Author: Stefan Andriopoulos
Publisher: Princeton University Press
ISBN: 1935408615
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology and its transformation of intellectual and literary history. Stefan Andriopoulos examines new media technologies and distinct cultural realms, tracing connections between Kant’s philosophy and the magic lantern’s phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to startle audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging modes in which these authors appropriated figures of optical media and spiritualist notions. The spectral apparitions from this period also intersect with the rise of popular print culture. Andriopoulos explores the circulation of ostensibly authentic ghost narratives and the Gothic novel, which was said to produce “reading addiction” and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. The final chapter of Ghostly Apparitions extends this archaeology of new media into the early twentieth century. Tracing a reciprocal inter_action between occultism and engineering, Andriopoulos uncovers how theories and devices of psychical research enabled the emergence of television.
Ghostly Apparitions
Author: Stefan Andriopoulos
Publisher: Princeton University Press
ISBN: 1935408615
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology and its transformation of intellectual and literary history. Stefan Andriopoulos examines new media technologies and distinct cultural realms, tracing connections between Kant’s philosophy and the magic lantern’s phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to startle audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging modes in which these authors appropriated figures of optical media and spiritualist notions. The spectral apparitions from this period also intersect with the rise of popular print culture. Andriopoulos explores the circulation of ostensibly authentic ghost narratives and the Gothic novel, which was said to produce “reading addiction” and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. The final chapter of Ghostly Apparitions extends this archaeology of new media into the early twentieth century. Tracing a reciprocal inter_action between occultism and engineering, Andriopoulos uncovers how theories and devices of psychical research enabled the emergence of television.
Publisher: Princeton University Press
ISBN: 1935408615
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology and its transformation of intellectual and literary history. Stefan Andriopoulos examines new media technologies and distinct cultural realms, tracing connections between Kant’s philosophy and the magic lantern’s phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to startle audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging modes in which these authors appropriated figures of optical media and spiritualist notions. The spectral apparitions from this period also intersect with the rise of popular print culture. Andriopoulos explores the circulation of ostensibly authentic ghost narratives and the Gothic novel, which was said to produce “reading addiction” and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. The final chapter of Ghostly Apparitions extends this archaeology of new media into the early twentieth century. Tracing a reciprocal inter_action between occultism and engineering, Andriopoulos uncovers how theories and devices of psychical research enabled the emergence of television.
Apparitions
Author: Briar Lee Mitchell
Publisher: Simon and Schuster
ISBN: 1682611248
Category : Fiction
Languages : en
Pages : 288
Book Description
"The allegedly haunted 100-year-old Mallard Hotel sits on a dramatic ocean-side cliff just north of San Francisco. The modern ghost hunters of the Peter Wren Agency have been called in to determine once and for all if the paranormal events are real. Skeptical reporter Martin Stewart, along with his fiancé Seville, join the team to report on the investigation. After a series of horrific events, Seville disappears. Martin is finally convinced there might be something paranormal in the old hotel after all. To find his fiancé he soon learns he'll have to put aside mistrust and help the ghost hunters do battle with whatever is haunting the Mallard--no matter what the cost."--Page 4 of cover.
Publisher: Simon and Schuster
ISBN: 1682611248
Category : Fiction
Languages : en
Pages : 288
Book Description
"The allegedly haunted 100-year-old Mallard Hotel sits on a dramatic ocean-side cliff just north of San Francisco. The modern ghost hunters of the Peter Wren Agency have been called in to determine once and for all if the paranormal events are real. Skeptical reporter Martin Stewart, along with his fiancé Seville, join the team to report on the investigation. After a series of horrific events, Seville disappears. Martin is finally convinced there might be something paranormal in the old hotel after all. To find his fiancé he soon learns he'll have to put aside mistrust and help the ghost hunters do battle with whatever is haunting the Mallard--no matter what the cost."--Page 4 of cover.
The Sketch
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 860
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 860
Book Description
Derridada
Author: Thomas Deane Tucker
Publisher: Lexington Books
ISBN: 9780739116227
Category : Art
Languages : en
Pages : 114
Book Description
Derridada explores the affinities between the work of Marcel Duchamp and the discipline of deconstruction. It is the first text to explore Duchamp's work in the context of the theories of Derrida and deconstruction.
Publisher: Lexington Books
ISBN: 9780739116227
Category : Art
Languages : en
Pages : 114
Book Description
Derridada explores the affinities between the work of Marcel Duchamp and the discipline of deconstruction. It is the first text to explore Duchamp's work in the context of the theories of Derrida and deconstruction.
Chamber's Journal of Popular Literature, Science and Arts
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
Book Description
Shakespeare’s Props
Author: Sophie Duncan
Publisher: Routledge
ISBN: 1351967606
Category : Literary Criticism
Languages : en
Pages : 440
Book Description
Cognitive approaches to drama have enriched our understanding of Early Modern playtexts, acting and spectatorship. This monograph is the first full-length study of Shakespeare’s props and their cognitive impact. Shakespeare’s most iconic props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull Hamlet. One reason for stage properties’ neglect by cognitive theorists may be the longstanding tendency to conceptualise props as detachable body parts: instead, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare’s characters offload, reveal and intervene in each other’s cognition, illuminating and extending their affect. Shakespeare’s props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters’ minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet’s Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The monograph illuminates Shakespeare’s exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history reveal how props both carry audience affect and reveal cultural priorities: some accrue cultural memories, while others decay and are forgotten as detritus of the stage.
Publisher: Routledge
ISBN: 1351967606
Category : Literary Criticism
Languages : en
Pages : 440
Book Description
Cognitive approaches to drama have enriched our understanding of Early Modern playtexts, acting and spectatorship. This monograph is the first full-length study of Shakespeare’s props and their cognitive impact. Shakespeare’s most iconic props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull Hamlet. One reason for stage properties’ neglect by cognitive theorists may be the longstanding tendency to conceptualise props as detachable body parts: instead, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare’s characters offload, reveal and intervene in each other’s cognition, illuminating and extending their affect. Shakespeare’s props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters’ minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet’s Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The monograph illuminates Shakespeare’s exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history reveal how props both carry audience affect and reveal cultural priorities: some accrue cultural memories, while others decay and are forgotten as detritus of the stage.
The Works of Thomas Dick
Author: Thomas Dick
Publisher:
ISBN:
Category :
Languages : en
Pages : 684
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 684
Book Description
An Anthropological Guide to the Art and Philosophy of Mirror Gazing
Author: Maria Danae Koukouti
Publisher: Bloomsbury Publishing
ISBN: 1350135178
Category : Philosophy
Languages : en
Pages : 201
Book Description
Looking at one's face in the mirror and finding one's self in the mirror are not the same. The former capacity is something we share with other animals; the latter is a skill: something we have to learn. What does it mean and what does it take to find oneself the mirror? This book provides a comparative anthropological enquiry into the unity and diversity of mirror gazing. The reader is encouraged to reflect upon and experiment with different mirror gazes through a range of case studies. Koukouti and Malafouris weave together anthropology with philosophy and draw on examples from literature and experiments from psychopathology in a way that has never been attempted before. The master metaphor is that of the mirror as trap. Mirror gazing is viewed on a par with hunting. Mirroring signifies the hunt for self-knowledge. In a time obsessed with the digital self-image, Koukouti and Malafouris reflect on the structures of consciousness that underpin the different ways of looking at and through the mirror. Combining metaphor, comparison and estrangement, they gesture towards a therapeutic alliance between body and mirroring. This allows us to look in the mirror, and think of our shared humanity differently.
Publisher: Bloomsbury Publishing
ISBN: 1350135178
Category : Philosophy
Languages : en
Pages : 201
Book Description
Looking at one's face in the mirror and finding one's self in the mirror are not the same. The former capacity is something we share with other animals; the latter is a skill: something we have to learn. What does it mean and what does it take to find oneself the mirror? This book provides a comparative anthropological enquiry into the unity and diversity of mirror gazing. The reader is encouraged to reflect upon and experiment with different mirror gazes through a range of case studies. Koukouti and Malafouris weave together anthropology with philosophy and draw on examples from literature and experiments from psychopathology in a way that has never been attempted before. The master metaphor is that of the mirror as trap. Mirror gazing is viewed on a par with hunting. Mirroring signifies the hunt for self-knowledge. In a time obsessed with the digital self-image, Koukouti and Malafouris reflect on the structures of consciousness that underpin the different ways of looking at and through the mirror. Combining metaphor, comparison and estrangement, they gesture towards a therapeutic alliance between body and mirroring. This allows us to look in the mirror, and think of our shared humanity differently.
Micrographia Or Some Physiological Descriptions of Minute Bodies Made by Magnifying Glasses with Observations and Inquiries Thereupon
Author: Robert Hooke
Publisher:
ISBN:
Category : Microscope and microscopy
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Microscope and microscopy
Languages : en
Pages : 380
Book Description
Yorkshire Oddities, Incidents and Strange Events
Author: Sabine Baring-Gould
Publisher: METHUEN AND CO.
ISBN:
Category :
Languages : en
Pages : 195
Book Description
A residence of many years in Yorkshire, and an inveterate habit of collecting all kinds of odd and out-of-the-way information concerning men and matters, furnished me, when I left Yorkshire in 1872, with a large amount of material, collected in that county, relating to its eccentric children. A friend, when he heard that I was collecting such material, exclaimed, "What are you about? Every other Yorkshireman is a character!" Such is the case. No other county produces so much originality—and that originality, when carried to excess, is eccentricity. I look back with the greatest pleasure to the kindness and hospitality I met with in Yorkshire, where I spent some of the happiest years of my life. I venture to offer this collection of memoirs of odd people, and narrative of strange events, as a humble contribution to the annals of the greatest, not perhaps only in extent, of our English counties, and a slight return for the pleasant welcome it afforded a migratory penman from the South.
Publisher: METHUEN AND CO.
ISBN:
Category :
Languages : en
Pages : 195
Book Description
A residence of many years in Yorkshire, and an inveterate habit of collecting all kinds of odd and out-of-the-way information concerning men and matters, furnished me, when I left Yorkshire in 1872, with a large amount of material, collected in that county, relating to its eccentric children. A friend, when he heard that I was collecting such material, exclaimed, "What are you about? Every other Yorkshireman is a character!" Such is the case. No other county produces so much originality—and that originality, when carried to excess, is eccentricity. I look back with the greatest pleasure to the kindness and hospitality I met with in Yorkshire, where I spent some of the happiest years of my life. I venture to offer this collection of memoirs of odd people, and narrative of strange events, as a humble contribution to the annals of the greatest, not perhaps only in extent, of our English counties, and a slight return for the pleasant welcome it afforded a migratory penman from the South.