Author: Raymond Bellour
Publisher: Indiana University Press
ISBN: 9780253213648
Category : Performing Arts
Languages : en
Pages : 330
Book Description
The Analysis of Film brings together the authors studies of classic Hollywood film. It is a book about the methods of close film analysis, the narrative structure of Hollwood film, Hitchcock's work and the role of women.
The Analysis of Film
Author: Raymond Bellour
Publisher: Indiana University Press
ISBN: 9780253213648
Category : Performing Arts
Languages : en
Pages : 330
Book Description
The Analysis of Film brings together the authors studies of classic Hollywood film. It is a book about the methods of close film analysis, the narrative structure of Hollwood film, Hitchcock's work and the role of women.
Publisher: Indiana University Press
ISBN: 9780253213648
Category : Performing Arts
Languages : en
Pages : 330
Book Description
The Analysis of Film brings together the authors studies of classic Hollywood film. It is a book about the methods of close film analysis, the narrative structure of Hollwood film, Hitchcock's work and the role of women.
Film Text Analysis
Author: Janina Wildfeuer
Publisher: Taylor & Francis
ISBN: 1317434226
Category : Social Science
Languages : en
Pages : 221
Book Description
This book examines film as a multimodal text and an audiovisual synthesis, bringing together current work within the fields of narratology, philosophy, multimodal analysis, sound as well as cultural studies in order to cover a wide range of international academic interest. The book provides new insights into current work and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis. With the help of various example analyses, all showing the methodological applicability of the discussed issues, the collection provides novel ways of considering film as one of the most complex and at the same time broadly comprehensible texts.
Publisher: Taylor & Francis
ISBN: 1317434226
Category : Social Science
Languages : en
Pages : 221
Book Description
This book examines film as a multimodal text and an audiovisual synthesis, bringing together current work within the fields of narratology, philosophy, multimodal analysis, sound as well as cultural studies in order to cover a wide range of international academic interest. The book provides new insights into current work and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis. With the help of various example analyses, all showing the methodological applicability of the discussed issues, the collection provides novel ways of considering film as one of the most complex and at the same time broadly comprehensible texts.
An Introduction to Film Analysis
Author: Michael Ryan
Publisher: Bloomsbury Publishing USA
ISBN: 1501318551
Category : Performing Arts
Languages : en
Pages : 287
Book Description
An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through: -the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way. The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory. New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
Publisher: Bloomsbury Publishing USA
ISBN: 1501318551
Category : Performing Arts
Languages : en
Pages : 287
Book Description
An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through: -the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way. The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory. New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
Film Analysis
Author: Jeffrey Geiger
Publisher: W. W. Norton & Company
ISBN: 039392324X
Category : Performing Arts
Languages : en
Pages : 8
Book Description
Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms.
Publisher: W. W. Norton & Company
ISBN: 039392324X
Category : Performing Arts
Languages : en
Pages : 8
Book Description
Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms.
Multimodal Film Analysis
Author: John Bateman
Publisher: Routledge
ISBN: 1136467556
Category : Language Arts & Disciplines
Languages : en
Pages : 339
Book Description
This book presents a new basis for the empirical analysis of film. Starting from an established body of work in film theory, the authors show how a close incorporation of the current state of the art in multimodal theory—including accounts of the syntagmatic and paradigmatic axes of organisation, discourse semantics and advanced ‘layout structure’—builds a methodology by which concrete details of film sequences drive mechanisms for constructing filmic discourse structures. The book introduces the necessary background, the open questions raised, and the method by which analysis can proceed step-by-step. Extensive examples are given from a broad range of films. With this new analytic tool set, the reader will approach the study of film organisation with new levels of detail and probe more deeply into the fundamental question of the discipline: just how is it that films reliably communicate meaning?
Publisher: Routledge
ISBN: 1136467556
Category : Language Arts & Disciplines
Languages : en
Pages : 339
Book Description
This book presents a new basis for the empirical analysis of film. Starting from an established body of work in film theory, the authors show how a close incorporation of the current state of the art in multimodal theory—including accounts of the syntagmatic and paradigmatic axes of organisation, discourse semantics and advanced ‘layout structure’—builds a methodology by which concrete details of film sequences drive mechanisms for constructing filmic discourse structures. The book introduces the necessary background, the open questions raised, and the method by which analysis can proceed step-by-step. Extensive examples are given from a broad range of films. With this new analytic tool set, the reader will approach the study of film organisation with new levels of detail and probe more deeply into the fundamental question of the discipline: just how is it that films reliably communicate meaning?
Temporality and Film Analysis
Author: Matilda Mroz
Publisher: Edinburgh University Press
ISBN: 0748668438
Category : Performing Arts
Languages : en
Pages : 195
Book Description
This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. It explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh pers
Publisher: Edinburgh University Press
ISBN: 0748668438
Category : Performing Arts
Languages : en
Pages : 195
Book Description
This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. It explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh pers
Film Analysis Handbook
Author: Thomas Caldwell
Publisher: Insight Publications
ISBN: 1920693777
Category : Education
Languages : en
Pages : 241
Book Description
The most comprehensive reference to film analysis available for middle school through to high school. Featuring coloured photographs illustrating key terms and filmic techniques this is a one-stop reference for any genre of ilm studied in English, Media or Film Studies courses.
Publisher: Insight Publications
ISBN: 1920693777
Category : Education
Languages : en
Pages : 241
Book Description
The most comprehensive reference to film analysis available for middle school through to high school. Featuring coloured photographs illustrating key terms and filmic techniques this is a one-stop reference for any genre of ilm studied in English, Media or Film Studies courses.
Film Style and Technology
Author: Barry Salt
Publisher:
ISBN: 9780950906652
Category : Performing Arts
Languages : en
Pages : 453
Book Description
Film Style and Technology is a history of film style and its relationship to film technology. It also includes a theory of film analysis and demonstrates this theory using the films of Max Ophuls.
Publisher:
ISBN: 9780950906652
Category : Performing Arts
Languages : en
Pages : 453
Book Description
Film Style and Technology is a history of film style and its relationship to film technology. It also includes a theory of film analysis and demonstrates this theory using the films of Max Ophuls.
Style and Meaning
Author: John Gibbs
Publisher: Manchester University Press
ISBN: 9780719065255
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
With a common focus on the decisions made by filmmakers, the essays in this collection explore different aspects of the relationship between textual detail and broader conceptual frameworks. These texts reflect not only those areas of film history which have traditionally been explored through mise-en-scène criticism, but also areas such as the avant-garde and television drama which have not tended to receive such detailed investigation. In these ways, the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.
Publisher: Manchester University Press
ISBN: 9780719065255
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
With a common focus on the decisions made by filmmakers, the essays in this collection explore different aspects of the relationship between textual detail and broader conceptual frameworks. These texts reflect not only those areas of film history which have traditionally been explored through mise-en-scène criticism, but also areas such as the avant-garde and television drama which have not tended to receive such detailed investigation. In these ways, the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.
A Grammar of the Film - An Analysis of Film Technique
Author: Raymond Spottiswoode
Publisher: Read Books Ltd
ISBN: 147338947X
Category : Performing Arts
Languages : en
Pages : 228
Book Description
The reader will not need more than a glance at this book to discover that it arose out of the ashes of long-forgotten controversies, and was written at a tender age when the splitting of hairs seemed to its author more important than making new discoveries. We may imagine him, as he sat in his panelled Oxford study, the work for his degree pushed to one side, floor and table laden with early writings on the film-the work of such practical masters as Pudovkin, Eisenstein and Grierson, and the scourings of critics and others whose names have not survived the years. What had they to say, these early analysts? Had they established the theory of the film as a veritable art? Had they sufficiently distinguished it from the art forms out of which it grew? Above all, had they fully appreciated the grounds of this distinction? The young author did not think so. With all the heady enthusiasm of his twenty years, and unembarrassed by any actual contact with film, he felt that he had the answer.
Publisher: Read Books Ltd
ISBN: 147338947X
Category : Performing Arts
Languages : en
Pages : 228
Book Description
The reader will not need more than a glance at this book to discover that it arose out of the ashes of long-forgotten controversies, and was written at a tender age when the splitting of hairs seemed to its author more important than making new discoveries. We may imagine him, as he sat in his panelled Oxford study, the work for his degree pushed to one side, floor and table laden with early writings on the film-the work of such practical masters as Pudovkin, Eisenstein and Grierson, and the scourings of critics and others whose names have not survived the years. What had they to say, these early analysts? Had they established the theory of the film as a veritable art? Had they sufficiently distinguished it from the art forms out of which it grew? Above all, had they fully appreciated the grounds of this distinction? The young author did not think so. With all the heady enthusiasm of his twenty years, and unembarrassed by any actual contact with film, he felt that he had the answer.