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Author: J. Ernest Frazer
Publisher: Forgotten Books
ISBN: 9781528370660
Category : Science
Languages : en
Pages : 390
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Book Description
Excerpt from The Anatomy of the Human Skeleton IT is not necessary to lay emphasis on the importance of a knowledge of the skeleton as an integral part of the study Of human anatomy, and, in the literature bearing upon the subject, we find masterly accounts of the constituent bones which rank as classics in the education of the student. In this book I have ventured to wander in some degree from the well-trodden road and to lead the reader by other ways to the comprehension of his subject. My intention has been to induce him to think of the bones as they exist in the body rather than as they lie on the table before him, and to do this I have laid stress - because he must use the prepared Specimens on the meaning of small details and on the relations of the bone, and have relegated the pure description Of the dry bone to a secondary place in other words, each part of the skeleton has been used as a peg on which to hang a consideration of the neigh bouring structures, in the hope that this may afford a new point of view to the reader and enable him to grasp the intimate connection between them. Such a way of regarding the skeleton Opens up a very extensive field of description, and within the limits of a student's hand-book it is only possible to deal with some out of the many points which Offer themselves for development, but I hope that those of which I have treated in this volume may be of value to the student and may lead him to think Of the skeleton as something more than a dry subject for study, and to search for reasons for the hundred and one abstract and concrete qualities which his own observation will prove any particular bone to possess. If it has this effect, one of my objects in writing the book will have been attained. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: J. Ernest Frazer
Publisher: Forgotten Books
ISBN: 9781528370660
Category : Science
Languages : en
Pages : 390
Get Book Here
Book Description
Excerpt from The Anatomy of the Human Skeleton IT is not necessary to lay emphasis on the importance of a knowledge of the skeleton as an integral part of the study Of human anatomy, and, in the literature bearing upon the subject, we find masterly accounts of the constituent bones which rank as classics in the education of the student. In this book I have ventured to wander in some degree from the well-trodden road and to lead the reader by other ways to the comprehension of his subject. My intention has been to induce him to think of the bones as they exist in the body rather than as they lie on the table before him, and to do this I have laid stress - because he must use the prepared Specimens on the meaning of small details and on the relations of the bone, and have relegated the pure description Of the dry bone to a secondary place in other words, each part of the skeleton has been used as a peg on which to hang a consideration of the neigh bouring structures, in the hope that this may afford a new point of view to the reader and enable him to grasp the intimate connection between them. Such a way of regarding the skeleton Opens up a very extensive field of description, and within the limits of a student's hand-book it is only possible to deal with some out of the many points which Offer themselves for development, but I hope that those of which I have treated in this volume may be of value to the student and may lead him to think Of the skeleton as something more than a dry subject for study, and to search for reasons for the hundred and one abstract and concrete qualities which his own observation will prove any particular bone to possess. If it has this effect, one of my objects in writing the book will have been attained. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Valerie L. Winslow
Publisher: Watson-Guptill
ISBN: 0823024156
Category : Art
Languages : en
Pages : 303
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Book Description
After more than thirty years of research and teaching, artist Valerie Winslow has compiled her unique methods of drawing human anatomy into one groundbreaking volume: Classic Human Anatomy. This long-awaited book provides simple, insightful approaches to the complex subject of human anatomy, using drawings, diagrams, and reader-friendly text. Three major sections–the skeletal form, the muscular form and action of the muscles, and movement–break the material down into easy-to-understand pieces. More than 800 distinctive illustrations detail the movement and actions of the bones and muscles, and unique charts reveal the origins and insertions of the muscles. Packed with an extraordinary wealth of information, Classic Human Anatomy is sure to become a new classic of art instruction.
Author: Monique Kornell
Publisher: Getty Publications
ISBN: 1606067699
Category : Art
Languages : en
Pages : 252
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Book Description
This illustrated volume examines the different methods artists and anatomists used to reveal the inner workings of the human body and evoke wonder in its form. For centuries, anatomy was a fundamental component of artistic training, as artists such as Leonardo da Vinci and Michelangelo sought to skillfully portray the human form. In Europe, illustrations that captured the complex structure of the body—spectacularly realized by anatomists, artists, and printmakers in early atlases such as Andreas Vesalius’s De humani corporis fabrica libri septem of 1543—found an audience with both medical practitioners and artists. Flesh and Bones examines the inventive ways anatomy has been presented from the sixteenth through the twenty-first century, including an animated corpse displaying its own body for study, anatomized antique sculpture, spectacular life-size prints, delicate paper flaps, and 3-D stereoscopic photographs. Drawn primarily from the vast holdings of the Getty Research Institute, the over 150 striking images, which range in media from woodcut to neon, reveal the uncanny beauty of the human body under the skin
Author: D. Gentry Steele
Publisher: Texas A&M University Press
ISBN: 9780890963265
Category : Science
Languages : en
Pages : 308
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Book Description
This handsome volume is the first photographically illustrated textbook to present for both the student and the working archaeologist the anatomy of the human skeleton and the study of skeletal remains from an anthropological perspective. It describes the skeleton as not just a structure, but a working system in the living body. The opening chapter introduces basics of osteology, or the study of bones, the specialized and often confusing terminology of the field, and methods for dealing scientifically with bone specimens. The second chapter covers the biology of living bone: its structure, growth, interaction with the rest of the body, and response to disease and injury. The remainder of the book is a head-to-foot, structure-by-structure, bone-by-bone tour of the skeleton. More than 400 photographs and drawings and more than 80 tables illustrate and analyze features the text describes. In each chapter structures are discussed in detail so that not only can landmarks of bones be identified, but their functions can be understood and their anomalies identified as well. Each bone's articulating partners are listed, and the sequence of ossification of each bone is presented. Descriptive sections are followed by analyses of applications: how to use specific bones to estimate age, stature, gender, biological affinities, and state of health at the time of the individual's death. Anthropologists, archaeologists, and paleontologists as well as physicians, medical examiners, anatomists, and students of these disciplines will find this an invaluable reference and textbook.
Author: Andrea Carlino
Publisher: University of Chicago Press
ISBN: 0226092879
Category : History
Languages : en
Pages : 281
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Book Description
We usually see the Renaissance as a marked departure from older traditions, but Renaissance scholars often continued to cling to the teachings of the past. For instance, despite the evidence of their own dissections, which contradicted ancient and medieval texts, Renaissance anatomists continued to teach those outdated views for nearly two centuries. In Books of the Body, Andrea Carlino explores the nature and causes of this intellectual inertia. On the one hand, anatomical practice was constrained by a reverence for classical texts and the belief that the study of anatomy was more properly part of natural philosophy than of medicine. On the other hand, cultural resistance to dissection and dismemberment of the human body, as well as moral and social norms that governed access to cadavers and the ritual of their public display in the anatomy theater, also delayed anatomy's development. A fascinating history of both Renaissance anatomists and the bodies they dissected, this book will interest anyone studying Renaissance science, medicine, art, religion, and society.
Author:
Publisher:
ISBN: 9789461959058
Category :
Languages : en
Pages : 24
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Book Description
Author: Sir Bertram Coghill Alan Windle
Publisher: Theclassics.Us
ISBN: 9781230255637
Category :
Languages : en
Pages : 40
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1896 edition. Excerpt: ... Chapter VII. THE BACK. Jn the middle line of the back there is a furrow, more or less well-marked, according to the muscularity of the subject, and bounded by muscular masses, which are formed chiefly by the complexus muscle of either side jn the cervical region, and by the erectores spinae in the remainder of the back. At the bottom of this furrow the spines of the vertebras may be felt, and, as Holden remarks, made evident in the living subject to the 'eye by friction in the median line, when red patches will appear and indicate their position. The spine of the axis may easily be felt beneath the occiput, and that of the seventh or vertebra prominens at the root of the neck, with frequently the spine of the sixth above it. The spines of the vertebrae between the second and the sixth cannot be felt as individual structures, but a ridge indicating their position and that of the ligamentum nuchae can distinctly be made out. The third dorsal spine corresponds to the inner end of the spine of the scapula, and the seventh to the inferior angle of that bone. The twelfth corresponds to the head of the last rib, and the lowest part of the trapezius muscle, which may be made evident in a thin. subject by raising the arm and scapula as high as possible. The highest point of the crest of the ilium corresponds to the fourth lumbar spine. On account of the downward direction of the spines of the dorsal vertebrae, these prominences do not all correspond to the rib which belongs to them. The second dorsal spine corresponds to the head of the third rib, and so on, each spine corresponding to the head of the rib of the vertebra below it, until the eleventh and twelfth spines, which are on a level with their own ribs. The scapula covers the ribs from the...
Author: Valerie L. Winslow
Publisher: Watson-Guptill
ISBN: 0770434142
Category : Art
Languages : en
Pages : 306
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Book Description
This essential companion book to the bestselling Classic Human Anatomy provides artists and art students with a deeper understanding of human anatomy and different types of motion, inspiring more realistic and energetic figurative art. Fine-art instruction books do not usually focus on anatomy as it relates to movement, despite its great artistic significance. Written by a long-time expert on drawing and painting human anatomy, Classic Human Anatomy in Motion offers artists everything they need to realistically draw the human figure as it is affected by movement. Written in a friendly style, the book is illustrated with hundreds of life drawing studies (both quick poses and long studies), along with charts and diagrams showing the various anatomical and structural components. This comprehensive manual features 5 distinct sections, each focusing on a different aspect of the human figure: bones and joint movement, muscle groups, surface form and soft tissue characteristics, structure, and movement. Each chapter builds an artistic understanding of how motion transforms the human figure and can create a sense of expressive vibrancy in one's art.
Author: Roberto Osti
Publisher: The Monacelli Press, LLC
ISBN: 1580934382
Category : Art
Languages : en
Pages : 305
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Book Description
A comprehensive, yet flexible and holistic approach to the human body for artists, Roberto Osti’s method of teaching anatomy is exhaustive, but never loses sight of the fact that this understanding should lead to the creation of art. Basic Human Anatomy teaches artists the simple yet powerful formula artists have used for centuries to draw the human figure from the inside out. Osti, using the basic system of line, shape, and form used by da Vinci, Raphael, and Michelangelo, takes readers step-by-step through all the lessons needed in order to master this essential foundation skill. Organized progressively, the book shows readers how to replicate the underlying structure of the body using easy-to-understand scales and ratios; conceptualize the front and side views of the skeleton with basic shapes; add detail with simplified depictions of complex bones and joints; draw a muscle map of the body with volumetric form and realistic dimension; master the feet, hands, and skull to create realistic renderings of the human form; and apply a deeper knowledge of anatomy to finished drawings for more impact.
Author: Robert Douglas Lockhart
Publisher:
ISBN:
Category : Human anatomy
Languages : en
Pages : 697
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Book Description
