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Author: Mariët Westermann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
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Book Description
The Dutch painter Jan Steen (1626-1679) has long enjoyed a reputation for his dissolute life, redeemed only by a keen eye for the follies of his contemporaries and an exquisite ability to capture his observations in paint. Steen's paintings of unruly households, rambunctious revels, and wily seductresses have come to define our image of the delicious and immoral excesses of the Golden Age. But rather than simply recording the illicit pleasures of Dutch burghers and peasants, Steen transformed them into ambitious genre paintings that rival the peasant epics of Bruegel the Elder and jest with the genteel idylls of Vermeer and Terborch. By placing Steen within Dutch society and culture of the seventeenth century, Mariet Westermann shows how the contradictions and parallels between his life and his art were essential to his innovative achievements. In a detailed analysis of his career and audience, she suggests how Steen became a comic painter and why his pictures appealed to prosperous urban connoisseurs. Documented throughout with seventeenth-century jokes, poems, and plays, The Amusements of Jan Steen gives the first full account of Steen's creative relationship to comic literature and performance.
Author: Mariët Westermann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
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Book Description
The Dutch painter Jan Steen (1626-1679) has long enjoyed a reputation for his dissolute life, redeemed only by a keen eye for the follies of his contemporaries and an exquisite ability to capture his observations in paint. Steen's paintings of unruly households, rambunctious revels, and wily seductresses have come to define our image of the delicious and immoral excesses of the Golden Age. But rather than simply recording the illicit pleasures of Dutch burghers and peasants, Steen transformed them into ambitious genre paintings that rival the peasant epics of Bruegel the Elder and jest with the genteel idylls of Vermeer and Terborch. By placing Steen within Dutch society and culture of the seventeenth century, Mariet Westermann shows how the contradictions and parallels between his life and his art were essential to his innovative achievements. In a detailed analysis of his career and audience, she suggests how Steen became a comic painter and why his pictures appealed to prosperous urban connoisseurs. Documented throughout with seventeenth-century jokes, poems, and plays, The Amusements of Jan Steen gives the first full account of Steen's creative relationship to comic literature and performance.
Author: Ariane van Suchtelen
Publisher: Uitgeverij de Kunst
ISBN: 9789462621664
Category : History in art
Languages : en
Pages : 0
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Book Description
Jan Steen, one of the most popular painters of the Dutch Golden Age, is known for his humorous depictions of dissolute households, tavern interiors, quacksalvers and love-sick young women. He was unrivalled in poking fun at every conceivable human weakness and vice. A lesser known fact is that he also painted history pieces: scenes based on episodes from the Bible, apocryphal writings and mythology - stories full of excitement, drama and passion. As he did in his genre pieces, Steen devoted a great deal of attention in his history paintings to the interaction between the figures, and was keenly aware of the satirical possibilities of every story. In contrast to what his later image suggests, Jan Steen was a versatile and ambitious artist with a profound knowledge of art history and literature: knowledge that comes to the fore in his history pieces. This richly illustrated publication, written by experts on Jan Steen, focuses on this little-known part of the artist's oeuvre. AUTHORS: Ariane van Suchtelen, curator at the Mauritshuis, is the author of an introduction to the life and work of Jan Steen, in which she discusses the place occupied by history painting in his (otherwise humorous) oeuvre. Which themes did he prefer? What were his sources? For whom were these paintings intended? Wouter Kloek, former curator at the Rijksmuseum, writes about the form and content of Steen's history paintings, and the thin line that separates representations of biblical and mythological themes from scenes of everyday life. Mariet Westermann, executive vice president of the Andrew W Mellon Foundation, writes about Steen's exceptional ambition as a history painter. Her essay clarifies the national and international context in which these paintings originated. SELLING POINTS: * For the first time in book form, presenting history-pieces by Jan Steen * 17th century paintings from the Dutch Golden Age * Contributions by Ariane van Suchtelen, Wouter Kloek and Mariet Westermann 125 colour, 25 b/w images
Author: Martha Moffitt Peacock
Publisher: BRILL
ISBN: 9004432159
Category : Art
Languages : en
Pages : 530
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Book Description
A novel and female empowering interpretive approach to these artistic archetypes in her analysis of Imaging Women of Consequence in the Dutch Golden Age.
Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359
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Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author: Eric Jan Sluijter
Publisher: Amsterdam University Press
ISBN: 9053568379
Category : Art
Languages : en
Pages : 452
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Book Description
Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.
Author: William Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
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Book Description
Author: Randall Davies
Publisher: Library of Alexandria
ISBN: 1465547924
Category : Fiction
Languages : en
Pages : 526
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Book Description
Author:
Publisher: Waxmann Verlag
ISBN: 3830965532
Category :
Languages : en
Pages : 426
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Book Description
Author: Howard Saul Becker
Publisher: Univ of California Press
ISBN: 9780520043862
Category : Art
Languages : en
Pages : 414
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Book Description
Author: Linda Stone-Ferrier
Publisher: Yale University Press
ISBN: 0300259115
Category : Art
Languages : en
Pages : 209
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Book Description
An interdisciplinary study of the central role that the neighborhood played in seventeenth-century Dutch painting and culture The neighborhood was a principal organizing structure of Dutch cities in the seventeenth century, and each had its own regulations, administrators, social networks, events, and diverse population of residents. Linda Stone-Ferrier argues that this sense of community contributed to the steady demand for pictures portraying aspects of this culture. These paintings, by such artists as Jan Steen and Pieter de Hooch, reinforced the role and values of the neighborhood. Through close readings of such works--by Steen and De Hooch and, among others, Gerrit Dou, Gabriel Metsu, Jacob van Ruisdael, and Johannes Vermeer--Stone-Ferrier deftly considers social history, urban studies, anthropology, and women's studies in this penetrating exploration. Her new interpretations of seventeenth-century Dutch painting across genres--scenes of streets, domesticity, professions, and festivity--challenge existing paradigms in Dutch art history.
