The Anatomy of Philosophical Style

The Anatomy of Philosophical Style PDF Author: Berel Lang
Publisher: Wiley-Blackwell
ISBN: 9780631164944
Category : Philosophy
Languages : en
Pages : 277

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Philosophy and the Art of Writing

Philosophy and the Art of Writing PDF Author: Berel Lang
Publisher: Bucknell University Press
ISBN: 9780838750308
Category : Language Arts & Disciplines
Languages : en
Pages : 254

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Mind's Bodies

Mind's Bodies PDF Author: Berel Lang
Publisher: SUNY Press
ISBN: 9780791425534
Category : Philosophy
Languages : en
Pages : 180

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Subverting the boundaries between philosophy and literature, this book addresses such topics as aesthetics, criticism, epistemology, and ethics and social theory.

The Philosophy of Disenchantment

The Philosophy of Disenchantment PDF Author: Edgar Saltus
Publisher:
ISBN:
Category : Pessimism
Languages : en
Pages : 248

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Lines of Thought

Lines of Thought PDF Author: Claudia Brodsky
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 184

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It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. In Lines of Thought, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartes's Discours de la méthode and Géométrie, works whose interrelation, she argues, reveals the specific nature of the modern in his thought. Her study examines the roles of discourse and writing in Cartesian method and intuition, and the significance of graphic architectonic form in the genealogy of modern philosophy. While Cartesianism has long served as a synonym for rationalism, the contents of Descartes's method and cogito have remained infamously resistant to rational analysis. Similarly, although modern phenomenological analyses descend from Descartes's notion of intuition, the "things" Cartesian intuitions represent bear no resemblance to phenomena. By returning to what Descartes calls the construction of his "foundation" in the Discours, Brodsky Lacour identifies the conceptual problems at the root of Descartes's literary and aesthetic theory as well as epistemology. If, for Descartes, linear extension and "I" are the only "things" we can know exist, the Cartesian subject of thought, she shows, derives first from the intersection of discourse and drawing, representation and matter. The crux of that intersection, Brodsky Lacour concludes, is and must be the cogito, Descartes's theoretical extension of thinking into material being. Describable in accordance with the Géométrie as a freely constructed line of thought, the cogito, she argues, extends historically to link philosophy with theories of discursive representation and graphic delineation after Descartes. In conclusion, Brodsky Lacour analyzes such a link in the writings of Claude Perrault, the architectural theorist whose reflections on beauty helped shape the seventeenth-century dispute between "the ancients and the moderns." Part of a growing body of literary and interdisciplinary considerations of philosophical texts, Lines of Thought will appeal to theorists and historians of literature, architecture, art, and philosophy, and those concerned with the origin and identity of the modern.

Philosophy as a Literary Art

Philosophy as a Literary Art PDF Author: Costica Bradatan
Publisher: Routledge
ISBN: 1317647084
Category : Philosophy
Languages : en
Pages : 179

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Book Description
Despite philosophers’ growing interest in the relation between philosophy and literature in general, over the last few decades comparatively few studies have been published dealing more narrowly with the literary aspects of philosophical texts. The relationship between philosophy and literature is too often taken to be "literature as philosophy" and very rarely "philosophy as literature." It is the dissatisfaction with this one-sidedness that lies at the heart of the present volume. Philosophy has nothing to lose by engaging in a serious process of literary self-analysis. On the contrary, such an exercise would most likely make it stronger, more sophisticated, more playful and especially more self-reflexive. By not moving in this direction, philosophy places itself in the position of not following what has been deemed, since Socrates at least, the worthiest of all philosophical ideals: self-knowledge. This book was originally published as a special issue of The European Legacy.

The Question of Style in Philosophy and the Arts

The Question of Style in Philosophy and the Arts PDF Author: Caroline van Eck
Publisher: Cambridge University Press
ISBN: 9780521473415
Category : Art
Languages : en
Pages : 264

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Book Description
Essays examining the historical transition in our perception of the arts and philosophy.

Literary Form, Philosophical Content

Literary Form, Philosophical Content PDF Author: Jonathan Allen Lavery
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642608
Category : Philosophical literature
Languages : en
Pages : 269

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Philosophy, Writing, and the Character of Thought

Philosophy, Writing, and the Character of Thought PDF Author: John T. Lysaker
Publisher: University of Chicago Press
ISBN: 0226815854
Category : Literary Criticism
Languages : en
Pages : 202

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Book Description
Lysaker examines the relationship between philosophical thought and the act of writing to explore how this dynamic shapes the field of philosophy. Philosophy’s relation to the act of writing is John T. Lysaker’s main concern in Philosophy, Writing, and the Character of Thought. Whether in Plato, Montaigne, Nietzsche, Wittgenstein, or Derrida, philosophy has come in many forms, and those forms—the concrete shape philosophizing takes in writing—matter. Much more than mere adornment, the style in which a given philosopher writes is often of crucial importance to the point he or she is making, part and parcel of the philosophy itself. Considering how writing influences philosophy, Lysaker explores genres like aphorism, dialogue, and essay, as well as logical-rhetorical operations like the example, irony, and quotation. At the same time, he shows us the effects of these rhetorical devices through his own literary experimentation. In dialogue with such authors as Benjamin, Cavell, Emerson, and Lukács, he aims to revitalize philosophical writing, arguing that philosophy cannot fulfill its intellectual and cultural promise if it keeps to professional articles and academic prose. Instead, philosophy must embrace writing as an essential, creative activity, and deliberately reform how it approaches its subject matter, readership, and the evolving social practices of reading and reflection.

The Anatomy of Negation

The Anatomy of Negation PDF Author: Edgar Saltus
Publisher:
ISBN:
Category : Pessimism
Languages : en
Pages : 270

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