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Author: William Wells Brown
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 3454
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Book Description
African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. Novels and short stories William Wells Brown CLOTEL; OR, THE PRESIDENT'S DAUGHTER Frederick Douglass THE HEROIC SLAVE Harriet E. Wilson OUR NIG; OR, SKETCHES FROM THE LIFE OF A FREE BLACK Nella Larsen QUICKSAND PASSING THE WRONG MAN FREEDOM SANTUARY Alice Dunbar-Nelson A CARNIVAL JANGLE VIOLETS THE WOMAN TEN MINUTES MUSING TITIEE Charles W. Chesnutt THE GOOPHERED GRAPEVINE PO' SANDY SIS' BECKY'S PICKANINNY THE DOLL THE WIFE OF HIS YOUTH DAVE'S NECKLISS THE PASSING OF GRANDISON A MATTER OF PRINCIPLE THE SHERIFF'S CHILDREN BAXTER'S PROCRUSTES Paul Laurence Dunbar THE SCAPEGOAT Jean Toomer BECKY Poetry Phillis Wheatley POEMS ON VARIOUS SUBJECTS, RELIGIOUS AND MORAL Frances E. W. Harper POEMS Langston Hughes THE WEARY BLUES Countee Cullen COLOR COPPER SUN THE BALLAD OF THE BROWN GIRL Non-fiction Olaudah Equiano THE INTERESTING NARRATIVE OF THE LIFE OF OLAUDAH EQUIANO, OR GUSTAVUS VASSA, THE AFRICAN Mary Prince THE HISTORY OF MARY PRINCE, A WEST INDIAN SLAVE Charles Ball A NARRATIVE OF THE LIFE AND ADVENTURES OF CHARLES BALL Frederick Douglass NARRATIVE OF THE LIFE Josiah Henson THE LIFE OF JOSIAH HENSON Solomon Northup TWELVE YEARS A SLAVE Harriet Ann Jacobs INCIDENTS IN THE LIFE OF A SLAVE GIRL Elizabeth Keckley BEHIND THE SCENES Louis Hughes THIRTY YEARS A SLAVE Booker T. Washington UP FROM SLAVERY William Still THE UNDERGROUND RAILROAD Henry Box Brown James Hambleton Christian Theophilus Collins Seth Concklin William And Ellen Craft Abram Galloway And Richard Eden Charles Gilbert Samuel Green Jamie Griffin Harry Grimes James Hamlet And Others John Henry Hill Ann Maria Jackson And Her Seven Children Jane Johnson Matilda Mahoney Mary Frances Melvin Aunt Hannah Moore Alfred S. Thornton Essays W. E. B. Du Bois THE SOULS OF BLACK FOLK Charles W. Chesnutt THE DISFRANCHISEMENT OF THE NEGRO Paul Laurence Dunbar REPRESENTATIVE AMERICAN NEGROES
Author: William Wells Brown
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 3454
Get Book Here
Book Description
African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. Novels and short stories William Wells Brown CLOTEL; OR, THE PRESIDENT'S DAUGHTER Frederick Douglass THE HEROIC SLAVE Harriet E. Wilson OUR NIG; OR, SKETCHES FROM THE LIFE OF A FREE BLACK Nella Larsen QUICKSAND PASSING THE WRONG MAN FREEDOM SANTUARY Alice Dunbar-Nelson A CARNIVAL JANGLE VIOLETS THE WOMAN TEN MINUTES MUSING TITIEE Charles W. Chesnutt THE GOOPHERED GRAPEVINE PO' SANDY SIS' BECKY'S PICKANINNY THE DOLL THE WIFE OF HIS YOUTH DAVE'S NECKLISS THE PASSING OF GRANDISON A MATTER OF PRINCIPLE THE SHERIFF'S CHILDREN BAXTER'S PROCRUSTES Paul Laurence Dunbar THE SCAPEGOAT Jean Toomer BECKY Poetry Phillis Wheatley POEMS ON VARIOUS SUBJECTS, RELIGIOUS AND MORAL Frances E. W. Harper POEMS Langston Hughes THE WEARY BLUES Countee Cullen COLOR COPPER SUN THE BALLAD OF THE BROWN GIRL Non-fiction Olaudah Equiano THE INTERESTING NARRATIVE OF THE LIFE OF OLAUDAH EQUIANO, OR GUSTAVUS VASSA, THE AFRICAN Mary Prince THE HISTORY OF MARY PRINCE, A WEST INDIAN SLAVE Charles Ball A NARRATIVE OF THE LIFE AND ADVENTURES OF CHARLES BALL Frederick Douglass NARRATIVE OF THE LIFE Josiah Henson THE LIFE OF JOSIAH HENSON Solomon Northup TWELVE YEARS A SLAVE Harriet Ann Jacobs INCIDENTS IN THE LIFE OF A SLAVE GIRL Elizabeth Keckley BEHIND THE SCENES Louis Hughes THIRTY YEARS A SLAVE Booker T. Washington UP FROM SLAVERY William Still THE UNDERGROUND RAILROAD Henry Box Brown James Hambleton Christian Theophilus Collins Seth Concklin William And Ellen Craft Abram Galloway And Richard Eden Charles Gilbert Samuel Green Jamie Griffin Harry Grimes James Hamlet And Others John Henry Hill Ann Maria Jackson And Her Seven Children Jane Johnson Matilda Mahoney Mary Frances Melvin Aunt Hannah Moore Alfred S. Thornton Essays W. E. B. Du Bois THE SOULS OF BLACK FOLK Charles W. Chesnutt THE DISFRANCHISEMENT OF THE NEGRO Paul Laurence Dunbar REPRESENTATIVE AMERICAN NEGROES
Author: Angelyn Mitchell
Publisher: Duke University Press
ISBN: 9780822315445
Category : Literary Criticism
Languages : en
Pages : 548
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Book Description
Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon. The essays in this collection--many of which are not widely available today--either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism. A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience. Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright
Author: Patricia Liggins Hill
Publisher: Houghton Mifflin
ISBN: 9780618451715
Category : Literary Collections
Languages : en
Pages : 1024
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Book Description
This comprehensive, chronological anthology of African and African American literature asserts that there is a distinctly black literary and cultural aesthetic, one that originated in the oral traditions of Africa and was kept alive during the American slavery experience. This text represents the centuries-long emergence of this aesthetic in poetry, fiction, drama, essays, speeches, sermons, criticism, journals, and the full range of song lyrics from the spiritual to rap. Produced in conjunction with the Smithsonian Institution, the audio CD is a one-of-a-kind collection of many of the poems, chants, and songs included in the book.
Author: Various
Publisher: Penguin
ISBN: 0451527828
Category : Fiction
Languages : en
Pages : 818
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Book Description
“If you don’t know my name, you don’t know your own.”—James Baldwin An anthology of African-American literature featuring contributions from some of the most prominent Black and African-American authors of our time, including James Baldwin, Arna Bontemps, Gwendolyn Brooks, W. E. B. Du Bois, Ralph Ellison, Langston Hughes, Leroi Jones, Margaret Walker, Richard Wright, Malcom X, and many more. Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Also Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson
Author: Venetria Patton
Publisher: Bedford/St. Martin's
ISBN: 9781457676376
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
With chapters that address literary and social movements, questions of identity, the geopolitical aspects of American literature, and classroom approaches, Background Readings for Teachers of American Literature, Second Edition, provides an overview of changes in the field of American literary studies and a survey of its popular themes. The twenty-seven readings include important scholarship, critical essays, and practical ideas from working teachers. This professional resource offers support to instructors using The Bedford Anthology of American Literature.
Author: Donald Hall
Publisher: Oxford University Press, USA
ISBN: 0195123735
Category : Juvenile Nonfiction
Languages : en
Pages : 98
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Book Description
An anthology of American poems, is arranged chronologically, from colonial alphabet rhymes to Native American cradle songs to contemporary poems. 50 illustrations, 20 in color.
Author: Barbara S. Glass
Publisher: McFarland
ISBN: 9780786471577
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Africans brought as slaves to North America arrived without possessions, but not without culture. The fascinating elements of African life manifested themselves richly in the New World, and among the most lasting and influential of these was the art of African dance. This generously illustrated history follows the dynamics of African dance forms throughout each generation. Early chapters discuss the African continent and the heritage of African American dance; the discrimination and marginalization of African Americans and the fortitude with which their dance forms survived; and black dance in the slavery era and later in the nineteenth century. Remaining chapters outline ten major characteristics that have consistently marked African American dance, and describe the various styles of black vernacular dance that became popular in America. The book concludes with a discussion of African dance at the end of the twentieth century and its important role in the flowering of African American arts. Instructors considering this book for use in a course may request an examination copy here.
Author: Shanna Greene Benjamin
Publisher: UNC Press Books
ISBN: 1469661896
Category : Biography & Autobiography
Languages : en
Pages : 277
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Book Description
Nellie Y. McKay (1930–2006) was a pivotal figure in contemporary American letters. The author of several books, McKay is best known for coediting the canon-making with Henry Louis Gates Jr., which helped secure a place for the scholarly study of Black writing that had been ignored by white academia. However, there is more to McKay's life and legacy than her literary scholarship. After her passing, new details about McKay's life emerged, surprising everyone who knew her. Why did McKay choose to hide so many details of her past? Shanna Greene Benjamin examines McKay's path through the professoriate to learn about the strategies, sacrifices, and successes of contemporary Black women in the American academy. Benjamin shows that McKay's secrecy was a necessary tactic that a Black, working-class woman had to employ to succeed in the white-dominated space of the American English department. Using extensive archives and personal correspondence, Benjamin brings together McKay’s private life and public work to expand how we think about Black literary history and the place of Black women in American culture.
Author: Henry Louis Gates Jr.
Publisher: Liveright Publishing
ISBN: 0871407566
Category : Literary Collections
Languages : en
Pages : 1437
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Book Description
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
Author: Maurice O. Wallace
Publisher: Duke University Press
ISBN: 0822383799
Category : Social Science
Languages : en
Pages : 252
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Book Description
In seven representative episodes of black masculine literary and cultural history—from the founding of the first African American Masonic lodge in 1775 to the 1990s choreographies of modern dance genius Bill T. Jones—Constructing the Black Masculine maps black men’s historical efforts to negotiate the frequently discordant relationship between blackness and maleness in the cultural logic of American identity. Maurice O. Wallace draws on an impressive variety of material to investigate the survivalist strategies employed by black men who have had to endure the disjunction between race and masculinity in American culture. Highlighting their chronic objectification under the gaze of white eyes, Wallace argues that black men suffer a social and representational crisis in being at once seen and unseen, fetish and phantasm, spectacle and shadow in the American racial imagination. Invisible and disregarded on one hand, black men, perceived as potential threats to society, simultaneously face the reality of hypervisibility and perpetual surveillance. Paying significant attention to the sociotechnologies of vision and image production over two centuries, Wallace shows how African American men—as soldiers, Freemasons, and romantic heroes—have sought both to realize the ideal image of the American masculine subject and to deconstruct it in expressive mediums like modern dance, photography, and theatre. Throughout, he draws on the experiences and theories of such notable figures as Frederick Douglass, W. E. B. Du Bois, Booker T. Washington, and James Baldwin.
