Author: Peter H. Falk
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 550
Book Description
The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts: 1914-1968
Author: Peter H. Falk
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 550
Book Description
The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts: 1876-1913
Author: Peter H. Falk
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 624
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 624
Book Description
First Annual Exhibition
Author: Canadian Academy of Arts
Publisher: S.l. : s.n.
ISBN:
Category : Arts
Languages : en
Pages : 34
Book Description
Publisher: S.l. : s.n.
ISBN:
Category : Arts
Languages : en
Pages : 34
Book Description
The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts
Author: Peter H. Falk
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Catalogue of the Annual Exibition of Painting and Sculpture
Author: Pennsylvania Academy of the Fine Arts
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 160
Book Description
Women in Motion
Author:
Publisher:
ISBN: 9781735441658
Category : Women artists
Languages : en
Pages : 79
Book Description
Publisher:
ISBN: 9781735441658
Category : Women artists
Languages : en
Pages : 79
Book Description
Painting by Numbers
Author: Diana Seave Greenwald
Publisher: Princeton University Press
ISBN: 0691214948
Category : Art
Languages : en
Pages : 256
Book Description
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
Publisher: Princeton University Press
ISBN: 0691214948
Category : Art
Languages : en
Pages : 256
Book Description
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
American Watercolors at the Pennsylvania Academy of the Fine Arts
Author: Pennsylvania Academy of the Fine Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
New Land Marks
Author: Fairmount Park Art Association
Publisher: Hearst Books
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
"What will we leave for future generations? What is it about a community that might inspire a work of art? Can that art give meaning to our public spaces?" "The artists and communities participating in the program New Land Marks: Public Art, Community, and Meaning of Place have been grappling with these challenging questions. The resulting book documents how a long-standing Philadelphia cultural organization - the Fairmount Park Art Association - initiated this program in order to plan and create unique public art projects with communities that volunteered to participate. Artists have been working with these communities to incorporate public art into ongoing community development, urban greening, civic history, streetscape enhancement, and other revitalization initiatives. The resulting proposals - which represent "works in process" - celebrate community identity, commemorate "untold" histories, inspire civic pride, respond to the local environment, and invigorate public spaces. This book is a guide for those interested in how communities and artists can examine the appearance and meaning of public spaces." "In addition to illustrating the work of the twenty-one artists participating in this innovative public art project, the book includes essays by noted authors Ellen Dissanayake, Thomas Hine, Lucy Lippard, and Penny Balkin Bach, Executive Director of the Fairmount Park Art Association, who also served as general editor."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Hearst Books
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
"What will we leave for future generations? What is it about a community that might inspire a work of art? Can that art give meaning to our public spaces?" "The artists and communities participating in the program New Land Marks: Public Art, Community, and Meaning of Place have been grappling with these challenging questions. The resulting book documents how a long-standing Philadelphia cultural organization - the Fairmount Park Art Association - initiated this program in order to plan and create unique public art projects with communities that volunteered to participate. Artists have been working with these communities to incorporate public art into ongoing community development, urban greening, civic history, streetscape enhancement, and other revitalization initiatives. The resulting proposals - which represent "works in process" - celebrate community identity, commemorate "untold" histories, inspire civic pride, respond to the local environment, and invigorate public spaces. This book is a guide for those interested in how communities and artists can examine the appearance and meaning of public spaces." "In addition to illustrating the work of the twenty-one artists participating in this innovative public art project, the book includes essays by noted authors Ellen Dissanayake, Thomas Hine, Lucy Lippard, and Penny Balkin Bach, Executive Director of the Fairmount Park Art Association, who also served as general editor."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Pennsylvania Academy of the Fine Arts
Author: Pennsylvania Academy of the Fine Arts
Publisher: University of Pennsylvania Press
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
This richly illustrated volume celebrates the history and significance of America's oldest museum and school of fine arts. Essays cover the history of the Pennsylvania Academy of the Fine Arts, its buildings, the school, and the museum collection.
Publisher: University of Pennsylvania Press
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
This richly illustrated volume celebrates the history and significance of America's oldest museum and school of fine arts. Essays cover the history of the Pennsylvania Academy of the Fine Arts, its buildings, the school, and the museum collection.