The Ancient Art of Emulation PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Ancient Art of Emulation PDF full book. Access full book title The Ancient Art of Emulation by Elaine K. Gazda. Download full books in PDF and EPUB format.
Author: Elaine K. Gazda
Publisher: University of Michigan Press
ISBN: 9780472111893
Category : Art
Languages : en
Pages : 342
Get Book Here
Book Description
Are copies of Greek and Roman masterpieces as important as the originals they imitate?
Author: Elaine K. Gazda
Publisher: University of Michigan Press
ISBN: 9780472111893
Category : Art
Languages : en
Pages : 342
Get Book Here
Book Description
Are copies of Greek and Roman masterpieces as important as the originals they imitate?
Author: Ellen Perry
Publisher: Cambridge University Press
ISBN: 9780521831659
Category : Art
Languages : en
Pages : 226
Get Book Here
Book Description
Arguing that the scholarship on this topic has not appreciated Roman values in the visual arts, this book examines Roman strategies for the appropriation of the Greek visual culture. A knowledge of Roman values explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and, most importantly, aemulatio, successful rivalry with one's models.
Author: Professor David Mayernik
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472407520
Category : Architecture
Languages : en
Pages : 453
Get Book Here
Book Description
Emulation is a challenging middle ground between imitation and invention. The idea of rivaling by means of imitation, as old as the Aenead and as modern as Michelangelo, fit neither the pessimistic deference of the neoclassicists nor the revolutionary spirit of the Romantics. Emulation thus disappeared along with the Renaissance humanist tradition, but it is slowly being recovered in the scholarship of Roman art. It remains to recover emulation for the Renaissance itself, and to revivify it for modern practice. Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.
Author: William H. Keith
Publisher: Citadel Press
ISBN: 9780806526331
Category : Body, Mind & Spirit
Languages : en
Pages : 324
Get Book Here
Book Description
Advancements in science have taken us further and further from the tangibles our ancestors used to define and understand their world. science has attempted to draw a careful line between what can be provan and what cannot. But a revolution is at hand. keith explains how a fresh look at quantum physics supports phenomena that have long been ridiculed or ignored by classical science. In engaging and frank prose Keith argues that magic is governed by laws similar to those that define scientific principles. This is a truly fascinating gateway for exploring psychic phenomena.
Author: Brenda Longfellow
Publisher: University of Michigan Press
ISBN: 047213065X
Category : Art
Languages : en
Pages : 289
Get Book Here
Book Description
A fascinating shift toward more nuanced interpretations of Roman art that look at different kinds of social knowledge and local contexts
Author: Tonio Hölscher
Publisher: Cambridge University Press
ISBN: 9780521665698
Category : Architecture
Languages : en
Pages : 196
Get Book Here
Book Description
This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images.
Author: Barbara E. Borg
Publisher: John Wiley & Sons
ISBN: 1119077893
Category : Literary Criticism
Languages : en
Pages : 685
Get Book Here
Book Description
A Companion to Roman Art encompasses various artistic genres, ancient contexts, and modern approaches for a comprehensive guide to Roman art. Offers comprehensive and original essays on the study of Roman art Contributions from distinguished scholars with unrivalled expertise covering a broad range of international approaches Focuses on the socio-historical aspects of Roman art, covering several topics that have not been presented in any detail in English Includes both close readings of individual art works and general discussions Provides an overview of main aspects of the subject and an introduction to current debates in the field
Author: Elaine K. Gazda
Publisher: University of Michigan Press
ISBN: 9780472083145
Category : Architecture
Languages : en
Pages : 206
Get Book Here
Book Description
"This is a stimulating book and should be compulsory reading for all students of Roman art." ---Classical Review "For all the authors, attention to the ensemble, a sense of the relation between the formal and the iconographic, and the desire to historicize their material contribute to making this anthology unusual in its rigorous and creative attention to the way that art and architecture participate in the construction of the image of the Roman elite." ---Art Bulletin Roman Art in the Private Sphere presents an impressive case for the social and art historical importance of the paintings, mosaics, and sculptures that filled the private houses of the Roman elite. The six essays in this volume range from the first century B.C.E. to the fourth century C.E., and from the Italian peninsula to the Eastern Empire and North African provinces. The essays treat works of art that belonged to every major Roman housing type: the single-family atrium houses and the insula apartment blocks in Italian cities, the dramatically sited villas of the Campanian coast and countryside, and the palatial mansions of late antique provincial aristocrats. In a complementary fashion the essays consider domestic art in relation to questions of decorum, status, wealth, social privilege, and obligation. Patrons emerge as actively interested in the character of their surroundings; artists appear as responsive to the desire of their patrons. The evidence in private art of homosexual conduct in high society is also set forth. Originality of subject matter, sophisticated appreciation of stylistic and compositional nuance, and philosophical perceptions of the relationship of humanity and nature are among the themes that the essays explore. Together they demonstrate that Roman domestic art must be viewed on its own terms. Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.
Author: Miranda Marvin
Publisher: Getty Publications
ISBN: 9780892368068
Category : Art
Languages : en
Pages : 316
Get Book Here
Book Description
Since the Renaissance, it has been generally accepted that almost all Roman sculptures depicting ideal figures were copies of Greek originals. This text traces the origin of this idea to the academic belief in the mythical perfection of now-lost Greek art.
Author: Carolyn Higbie
Publisher: Oxford University Press
ISBN: 0191077151
Category : Art
Languages : en
Pages : 305
Get Book Here
Book Description
Collectors, Scholars, and Forgers in the Ancient World focuses on the fascination which works of art, texts, and antiquarian objects inspired in Greeks and Romans in antiquity and draws parallels with other cultures and eras to offer contexts for understanding that fascination. Statues, bronze weapons, books, and bones might have been prized for various reasons: because they had religious value, were the work of highly regarded artists and writers, had been possessed by famous mythological figures, or were relics of a long disappeared past. However, attitudes towards these objects also changed over time: sculpture which was originally created for a religious purpose became valuable as art and could be removed from its original setting, while historians discovered value in inscriptions and other texts for supporting historical arguments and literary scholars sought early manuscripts to establish what authors really wrote. As early as the Hellenistic era, some Greeks and Romans began to collect objects and might even display them in palaces, villas, or gardens; as these objects acquired value, a demand was created for more of them, and so copyists and forgers created additional pieces - while copyists imitated existing pieces of art, sometimes adapting to their new settings, forgers created new pieces to complete a collection, fill a gap in historical knowledge, make some money, or to indulge in literary play with knowledgeable readers. The study of forged relics is able to reveal not only what artefacts the Greeks and Romans placed value on, but also what they believed they understood about their past and how they interpreted the evidence for it. Drawing on the latest scholarship on forgery and fakes, as well as a range of examples, this book combines stories about frauds with an analysis of their significance, and illuminates and explores the link between collectors, scholars, and forgers in order to offer us a way to better understand the power that objects held over the ancient Greeks and Romans.
