analysing how the phenomenon coalesced in the late sixties into a coherent social movement. Finally, the book examines the responses of liberationist Christians to the intense period of repression under the presidency of Isabel Perón and the rule of the military junta between 1974 and 1983. By exploring these distinct responses and uncovering the heterogeneity of liberationist Christianity, the book offers a fresh analysis of a movement that occupies a major role in the popular memory of the period of state terror, and provides a corrective to narratives that depict the movement as monolithic or as a passive victim of the dictatorship.
Publisher: Boydell & Brewer
ISBN: 1855663635
Category :
Languages : en
Pages : 269
Book Description
How did liberationist Christianity develop in Argentina between the 1930s and early 1970s? And how did it respond to state terrorism during the Dirty War? How did liberation theology develop in Argentina between the 1930s and early 1970s? And how did it respond to state terrorism during the Dirty War? Understanding the movement to be dynamic and highly diverse, this book reveals that ecclesial and political conflicts, especially over Peronism and celibacy, were at the heart of the construction of a liberationist Christian identity, which simultaneously internalised deep tensions over its relationship to the Catholic Church. It first situates the rise of a revolutionary Christian impulse in Argentina within changes in society, in Catholicism and Protestantism and in Marxism in the 1930s, before analysing how the phenomenon coalesced in the late sixties into a coherent social movement. Finally, the book examines the responses of liberationist Christians to the intense period of repression under the presidency of Isabel Perón and the rule of the military junta between 1974 and 1983. By exploring these distinct responses and uncovering the heterogeneity of liberationist Christianity, the book offers a fresh analysis of a movement that occupies a major role in the popular memory of the period of state terror, and provides a corrective to narratives that depict the movement as monolithic or as a passive victim of the dictatorship.
Composing for the State
Author: Esteban Buch
Publisher: Routledge
ISBN: 1317162641
Category : Music
Languages : en
Pages : 235
Book Description
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.
Publisher: Routledge
ISBN: 1317162641
Category : Music
Languages : en
Pages : 235
Book Description
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.
Truth, Silence and Violence in Emerging States
Author: Aidan Russell
Publisher: Routledge
ISBN: 1351141104
Category : Political Science
Languages : en
Pages : 442
Book Description
Around the world in the twentieth century, political violence in emerging states gave rise to different kinds of silence within their societies. This book explores the histories of these silences, how they were made, maintained, evaded, and transformed. This book gives a comprehensive view of the ongoing evolutions and multiple faces of silence as a common strand in the struggles of state-building. It begins with chapters that examine the construction of "regimes of silence" as an act of power, and it continues through explorations of the ambiguous limits of speech within communities marked by this violence. It highlights national and transnational attempts to combat state silences, before concluding with a series of considerations of how these regimes of silence continue to be extrapolated in the gaps of records and written history. This volume explores histories of the composed silences of political violence across the emerging states of the late twentieth century, not solely as a present concern of aftermath or retrospection but as a diachronic social and political dimension of violence itself. This book makes a major original contribution to international history, as well as to the study of political terror, human rights violations, social recovery, and historical memory.
Publisher: Routledge
ISBN: 1351141104
Category : Political Science
Languages : en
Pages : 442
Book Description
Around the world in the twentieth century, political violence in emerging states gave rise to different kinds of silence within their societies. This book explores the histories of these silences, how they were made, maintained, evaded, and transformed. This book gives a comprehensive view of the ongoing evolutions and multiple faces of silence as a common strand in the struggles of state-building. It begins with chapters that examine the construction of "regimes of silence" as an act of power, and it continues through explorations of the ambiguous limits of speech within communities marked by this violence. It highlights national and transnational attempts to combat state silences, before concluding with a series of considerations of how these regimes of silence continue to be extrapolated in the gaps of records and written history. This volume explores histories of the composed silences of political violence across the emerging states of the late twentieth century, not solely as a present concern of aftermath or retrospection but as a diachronic social and political dimension of violence itself. This book makes a major original contribution to international history, as well as to the study of political terror, human rights violations, social recovery, and historical memory.
Experimentalisms in Practice
Author: Ana R. Alonso-Minutti
Publisher: Oxford University Press
ISBN: 0190842741
Category : Music
Languages : en
Pages : 369
Book Description
Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.
Publisher: Oxford University Press
ISBN: 0190842741
Category : Music
Languages : en
Pages : 369
Book Description
Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.