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Author: Reto Geiser
Publisher:
ISBN: 9783038602224
Category :
Languages : en
Pages : 256
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Book Description
This book records a critical discussion of individual approaches to the representation of space in a museum through a series of conversations. Architecture and design exhibitions have long been important public sites of broadcasting, experimentation, position-taking, and the interrogation of fundamental aspects of the designed environment. Just as individual exhibitions have constituted key benchmarks within the disciplinary history of architecture, the representation and display of space through exhibitions has operated historically as a crucial medium for shaping and embodying broader cultural attitudes toward the design of the built world. In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. Futures of the Architectural Exhibition records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura, Mexico City), Giovanna Borasi (Canadian Center for Architecture, Montreal), Ann Lui (Future Firm, Chicago), Ana Miljački (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania, Philadelphia), Martino Stierli (Museum of Modern Art, New York), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
Author: Reto Geiser
Publisher:
ISBN: 9783038602224
Category :
Languages : en
Pages : 256
Get Book Here
Book Description
This book records a critical discussion of individual approaches to the representation of space in a museum through a series of conversations. Architecture and design exhibitions have long been important public sites of broadcasting, experimentation, position-taking, and the interrogation of fundamental aspects of the designed environment. Just as individual exhibitions have constituted key benchmarks within the disciplinary history of architecture, the representation and display of space through exhibitions has operated historically as a crucial medium for shaping and embodying broader cultural attitudes toward the design of the built world. In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. Futures of the Architectural Exhibition records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura, Mexico City), Giovanna Borasi (Canadian Center for Architecture, Montreal), Ann Lui (Future Firm, Chicago), Ana Miljački (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania, Philadelphia), Martino Stierli (Museum of Modern Art, New York), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
Author: Jean-Louis Cohen
Publisher: Nai010 Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 158
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Book Description
Features a selection of exhibitions held at the Nederlands Architectuurinstituut.
Author: Zoë Ryan
Publisher: Yale University Press
ISBN: 0300228627
Category : Architecture
Languages : en
Pages : 145
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Book Description
Exhibitions have long played a crucial role in defining disciplinary histories. This fascinating volume examines the impact of eleven groundbreaking architecture and design exhibitions held between 1956 and 2006, revealing how they have shaped contemporary understanding and practice of these fields. Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo '70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design.
Author: Eeva-Liisa Pelkonen
Publisher: Phaidon Press
ISBN: 9780714875170
Category : Architecture
Languages : en
Pages : 0
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Book Description
The first book to explore the world's most significant architectural exhibitions of the 20th century How do you exhibit a building, a locality, a city? Exhibit A reveals how architecture has pushed the boundaries of exhibition as a medium and how, in turn, exhibitions have shaped the discipline of architecture. Focusing on 80 landmark architecture exhibitions mounted in countries around the world between 1948 and 2000, and featuring 300 images, this groundbreaking overview is both a vital reference and a visually compelling study of the way we look at built work.
Author: John Cary
Publisher: Island Press
ISBN: 1610917936
Category : Architecture
Languages : en
Pages : 281
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Book Description
The book reveals a new understanding of the ways that design shapes our lives and gives professionals and interested citizens the tools to seek out and demand designs that dignify.
Author: Roberto Gigliotti
Publisher:
ISBN: 9783944669694
Category : Architectural design
Languages : en
Pages : 0
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Book Description
Why do we organise architecture exhibitions? Conventional shows - contexts displaying documentation, technical drawings, three-dimensional models, photographs and videos, frameworks where sketches and drawings are treated as if they were "paintings", models as if they were "sculptures" and photographs idealising what they depict within strangely uninhabited landscapes - are contrasted by practices of display that focus on a different kind of investigation and offer an uncharacteristic way of involving the public with the show by means of spatial solutions within the exhibition space. The attitude that characterises the traditional approach to architecture exhibitions inevitably generates a distinction between the visitors that can read and interpret the displayed objects and those who cannot. Hardly any empathy is generated between the exposed objects and the subjects viewing them; often these kinds of exhibitions only try to solve the problem of presenting objects that cannot be transferred into exhibitions spaces. In the last years we have assisted to the diffusion of exhibitions characterised by different approaches, i.e. shows in which architectural production is presented as an issue which is integrated in a broader critical context and assumes a central role from an unexpected point of view, or exhibitions that concentrate on an emotional involvement of visitors who are not confronted with a specific object and its characteristics, but with the transmission of an experience capable of establishing an intense relationship between the public and the content of the show. In order to explore these issues, this conference brings together critical contributions related to both the conception and the construction of contemporary architecture exhibitions.
Author: Kevin Bone
Publisher: The Monacelli Press, LLC
ISBN: 158093384X
Category : Architecture
Languages : en
Pages : 225
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Book Description
This valuable reference for today’s green building movement examines twentieth-century modern architecture, including buildings by Le Corbusier and Oscar Niemeyer, through the lens of sustainability. The hottest topics in contemporary architectural design and architectural history—the focus on sustainability and the evaluation of the modern movement—meet in Lessons from Modernism, a partnership with The Cooper Union that explores the ways in which the straightforward functional approach of modernist design creates environmentally sensitive solutions. Lessons from Modernism provides new insights into 25 buildings by a diverse selection of architects, including Frank Lloyd Wright, Paul Rudolph, Jean Prouvé, and Arne Jacobsen, and demonstrates how these architects integrated environmental concerns into their designs. Buildings are located across the United States, Central and South America, Cuba, Japan and more—and include houses, art centers, commercial buildings, and civic buildings. Lessons from Modernism is an affordable reference work for all interested in how architecture intersects with the green movement, pairing full descriptions of all buildings with analytical essays, featuring charts of climate zones and solar movement, and concluding with a comprehensive chronology that details how environmental consciousness evolved throughout the twentieth century.
Author: Sibylle Kramer
Publisher: Braun Publish,Csi
ISBN: 9783938780626
Category : Architecture, Modern
Languages : en
Pages : 0
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Book Description
At trade fairs companies compete for the attention of the visitors; ideally corporate identity and corporate design needs to be linked together. This volume presents around 70 chosen projects of the last fair years all around the world.
Author: Chloé Parent
Publisher: Rizzoli Publications
ISBN: 0847862151
Category : Architecture
Languages : en
Pages : 224
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Book Description
A monograph on one of the most influential visionary architects of the twentieth century, Claude Parent, whose buildings and theoretical work directly influenced leading architects Hadid, Libeskind, Nouvel and Gehry. The influence of the idealistic French architect Claude Parent (1923-2016) extends far beyond the legacy he left in iconic commercial and residential built works such as the Villa Drusch in Versailles (1963), the church of Sainte-Bernadette du Banlay in Nevers (1966), and GEM shopping centre in Sens (1970). Movement was at the heart of Parent's vision, and is nowhere more evident than in his drawings, many of which are published in this book for the first time-- drawings which, according to Frank Gehry, are "extraordinary--beautiful fantasies, full of poetry," and which Edwin Eathcote, writing for the Financial Times, described as "breathtaking... in their ambition they not only presage Daniel Libeskind and Zaha Hadid, they arguably surpass them." Parent's work manifests the oblique function theory he developed with Paul Virilio in 1963, that dictates that buildings should feature slopes, be wall-free where possible and have a predominance of space over surface. Featuring contributions by some of today's most renowned architects, this long-overdue publication is a must-have for students of architecture and architects alike. Including initial sketches for his best known buildings and never-before-seen drawings of unbuilt works, Claude Parent: Visionary Architect reveals the genius of a man who unquestionably changed the history of architecture.
Author: Teresa Fankhänel
Publisher: Birkhaüser
ISBN: 9783035621549
Category : Architecture
Languages : en
Pages : 248
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Book Description
Today, it is hard to imagine the everyday work in an architectural practice without computers. Bits and bytes play an important role in the design and presentation of architecture. The book, which is published in the context of an exhibition of the same name of the Architekturmuseum der TUM at the Pinakothek der Moderne in Munich (October 14, 2020 to January 10, 2021), for the first time considers - in depth - the development of the digital in architecture. In four chapters, it recounts this intriguing history from its beginnings in the 1950s through to today and presents the computer as a drawing machine, as a design tool, as a medium for telling stories, and as an interactive communication platform. The basic underlying question is simple: Has the computer changed architecture? And if so, by how much?
