Author: Jay Fisher
Publisher: JHU Press
ISBN: 142141130X
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
A fresh look at the multicultural influences on Quintus Ennius and his epic poem, the Annals. Quintus Ennius, often considered the father of Roman poetry, is best remembered for his epic poem, the Annals, a history of Rome from Aeneas until his own lifetime. Ennius represents an important bridge between Homer’s works in Greek and Vergil’s Aeneid. Jay Fisher argues that Ennius does not simply translate Homeric models into Latin, but blends Greek poetic models with Italic diction to produce a poetic hybrid. Fisher's investigation uncovers a poem that blends foreign and familiar cultural elements in order to generate layers of meaning for his Roman audience. Fisher combines modern linguistic methodologies with traditional philology to uncover the influence of the language of Roman ritual, kinship, and military culture on the Annals. Moreover, because these customs are themselves hybrids of earlier Roman, Etruscan, and Greek cultural practices, not to mention the customs of speakers of lesser-known languages such as Oscan and Umbrian, the echoes of cultural interactions generate layers of meaning for Ennius, his ancient audience, and the modern readers of the fragments of the Annals.
The Annals of Quintus Ennius and the Italic Tradition
Author: Jay Fisher
Publisher: JHU Press
ISBN: 142141130X
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
A fresh look at the multicultural influences on Quintus Ennius and his epic poem, the Annals. Quintus Ennius, often considered the father of Roman poetry, is best remembered for his epic poem, the Annals, a history of Rome from Aeneas until his own lifetime. Ennius represents an important bridge between Homer’s works in Greek and Vergil’s Aeneid. Jay Fisher argues that Ennius does not simply translate Homeric models into Latin, but blends Greek poetic models with Italic diction to produce a poetic hybrid. Fisher's investigation uncovers a poem that blends foreign and familiar cultural elements in order to generate layers of meaning for his Roman audience. Fisher combines modern linguistic methodologies with traditional philology to uncover the influence of the language of Roman ritual, kinship, and military culture on the Annals. Moreover, because these customs are themselves hybrids of earlier Roman, Etruscan, and Greek cultural practices, not to mention the customs of speakers of lesser-known languages such as Oscan and Umbrian, the echoes of cultural interactions generate layers of meaning for Ennius, his ancient audience, and the modern readers of the fragments of the Annals.
Publisher: JHU Press
ISBN: 142141130X
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
A fresh look at the multicultural influences on Quintus Ennius and his epic poem, the Annals. Quintus Ennius, often considered the father of Roman poetry, is best remembered for his epic poem, the Annals, a history of Rome from Aeneas until his own lifetime. Ennius represents an important bridge between Homer’s works in Greek and Vergil’s Aeneid. Jay Fisher argues that Ennius does not simply translate Homeric models into Latin, but blends Greek poetic models with Italic diction to produce a poetic hybrid. Fisher's investigation uncovers a poem that blends foreign and familiar cultural elements in order to generate layers of meaning for his Roman audience. Fisher combines modern linguistic methodologies with traditional philology to uncover the influence of the language of Roman ritual, kinship, and military culture on the Annals. Moreover, because these customs are themselves hybrids of earlier Roman, Etruscan, and Greek cultural practices, not to mention the customs of speakers of lesser-known languages such as Oscan and Umbrian, the echoes of cultural interactions generate layers of meaning for Ennius, his ancient audience, and the modern readers of the fragments of the Annals.
Ennius Noster
Author: Jason S. Nethercut
Publisher:
ISBN: 0197517692
Category : History
Languages : en
Pages : 273
Book Description
Introduction -- Ennius and the tradition of Republican epic -- Lucretius on the Ennian cosmos -- Ennian historiography in Lucretius -- Ennian poetology and literary affiliation in Lucretius.
Publisher:
ISBN: 0197517692
Category : History
Languages : en
Pages : 273
Book Description
Introduction -- Ennius and the tradition of Republican epic -- Lucretius on the Ennian cosmos -- Ennian historiography in Lucretius -- Ennian poetology and literary affiliation in Lucretius.
Ennius' Annals
Author: Cynthia Damon
Publisher: Cambridge University Press
ISBN: 1108481728
Category : History
Languages : en
Pages : 367
Book Description
Brings together historical and literary perspectives to begin charting a new course for research on Ennius' masterpiece.
Publisher: Cambridge University Press
ISBN: 1108481728
Category : History
Languages : en
Pages : 367
Book Description
Brings together historical and literary perspectives to begin charting a new course for research on Ennius' masterpiece.
Structures of Epic Poetry
Author: Christiane Reitz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110492598
Category : Literary Criticism
Languages : en
Pages : 2760
Book Description
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110492598
Category : Literary Criticism
Languages : en
Pages : 2760
Book Description
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Thunder and Lament
Author: Timothy A. Joseph
Publisher: Oxford University Press
ISBN: 0197582141
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
"Lucan's epic poem Pharsalia tells the story of the cataclysmic "end of Rome" through the victory of Julius Caesar and Caesarism in the civil wars of 49-48 BCE. This book argues that Lucan's poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic - inverting, undoing, and closing off many of the tropes and themes introduced in Homer's Iliad and Odyssey and in the foundational Latin epic poems by Livius Andronicus, Naevius, and most of all Ennius. By looking at Lucan's effort to "surpass the poets of old" - a phrase Statius would use of his achievement - this study broadens our appreciation of Lucan's poetic ambitions and accomplishment. Statius also read Lucan as a poet who both thunders and laments, and this book makes the case that Lucan closes off epic's beginnings through not just gestures of thundering poetic violence but also a transformation and expansion of the traditional epic mode of lament. In his story of violent Roman self-destruction and the lamentation that accompanies it, Lucan at the same time uproots and marks the end of the epic song"--
Publisher: Oxford University Press
ISBN: 0197582141
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
"Lucan's epic poem Pharsalia tells the story of the cataclysmic "end of Rome" through the victory of Julius Caesar and Caesarism in the civil wars of 49-48 BCE. This book argues that Lucan's poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic - inverting, undoing, and closing off many of the tropes and themes introduced in Homer's Iliad and Odyssey and in the foundational Latin epic poems by Livius Andronicus, Naevius, and most of all Ennius. By looking at Lucan's effort to "surpass the poets of old" - a phrase Statius would use of his achievement - this study broadens our appreciation of Lucan's poetic ambitions and accomplishment. Statius also read Lucan as a poet who both thunders and laments, and this book makes the case that Lucan closes off epic's beginnings through not just gestures of thundering poetic violence but also a transformation and expansion of the traditional epic mode of lament. In his story of violent Roman self-destruction and the lamentation that accompanies it, Lucan at the same time uproots and marks the end of the epic song"--
Early Latin Poetry
Author: Jackie Elliott
Publisher: BRILL
ISBN: 9004518274
Category : Literary Criticism
Languages : en
Pages : 137
Book Description
This study offers an introduction to the fragmentary record of early Roman poetry. In focus are the contexts, practitioners, and reception of early Roman drama (excluding comedy), epic, and satire, along with the challenges which our evidence for these entails.
Publisher: BRILL
ISBN: 9004518274
Category : Literary Criticism
Languages : en
Pages : 137
Book Description
This study offers an introduction to the fragmentary record of early Roman poetry. In focus are the contexts, practitioners, and reception of early Roman drama (excluding comedy), epic, and satire, along with the challenges which our evidence for these entails.
Disorienting Empire
Author: Basil Dufallo
Publisher: Oxford University Press
ISBN: 0197571808
Category : Literary Collections
Languages : en
Pages :
Book Description
Disorienting Empire is the first book to examine Republican Latin poetry's recurring interest in characters who become lost. Basil Dufallo explains the prevalence of this theme with reference to the rapid expansion of Rome's empire in the Middle and Late Republic. It was both a threatening and an enticing prospect, Dufallo argues, to imagine the ever-widening spaces of Roman power as a place where one could become disoriented, both in terms of geographical wandering and in a more abstract sense connected with identity and identification, especially as it concerned gender and sexuality. Plautus, Terence, Lucretius, and Catullus, as well as the "triumviral" Horace of Satires, book 1, all reveal an interest in such experiences, particularly in relation to journeys into the Greek world from which these writers drew their source material. Fragmentary authors such as Naevius, Ennius, and Lucilius, as well as prose historians including Polybius and Livy, add depth and context to the discussion. Setting the Republican poets in dialogue with queer theory and postcolonial theory, Dufallo brings to light both anxieties latent in the theme and the exuberance it suggests over new creative possibilities opened up by reorienting oneself toward new horizons, new identifications-by discovering with pleasure that one could be other than one thought. Further, in showing that the Republican poets had been experimenting with such techniques for generations before the Augustan Age, Disorienting Empire offers its close readings as a means of interpreting afresh Aeneas' wandering journey in Vergil's Aeneid.
Publisher: Oxford University Press
ISBN: 0197571808
Category : Literary Collections
Languages : en
Pages :
Book Description
Disorienting Empire is the first book to examine Republican Latin poetry's recurring interest in characters who become lost. Basil Dufallo explains the prevalence of this theme with reference to the rapid expansion of Rome's empire in the Middle and Late Republic. It was both a threatening and an enticing prospect, Dufallo argues, to imagine the ever-widening spaces of Roman power as a place where one could become disoriented, both in terms of geographical wandering and in a more abstract sense connected with identity and identification, especially as it concerned gender and sexuality. Plautus, Terence, Lucretius, and Catullus, as well as the "triumviral" Horace of Satires, book 1, all reveal an interest in such experiences, particularly in relation to journeys into the Greek world from which these writers drew their source material. Fragmentary authors such as Naevius, Ennius, and Lucilius, as well as prose historians including Polybius and Livy, add depth and context to the discussion. Setting the Republican poets in dialogue with queer theory and postcolonial theory, Dufallo brings to light both anxieties latent in the theme and the exuberance it suggests over new creative possibilities opened up by reorienting oneself toward new horizons, new identifications-by discovering with pleasure that one could be other than one thought. Further, in showing that the Republican poets had been experimenting with such techniques for generations before the Augustan Age, Disorienting Empire offers its close readings as a means of interpreting afresh Aeneas' wandering journey in Vergil's Aeneid.
True Names
Author: James J. O'Hara
Publisher: University of Michigan Press
ISBN: 0472036874
Category : History
Languages : en
Pages : 371
Book Description
A key research tool in Vergilian studies, now in paper with substantial new material
Publisher: University of Michigan Press
ISBN: 0472036874
Category : History
Languages : en
Pages : 371
Book Description
A key research tool in Vergilian studies, now in paper with substantial new material
Laughing at domestica facta
Author: Giuseppe Eugenio Rallo
Publisher: Vandenhoeck & Ruprecht
ISBN: 3949189971
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
In this monograph, the author embarks on a captivating journey to shed fresh light on the togata, a mid-Republican theatrical genre which survives only in fragments. The book seeks to answer pressing questions surrounding the togata's significance in identity construction during the middle Republic from a literary and cultural perspective. Delving deep into the fragmentary textual remains of the togata, the book explores how the Roman elite fashioned their identity. The author challenges the notion of monolithic identity construction, and explores the diverse forms of identity within the togata, offering a new perspective on the subject. This study thus positions the togata as a vital source for discerning the characteristics and beliefs by which the Romans distinguished themselves and their culture from others. By examining how Romans perceived themselves, their ideas about different social groups, and their literary and cultural ties to earlier traditions, this book aims to transform our understanding of the togata's role in Roman drama.
Publisher: Vandenhoeck & Ruprecht
ISBN: 3949189971
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
In this monograph, the author embarks on a captivating journey to shed fresh light on the togata, a mid-Republican theatrical genre which survives only in fragments. The book seeks to answer pressing questions surrounding the togata's significance in identity construction during the middle Republic from a literary and cultural perspective. Delving deep into the fragmentary textual remains of the togata, the book explores how the Roman elite fashioned their identity. The author challenges the notion of monolithic identity construction, and explores the diverse forms of identity within the togata, offering a new perspective on the subject. This study thus positions the togata as a vital source for discerning the characteristics and beliefs by which the Romans distinguished themselves and their culture from others. By examining how Romans perceived themselves, their ideas about different social groups, and their literary and cultural ties to earlier traditions, this book aims to transform our understanding of the togata's role in Roman drama.
Beyond Greek
Author: Denis Feeney
Publisher: Harvard University Press
ISBN: 0674496043
Category : History
Languages : en
Pages : 392
Book Description
A History Today Best Book of the Year A Choice Outstanding Academic Title of the Year Virgil, Ovid, Cicero, Horace, and other authors of ancient Rome are so firmly established in the Western canon today that the birth of Latin literature seems inevitable. Yet, Denis Feeney boldly argues, the beginnings of Latin literature were anything but inevitable. The cultural flourishing that in time produced the Aeneid, the Metamorphoses, and other Latin classics was one of the strangest events in history. “Feeney is to be congratulated on his willingness to put Roman literary history in a big comparative context...It is a powerful testimony to the importance of Denis Feeney’s work that the old chestnuts of classical literary history—how the Romans got themselves Hellenized, and whether those jack-booted thugs felt anxiously belated or smugly domineering in their appropriation of Greek culture for their own purposes—feel fresh and urgent again.” —Emily Wilson, Times Literary Supplement “[Feeney’s] bold theme and vigorous writing render Beyond Greek of interest to anyone intrigued by the history and literature of the classical world.” —The Economist
Publisher: Harvard University Press
ISBN: 0674496043
Category : History
Languages : en
Pages : 392
Book Description
A History Today Best Book of the Year A Choice Outstanding Academic Title of the Year Virgil, Ovid, Cicero, Horace, and other authors of ancient Rome are so firmly established in the Western canon today that the birth of Latin literature seems inevitable. Yet, Denis Feeney boldly argues, the beginnings of Latin literature were anything but inevitable. The cultural flourishing that in time produced the Aeneid, the Metamorphoses, and other Latin classics was one of the strangest events in history. “Feeney is to be congratulated on his willingness to put Roman literary history in a big comparative context...It is a powerful testimony to the importance of Denis Feeney’s work that the old chestnuts of classical literary history—how the Romans got themselves Hellenized, and whether those jack-booted thugs felt anxiously belated or smugly domineering in their appropriation of Greek culture for their own purposes—feel fresh and urgent again.” —Emily Wilson, Times Literary Supplement “[Feeney’s] bold theme and vigorous writing render Beyond Greek of interest to anyone intrigued by the history and literature of the classical world.” —The Economist