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Author:
Publisher: Cambria Press
ISBN: 1621968936
Category :
Languages : en
Pages : 385
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Book Description
Author:
Publisher: Cambria Press
ISBN: 1621968936
Category :
Languages : en
Pages : 385
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Book Description
Author: Roy Harris
Publisher: Heinemann Drama
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
A highly readable, informative book about the professional lives of some of the foremost actresses working in theatre and film today.
Author: Daniel C. Blum
Publisher: New York : Greenberg
ISBN:
Category : Actors
Languages : en
Pages : 296
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Book Description
An homage to many theatre performers, some dead, some still living at the time of publishing.
Author: Henry Bial
Publisher: University of Michigan Press
ISBN: 9780472069088
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
Publisher Description
Author: Heather S. Nathans
Publisher: Cambridge University Press
ISBN: 0521870119
Category : Drama
Languages : en
Pages : 277
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Book Description
For almost a hundred years before Uncle Tom's Cabin burst on to the scene in 1852, the American theatre struggled to represent the evils of slavery. Slavery and Sentiment examines how both black and white Americans used the theatre to fight negative stereotypes of African Americans in the United States.
Author: Helene P. Foley
Publisher: Univ of California Press
ISBN: 0520283872
Category : History
Languages : en
Pages : 396
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Book Description
This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.
Author: Emily Klein
Publisher: Routledge
ISBN: 1135087725
Category : Drama
Languages : en
Pages : 206
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Book Description
American adaptations of Aristophanes’ enduring comedy Lysistrata have used laughter to critique sex, war, and feminism for nearly a century. Unlike almost any other play circulating in contemporary theatres, Lysistrata has outlived its classical origins in 411 BCE and continues to shock and delight audiences to this day. The play’s "make love not war" message and bawdy humor render it endlessly appealing to college campuses, activist groups, and community theatres – so much so that none of Aristophanes’ plays are performed in the West as frequently as Lysistrata. Starting with the play’s first mainstream production in the U.S. in 1930, Emily B. Klein explores the varied iterations of Lysistrata that have graced the American stage, page, and screen since the Great Depression. These include the Federal Theatre’s 1936 Negro Repertory production, the 1955 movie musical The Second Greatest Sex and Spiderwoman Theater’s openly political Lysistrata Numbah!, as well as Douglas Carter Beane’s Broadway musical, Lysistrata Jones, and the international Lysistrata Project protests, which updated the classic in the contemporary context of the Iraq War. Although Aristophanes’ oeuvre has been the subject of much classical scholarship, Lysistrata has received little attention from feminist theatre scholars or performance theorists. In response, this book maps current debates over Lysistrata’s dubious feminist underpinnings and uses performance theory, cultural studies, and gender studies to investigate how new adaptations reveal the socio-political climates of their origins. Emily B. Klein is Assistant Professor of English and Drama at Saint Mary's College of California. Her work has appeared in Women and Performance and Frontiers as well as Political and Protest Theater After 9/11: Patriotic Dissent (Routledge, 2012).
Author: John H. Houchin
Publisher: Cambridge University Press
ISBN: 9780521818193
Category : Drama
Languages : en
Pages : 360
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Book Description
John Houchin explores the impact of censorship in twentieth-century American theatre. He argues that theatrical censorship coincides with significant challenges to religious, political and cultural traditions. Along with the well-known instance of the House Un-American Activities Committee in the 1950s, other almost equally influential events shaped the course of the American stage during the century. The book is arranged in chronological order. It provides a summary of censorship in eighteenth- and nineteenth-century America and then analyses key political and theatrical events between 1900 and 2000. These include a discussion of the 1913 riot after the Abbey Theatre touring produdtion of Playboy of the Western World; protests against Clifford Odet's Waiting for Lefty, performed by militant workers during the Depression; and reactions to the recent play Angels in America.
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521651790
Category : Drama
Languages : en
Pages : 608
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Book Description
Volume Two begins in the post-Civil War period and traces the development of American theater up to 1945. It discusses the role of vaudeville, European influences, the rise of the Little Theater movement, changing audiences, modernism, the Federal Theater movement, major actors and the rise of the star system, and the achievements of notable playwrights. This volume places American theater in its social, economic, and political context.
Author: Craig Lucas
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 312
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Book Description
Back Stage Books is proud to introduce its new short play series. Published each fall, the Back Stage New Short Play Series will feature cutting-edge work by some of America's most promising young playwrights. Back Stage Senior Editor Mark Glubke will serve as the series editor. Each year, a different established playwright will serve as the series' guest editor. Craig Lucas, one of the most celebrated playwrights and screenwriters, introduces fresh-voiced, cutting-edge short plays by 12 of the most promising new writers. The plays are stylistically and topically diverse and were culled from the top theater agents in New York and Los Angeles, and playwriting programs across America. • First in a new annual series devoted to short plays • Exciting new work from some of America's most promising young writers • Advertising inBack Stageand on www.backstage.com
