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Author: Andrew Cunningham
Publisher: Routledge
ISBN: 1351894978
Category : Medical
Languages : en
Pages : 443
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Book Description
The central proposition of this book is that the great anatomists of the Renaissance, from Vesalius to Fabricius and Harvey - the forebears of modern scientific biology and medicine - consciously resurrected not merely the methods but also the research projects of Aristotle and other Ancients. The Moderns' choice of topics and subjects, their aims, and their evaluation of their investigations were all made in a spirit of emulation, not rejection, of their distant predecessors. First published in 1997, Andrew Cunningham’s masterly analysis of the history of the ’scientific renaissance' - a history not of things found, but of projects of enquiry - provoked a reappraisal of the intellectual roots of the Renaissance as well as illuminating debates on the history of the body and its images.
Author: Andrew Cunningham
Publisher: Routledge
ISBN: 1351894978
Category : Medical
Languages : en
Pages : 443
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Book Description
The central proposition of this book is that the great anatomists of the Renaissance, from Vesalius to Fabricius and Harvey - the forebears of modern scientific biology and medicine - consciously resurrected not merely the methods but also the research projects of Aristotle and other Ancients. The Moderns' choice of topics and subjects, their aims, and their evaluation of their investigations were all made in a spirit of emulation, not rejection, of their distant predecessors. First published in 1997, Andrew Cunningham’s masterly analysis of the history of the ’scientific renaissance' - a history not of things found, but of projects of enquiry - provoked a reappraisal of the intellectual roots of the Renaissance as well as illuminating debates on the history of the body and its images.
Author: Andrea Carlino
Publisher: University of Chicago Press
ISBN: 0226092879
Category : History
Languages : en
Pages : 281
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Book Description
We usually see the Renaissance as a marked departure from older traditions, but Renaissance scholars often continued to cling to the teachings of the past. For instance, despite the evidence of their own dissections, which contradicted ancient and medieval texts, Renaissance anatomists continued to teach those outdated views for nearly two centuries. In Books of the Body, Andrea Carlino explores the nature and causes of this intellectual inertia. On the one hand, anatomical practice was constrained by a reverence for classical texts and the belief that the study of anatomy was more properly part of natural philosophy than of medicine. On the other hand, cultural resistance to dissection and dismemberment of the human body, as well as moral and social norms that governed access to cadavers and the ritual of their public display in the anatomy theater, also delayed anatomy's development. A fascinating history of both Renaissance anatomists and the bodies they dissected, this book will interest anyone studying Renaissance science, medicine, art, religion, and society.
Author: Domenico Laurenza
Publisher: Metropolitan Museum of Art
ISBN: 1588394565
Category : Anatomy, Artistic
Languages : en
Pages : 52
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Book Description
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Author: Benjamin A. Rifkin
Publisher: Harry N. Abrams
ISBN: 9780810997981
Category : Art
Languages : en
Pages : 0
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Book Description
Originally published in hardcover in 2006.
Author: Monique Kornell
Publisher: Getty Publications
ISBN: 1606067699
Category : Art
Languages : en
Pages : 252
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Book Description
This illustrated volume examines the different methods artists and anatomists used to reveal the inner workings of the human body and evoke wonder in its form. For centuries, anatomy was a fundamental component of artistic training, as artists such as Leonardo da Vinci and Michelangelo sought to skillfully portray the human form. In Europe, illustrations that captured the complex structure of the body—spectacularly realized by anatomists, artists, and printmakers in early atlases such as Andreas Vesalius’s De humani corporis fabrica libri septem of 1543—found an audience with both medical practitioners and artists. Flesh and Bones examines the inventive ways anatomy has been presented from the sixteenth through the twenty-first century, including an animated corpse displaying its own body for study, anatomized antique sculpture, spectacular life-size prints, delicate paper flaps, and 3-D stereoscopic photographs. Drawn primarily from the vast holdings of the Getty Research Institute, the over 150 striking images, which range in media from woodcut to neon, reveal the uncanny beauty of the human body under the skin
Author: Cynthia Klestinec
Publisher: JHU Press
ISBN: 1421401428
Category : History
Languages : en
Pages : 280
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Book Description
The anatomy theater is where students of the human body learn to isolate structures in decaying remains, scrutinize their parts, and assess their importance. Taking a new look at the history of anatomy, the author places public dissections alongside private ones to show how the anatomical theater was both a space of philosophical learning and a place where students learned to behave in a civil manner towards their teachers, their peers, and the corpse.
Author: Benjamin A. Rifkin
Publisher:
ISBN: 9780500295991
Category : Art
Languages : en
Pages : 0
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Book Description
Starting with the groundbreaking drawings of Leonardo da Vinci, this lavishly illustrated book chronicles the remarkable history of anatomical illustration from the Renaissance to the digital 'Visible Human' project today. Its survey of five and a half centuries of meticulous visual description by anatomists and artists will be a welcome addition to the libraries of artists, art students, doctors and anyone interested in the history of science.
Author: A. Wear
Publisher: Cambridge University Press
ISBN: 9780521301121
Category : History
Languages : en
Pages : 380
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Book Description
This book examines the relationship of medicine to those intellectual and social changes which historians call the Renaissance. The contributors describe how the whole range of medicine, from practical therapeutics to surgery, anatomy and pharmacy, was developing. Some important questions about the nature of medicine as it was taught and practised are raised. These include the continuing vigour of Arabic and scholastic medicine, how this was reconciled with the renaissance love of all things Greek and the nature of medicine in different parts of Europe. The chapters are written by acknowledged experts in their subjects and are based on contributions read at a meeting called for the purpose in Cambridge and supported by the Wellcome Trust.
Author: Bernard Schultz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
Author:
Publisher: BRILL
ISBN: 9004445013
Category : Medical
Languages : en
Pages : 321
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Book Description
This volume addresses the interdependencies between visual technologies and epistemology with regard to our perception of the medical body. The contributions investigate medical bodies as historical, technological and political constructs, constituted where knowledge formation and visual cultures intersect.
