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Author: Katie Eggers Comeau
Publisher:
ISBN: 9781637320679
Category : Architects
Languages : en
Pages : 163
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Book Description
This historic resource survey documents the career and buildings of Rochester, New York's most innovative mid-twentieth century architect, James H. Johnson (1932-2016). In a career spanning nearly 60 years, Johnson designed hundreds of buildings in the greater Rochester area. He is known locally as the designer of the Antell-Whitman House (better known as the "Mushroom House"), Liberty Pole, and Temple Sinai, but his other works are not generally well known, nor is the sheer number of buildings he designed appreciated either by the general public or the architectural community.Johnson's lengthy and prolific career has left the Rochester region with a tremendous legacy of innovative, unusual buildings. Having developed an early fascination with construction, Johnson always retained his interest in participating in the fabrication of his buildings, and was often found on building sites, particularly when he supervised and took a hands-on role in the construction of his series of earth-formed buildings in the late 1960s. Inspired by nature, geometry, history, and certain architectural predecessors, notably Bruce Goff, Johnson quietly demonstrated his determination to pursue novel approaches to design and construction in both highly visible public projects and in private, personal projects for clients who wanted a house intimately tied to nature, often away from public view. From his earliest projects to some of his last, he thought expansively about integrating architecture with other art forms, and regularly collaborated with artists working in other fields, incorporating their artistic visions into his own. While his expertise with large-scale construction brought him around the world on a few occasions, he spent almost all of his long career working in the Rochester area, where his daring, expressive designs remain some of the boldest and most creative contributions to the region's architectural heritage.
Author: Katie Eggers Comeau
Publisher:
ISBN: 9781637320679
Category : Architects
Languages : en
Pages : 163
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Book Description
This historic resource survey documents the career and buildings of Rochester, New York's most innovative mid-twentieth century architect, James H. Johnson (1932-2016). In a career spanning nearly 60 years, Johnson designed hundreds of buildings in the greater Rochester area. He is known locally as the designer of the Antell-Whitman House (better known as the "Mushroom House"), Liberty Pole, and Temple Sinai, but his other works are not generally well known, nor is the sheer number of buildings he designed appreciated either by the general public or the architectural community.Johnson's lengthy and prolific career has left the Rochester region with a tremendous legacy of innovative, unusual buildings. Having developed an early fascination with construction, Johnson always retained his interest in participating in the fabrication of his buildings, and was often found on building sites, particularly when he supervised and took a hands-on role in the construction of his series of earth-formed buildings in the late 1960s. Inspired by nature, geometry, history, and certain architectural predecessors, notably Bruce Goff, Johnson quietly demonstrated his determination to pursue novel approaches to design and construction in both highly visible public projects and in private, personal projects for clients who wanted a house intimately tied to nature, often away from public view. From his earliest projects to some of his last, he thought expansively about integrating architecture with other art forms, and regularly collaborated with artists working in other fields, incorporating their artistic visions into his own. While his expertise with large-scale construction brought him around the world on a few occasions, he spent almost all of his long career working in the Rochester area, where his daring, expressive designs remain some of the boldest and most creative contributions to the region's architectural heritage.
Author: James H. Johnson
Publisher: Univ of California Press
ISBN: 0520206487
Category : History
Languages : en
Pages : 400
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Book Description
This book grew from a simple question. Why did French audiences become silent? Eighteenth-century travelers' accounts of the Paris Opera and memoirs of concertgoers describe a busy, preoccupied public, at times loud and at others merely sociable, but seldom deeply attentive.
Author:
Publisher:
ISBN:
Category : Concord (N.H.)
Languages : en
Pages :
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Book Description
Author: Mark Lamster
Publisher: Little, Brown
ISBN: 0316453498
Category : Biography & Autobiography
Languages : en
Pages : 485
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Book Description
A "smoothly written and fair-minded" (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America.
Author: Richard O. Reisem
Publisher: Landmark Soc. of Western New York
ISBN: 0964170612
Category : Architecture
Languages : en
Pages : 156
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Book Description
Author: Sue A. Kohler
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 588
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Book Description
Author: Christian Bjone
Publisher: Images Publishing
ISBN: 1864705248
Category : Architecture
Languages : en
Pages : 97
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Book Description
In the world of modern art, the idea of appropriation, or the conscious manipulation of the recognised world of another artist, has long been accepted as a legitimate strategy in criticism of the tradition of art authorship, challenging the context of viewing contemporary work and the manipulation of omnipresent media images. The world of art itself is fair game to be pillaged or mined in the production of new art, but there is almost no recognised equivalent aesthetic in architecture. Philip Johnson consistently dealt with the concept of appropriation and used it as a design strategy from the very beginning of his illustrious career. A singular taste-maker, Philip Johnson influenced art, architecture and design during the second half of the 20th century. Philip Johnson and His Mischief: Appropriation in Art and Architecture looks at the concept of appropriation and how Johnson’s style was influenced first by his mentor, Mies van der Rohe, and then by post-modern ideas and artists. This title serves to review Johnson’s body of work and show that, far from being a weakness, his use of appropriation was a major part of his innovative success.
Author: James P. Cramer
Publisher: Greenway Communications
ISBN: 9780967547794
Category : Architecture
Languages : en
Pages : 788
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Book Description
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 762
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Book Description
Author: Reyner Banham
Publisher: MIT Press
ISBN: 9780262520638
Category : Architecture
Languages : en
Pages : 356
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Book Description
Buffalo's rich architectural and planning heritage has attracted the attention of several prominent historians, whose work here is accompanied by over 250 illustrations and photographs. For its size, the city of Buffalo, New York, possesses a remarkable number and variety of architectural masterpieces from the late nineteenth and early twentieth centuries: Adler and Sullivan's Prudential building, H. H. Richardson's massive Buffalo State Hospital, Richard Upjohn's Sr. Paul's Episcopal Cathedral, five prairie houses by Frank Lloyd Wright, and building by Daniel Burnham, Albert Kahn, and the firms of McKim, Mead, and White, and Lockwood, Green and Company, among others. These structures by prominent "outsiders" served to spur the efforts of local architects, builders, and craftsmen, and all of them built within the context of the city-wide park and parkway system designed by Frederick Law Olmsted. In addition, the city and its environs exhibit representative works by more recent architects, among them Eero and Eliel Saarinen, Walther Gropius, Marcel Breuer, Paul Rudloph, Minoru Yamasaki, and the firm of Skidmore, Owings, and Merrill. Buffalo's rich architectural and planning heritage has attracted the attention of several prominent historians, capable of the challenge of evaluating its significance. Reyner Banham is one of the world's leading authorities on the theory and practice of architecture, and he has written extensively on design in the industrial age (and Buffalo's innovative manufacturing plants and grain elevators are important exemplars of such design). Charles Beveridge, whose essay covers the park and parkway system, is editor of the Olmsted papers at The American University. And Henry Russell Hitchcock is the dean of American architectural historians, and the organizer of a 1940 exhibition on Buffalo's built environment. Their essays are followed by seven sections that delineate the city's neighborhoods, each provided with a map, neighborhood history, and a full complement of photographs with descriptive building captions. An eighth section, "Lost Buffalo," describes demolished buildings, chief among them Wright's great Larkin administration building, while the remaining sections venture out of town, exploring Erie and Niagara Counties, other parts of Western New York, and southern Ontario.
