Author: Peter S. Kindsvatter
Publisher:
ISBN:
Category : History
Languages : en
Pages : 480
Book Description
Some warriors are drawn to the thrill of combat and find it the defining moment of their lives. Others fall victim to fear, exhaustion, impaired reasoning and despair. This book synthesizes the wartime experiences of American soldiers, from the doughboys of World War I to the grunts of Vietnam. Focusing on both soldiers and marines, it draws on histories and memoirs, oral histories, psychological and sociological studies and even fiction to show that their experiences remain fundamentally the same regardless of the enemy, terrain, training or weaponry.
American Soldiers
Author: Peter S. Kindsvatter
Publisher:
ISBN:
Category : History
Languages : en
Pages : 480
Book Description
Some warriors are drawn to the thrill of combat and find it the defining moment of their lives. Others fall victim to fear, exhaustion, impaired reasoning and despair. This book synthesizes the wartime experiences of American soldiers, from the doughboys of World War I to the grunts of Vietnam. Focusing on both soldiers and marines, it draws on histories and memoirs, oral histories, psychological and sociological studies and even fiction to show that their experiences remain fundamentally the same regardless of the enemy, terrain, training or weaponry.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 480
Book Description
Some warriors are drawn to the thrill of combat and find it the defining moment of their lives. Others fall victim to fear, exhaustion, impaired reasoning and despair. This book synthesizes the wartime experiences of American soldiers, from the doughboys of World War I to the grunts of Vietnam. Focusing on both soldiers and marines, it draws on histories and memoirs, oral histories, psychological and sociological studies and even fiction to show that their experiences remain fundamentally the same regardless of the enemy, terrain, training or weaponry.
Men After War
Author: Stephen McVeigh
Publisher: Routledge
ISBN: 1135964653
Category : History
Languages : en
Pages : 218
Book Description
This book is an innovative collection of original research which analyzes the many varieties of post-conflict masculinity. Exploring topics such as physical disability and psychological trauma, and masculinity and sexuality in relation to the "feminizing" contexts of wounding and desertion, this volume draws together leading academics in the fields of gender, history, literature, and disability studies, in an inter- and multi-disciplinary exploration of the conditions and circumstances that men face in the aftermath of war.
Publisher: Routledge
ISBN: 1135964653
Category : History
Languages : en
Pages : 218
Book Description
This book is an innovative collection of original research which analyzes the many varieties of post-conflict masculinity. Exploring topics such as physical disability and psychological trauma, and masculinity and sexuality in relation to the "feminizing" contexts of wounding and desertion, this volume draws together leading academics in the fields of gender, history, literature, and disability studies, in an inter- and multi-disciplinary exploration of the conditions and circumstances that men face in the aftermath of war.
Warhogs
Author: Stuart D. Brandes
Publisher: University Press of Kentucky
ISBN: 0813189683
Category : History
Languages : en
Pages : 564
Book Description
The Puritans condemned war profiteering as a "Provoking Evil," George Washington feared that it would ruin the Revolution, and Franklin D. Roosevelt promised many times that he would never permit the rise of another crop of "war millionaires." Yet on every occasion that American soldiers and sailors served and sacrificed in the field and on the sea, other Americans cheerfully enhanced their personal wealth by exploiting every opportunity that wartime circumstances presented. In Warhogs, Stuart D. Brandes masterfully blends intellectual, economic, and military history into a fascinating discussion of a great moral question for generations of Americans: Can some individuals rightly profit during wartime while others sacrifice their lives to protect the nation? Drawing upon a wealth of manuscript sources, newspapers, contemporary periodicals, government reports, and other relevant literature, Brandes traces how each generation in financing its wars has endeavored to assemble resources equitably, to define the ethical questions of economic mobilization, and to manage economic sacrifice responsibly. He defines profiteering to include such topics as price gouging, quality degradation, trading with the enemy, plunder, and fraud, in order to examine the different guises of war profits and the degree to which they have existed from one era to the next. This far-reaching discussion moves beyond a linear narrative of the financial schemes that have shaped this nation's capacity to make war to an in-depth analysis of American thought and culture. Those scholars, students, and general readers interested in the interaction of legislative, economic, social, and technological events with the military establishment will find no other study that so thoroughly surveys the story of war profits in America.
Publisher: University Press of Kentucky
ISBN: 0813189683
Category : History
Languages : en
Pages : 564
Book Description
The Puritans condemned war profiteering as a "Provoking Evil," George Washington feared that it would ruin the Revolution, and Franklin D. Roosevelt promised many times that he would never permit the rise of another crop of "war millionaires." Yet on every occasion that American soldiers and sailors served and sacrificed in the field and on the sea, other Americans cheerfully enhanced their personal wealth by exploiting every opportunity that wartime circumstances presented. In Warhogs, Stuart D. Brandes masterfully blends intellectual, economic, and military history into a fascinating discussion of a great moral question for generations of Americans: Can some individuals rightly profit during wartime while others sacrifice their lives to protect the nation? Drawing upon a wealth of manuscript sources, newspapers, contemporary periodicals, government reports, and other relevant literature, Brandes traces how each generation in financing its wars has endeavored to assemble resources equitably, to define the ethical questions of economic mobilization, and to manage economic sacrifice responsibly. He defines profiteering to include such topics as price gouging, quality degradation, trading with the enemy, plunder, and fraud, in order to examine the different guises of war profits and the degree to which they have existed from one era to the next. This far-reaching discussion moves beyond a linear narrative of the financial schemes that have shaped this nation's capacity to make war to an in-depth analysis of American thought and culture. Those scholars, students, and general readers interested in the interaction of legislative, economic, social, and technological events with the military establishment will find no other study that so thoroughly surveys the story of war profits in America.
Military Review
Author:
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 712
Book Description
The Texas Military Experience
Author: Joseph G. Dawson
Publisher: Texas A&M University Press
ISBN: 9781603441971
Category : History
Languages : en
Pages : 268
Book Description
In this first scholarly collection to focus on Texas' military heritage, prominent authors reevaluate famous personalities, reassess noted battles and units, call for new historical points to be considered, and bring fresh perspectives to such matters as the interplay of fiction, film, and historical understanding.
Publisher: Texas A&M University Press
ISBN: 9781603441971
Category : History
Languages : en
Pages : 268
Book Description
In this first scholarly collection to focus on Texas' military heritage, prominent authors reevaluate famous personalities, reassess noted battles and units, call for new historical points to be considered, and bring fresh perspectives to such matters as the interplay of fiction, film, and historical understanding.
At Home, at War
Author: Jennifer Anne Haytock
Publisher: Ohio State University Press
ISBN: 0814209327
Category : History
Languages : en
Pages : 176
Book Description
This study demonstrates that such literary divisions as war novel and domestic novel limit readers' understanding of the ways these categories rely on and respond to each other. Haytock argues that gender creates an ideological context through which both domesticity and war are viewed and understood; issues of home and violence are intricately related for U.S. authors who wrote about the First World War. Haytock explores what war and domestic texts represent in light of the deconstructionist said in its cultural and historical context and seeing what is not said. Readers take food, shelter, and clothing for granted, and yet the way we treat them is part of what allows us to define ourselves as civilized. In war novels and domestic novels by Temple Beiley, Ellen, Glasgow, Edith Wharton, Willa Cather, John Dos Passons, Thomas Boyd, Ernest Hemingway, William Faulkner, and Eudora Welty, the idea of home and domestic rituals contribute to the creation of war propaganda, the soldier's experience of war, and the home front's ability to confront the war after the fact. This approach helps literary criticism reject the separation of men's and women's writing, particularly but not only their writing about war.
Publisher: Ohio State University Press
ISBN: 0814209327
Category : History
Languages : en
Pages : 176
Book Description
This study demonstrates that such literary divisions as war novel and domestic novel limit readers' understanding of the ways these categories rely on and respond to each other. Haytock argues that gender creates an ideological context through which both domesticity and war are viewed and understood; issues of home and violence are intricately related for U.S. authors who wrote about the First World War. Haytock explores what war and domestic texts represent in light of the deconstructionist said in its cultural and historical context and seeing what is not said. Readers take food, shelter, and clothing for granted, and yet the way we treat them is part of what allows us to define ourselves as civilized. In war novels and domestic novels by Temple Beiley, Ellen, Glasgow, Edith Wharton, Willa Cather, John Dos Passons, Thomas Boyd, Ernest Hemingway, William Faulkner, and Eudora Welty, the idea of home and domestic rituals contribute to the creation of war propaganda, the soldier's experience of war, and the home front's ability to confront the war after the fact. This approach helps literary criticism reject the separation of men's and women's writing, particularly but not only their writing about war.
War and American Popular Culture
Author: M. Paul Holsinger
Publisher: Bloomsbury Publishing USA
ISBN: 0313370842
Category : History
Languages : en
Pages : 496
Book Description
Spanning more than 400 years of America's past, this book brings together, for the first time, entries on the ways Americans have mythologized both the many wars the nation has fought and the men and women connected with those conflicts. Focusing on significant representations in popular culture, it provides information on fiction, drama, poems, songs, film and television, art, memorials, photographs, documentaries, and cartoons. From the colonial wars before 1775 to our 1997 peacekeeper role in Bosnia, the work briefly explores the historical background of each war period, enabling the reader to place the almost 500 entries into their proper context. The book includes particularly large sections dealing with the popular culture of the American Revolution, the Civil War, the Indian Wars West of the Mississippi, World War II, and Vietnam. It has been designed to be a useful reference tool for anyone interested in America's many wars, to provide answers, to teach, to inspire, and most of all, to be enjoyed.
Publisher: Bloomsbury Publishing USA
ISBN: 0313370842
Category : History
Languages : en
Pages : 496
Book Description
Spanning more than 400 years of America's past, this book brings together, for the first time, entries on the ways Americans have mythologized both the many wars the nation has fought and the men and women connected with those conflicts. Focusing on significant representations in popular culture, it provides information on fiction, drama, poems, songs, film and television, art, memorials, photographs, documentaries, and cartoons. From the colonial wars before 1775 to our 1997 peacekeeper role in Bosnia, the work briefly explores the historical background of each war period, enabling the reader to place the almost 500 entries into their proper context. The book includes particularly large sections dealing with the popular culture of the American Revolution, the Civil War, the Indian Wars West of the Mississippi, World War II, and Vietnam. It has been designed to be a useful reference tool for anyone interested in America's many wars, to provide answers, to teach, to inspire, and most of all, to be enjoyed.
Embattled Home Fronts
Author: Karsten H. Piep
Publisher: BRILL
ISBN: 9401206767
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
Embattled Home Fronts is an inquiry into the highly conflicted US American experience of World War I as it plays itself out in the diverse body of novelistic works to which it has given rise and by which it has been, in turn, shaped and commemorated. As such, this book naturally concerns itself with the formal aspects of artistic war representation. But rather than merely endeavoring to illustrate how American writers from various backgrounds chose to depict World War I, the present work seeks to uncover the particular ideologies and political practices that inform these representational choices. To this end, Embattled Home Fronts examines both canonized and marginalized US American World War I novels within the context of contemporaneous debates over shifting class, gender, and race relations. The book contends that American literary representations of the Great War are shaped less by universal insights into modern society’s self-destructiveness than by concerted efforts to fashion class-, gender-, and race-specific experiences of warfare in ways that stabilize and heighten political group identities. In moving beyond the customary focus on ironic war representations, Embattled Home Fronts illustrates that the representational and ideological battles fought within American World War I literature not only shed light on the emergence of powerful identity-political concepts such as the New Woman and the New Negro, but also speak to the reappearance of utopian, communitarian, and social protest fictions in the early 1930s. This study Embattled Home Fronts provides a new understanding of the relationship between war literature and home front politics that should be of interest to students and scholars working from a variety of disciplines and perspectives
Publisher: BRILL
ISBN: 9401206767
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
Embattled Home Fronts is an inquiry into the highly conflicted US American experience of World War I as it plays itself out in the diverse body of novelistic works to which it has given rise and by which it has been, in turn, shaped and commemorated. As such, this book naturally concerns itself with the formal aspects of artistic war representation. But rather than merely endeavoring to illustrate how American writers from various backgrounds chose to depict World War I, the present work seeks to uncover the particular ideologies and political practices that inform these representational choices. To this end, Embattled Home Fronts examines both canonized and marginalized US American World War I novels within the context of contemporaneous debates over shifting class, gender, and race relations. The book contends that American literary representations of the Great War are shaped less by universal insights into modern society’s self-destructiveness than by concerted efforts to fashion class-, gender-, and race-specific experiences of warfare in ways that stabilize and heighten political group identities. In moving beyond the customary focus on ironic war representations, Embattled Home Fronts illustrates that the representational and ideological battles fought within American World War I literature not only shed light on the emergence of powerful identity-political concepts such as the New Woman and the New Negro, but also speak to the reappearance of utopian, communitarian, and social protest fictions in the early 1930s. This study Embattled Home Fronts provides a new understanding of the relationship between war literature and home front politics that should be of interest to students and scholars working from a variety of disciplines and perspectives
Axis/Axes to Grind
Author: Milton A. Cohen
Publisher: Liverpool University Press
ISBN: 194997975X
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
A study of political themes in American World War II novels from 1945 to 1975, including rebellion against military authority, treatment of minorities, future projections and retrospective interpretations of the war.
Publisher: Liverpool University Press
ISBN: 194997975X
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
A study of political themes in American World War II novels from 1945 to 1975, including rebellion against military authority, treatment of minorities, future projections and retrospective interpretations of the war.
War No More
Author: Cynthia Wachtell
Publisher: LSU Press
ISBN: 0807145645
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
Until now, scholars have portrayed America's antiwar literature as an outgrowth of World War I, manifested in the works of writers such as Ernest Hemingway and John Dos Passos. But in War No More, Cynthia Wachtell corrects the record by tracing the steady and inexorable rise of antiwar writing in American literature from the Civil War to the eve of World War I. Beginning with an examination of three very different renderings of the chaotic Battle of Chickamauga -- a diary entry by a northern infantry officer, a poem romanticizing war authored by a young southerner a few months later, and a gruesome story penned by the veteran Ambrose Bierce -- Wachtell traces the gradual shift in the late nineteenth century away from highly idealized depictions of the Civil War. Even as the war was under way, she shows, certain writers -- including Herman Melville, Walt Whitman, John William De Forest, and Nathaniel Hawthorne -- quietly questioned the meaning and morality of the conflict. As Wachtell demonstrates, antiwar writing made steady gains in public acceptance and popularity in the final years of the nineteenth century and the opening years of the twentieth, especially during the Spanish-American War and the war in the Philippines. While much of the era's war writing continued the long tradition of glorifying battle, works by Bierce, Stephen Crane, Mark Twain, William Dean Howells, William James, and others increasingly presented war as immoral and the modernization and mechanization of combat as something to be deeply feared. Wachtell also explores, through the works of Theodore Roosevelt and others, the resistance that the antiwar impulse met. Drawing upon a wide range of published and unpublished sources, including letters, diaries, essays, poems, short stories, novels, memoirs, speeches, magazine and newspaper articles, and religious tracts, Wachtell makes strikingly clear that pacifism had never been more popular than in the years preceding World War I. War No More concludes by charting the development of antiwar literature from World War I to the present, thus offering the first comprehensive overview of one hundred and fifty years of American antiwar writing.
Publisher: LSU Press
ISBN: 0807145645
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
Until now, scholars have portrayed America's antiwar literature as an outgrowth of World War I, manifested in the works of writers such as Ernest Hemingway and John Dos Passos. But in War No More, Cynthia Wachtell corrects the record by tracing the steady and inexorable rise of antiwar writing in American literature from the Civil War to the eve of World War I. Beginning with an examination of three very different renderings of the chaotic Battle of Chickamauga -- a diary entry by a northern infantry officer, a poem romanticizing war authored by a young southerner a few months later, and a gruesome story penned by the veteran Ambrose Bierce -- Wachtell traces the gradual shift in the late nineteenth century away from highly idealized depictions of the Civil War. Even as the war was under way, she shows, certain writers -- including Herman Melville, Walt Whitman, John William De Forest, and Nathaniel Hawthorne -- quietly questioned the meaning and morality of the conflict. As Wachtell demonstrates, antiwar writing made steady gains in public acceptance and popularity in the final years of the nineteenth century and the opening years of the twentieth, especially during the Spanish-American War and the war in the Philippines. While much of the era's war writing continued the long tradition of glorifying battle, works by Bierce, Stephen Crane, Mark Twain, William Dean Howells, William James, and others increasingly presented war as immoral and the modernization and mechanization of combat as something to be deeply feared. Wachtell also explores, through the works of Theodore Roosevelt and others, the resistance that the antiwar impulse met. Drawing upon a wide range of published and unpublished sources, including letters, diaries, essays, poems, short stories, novels, memoirs, speeches, magazine and newspaper articles, and religious tracts, Wachtell makes strikingly clear that pacifism had never been more popular than in the years preceding World War I. War No More concludes by charting the development of antiwar literature from World War I to the present, thus offering the first comprehensive overview of one hundred and fifty years of American antiwar writing.