Author:
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 364

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Author: Thomas S. Henricks
Publisher: University of Illinois Press
ISBN: 025209705X
Category : Social Science
Languages : en
Pages : 265

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Book Description
In Play and the Human Condition, Thomas Henricks brings together ways of considering play to probe its essential relationship to work, ritual, and communitas. Focusing on five contexts for play--the psyche, the body, the environment, society, and culture--Henricks identifies conditions that instigate play, and comments on its implications for those settings. Offering a general theory of play as behavior promoting self-realization, Henricks articulates a conception of self that includes individual and social identity, particular and transcendent connection, and multiple fields of involvement. Henricks also evaluates play styles from history and contemporary life to analyze the relationship between play and human freedom. Imaginative and stimulating, Play and the Human Condition shows how play allows us to learn about our qualities and those of the world around us--and in so doing make sense of ourselves.

Author: Frank Shuffelton
Publisher: Oxford University Press
ISBN: 0195360567
Category : Literary Criticism
Languages : en
Pages : 295

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Book Description
This collection of new essays enters one of the most topical and energetic debates of our time--the subject of ethnicity. The recent vigorous debates being waged over questions raised by the phenomenon of multiculturalism in America highlight the fact that American culture has arisen out of an unusually rich and interactive ethnic mix. The essays in A Mixed Race suggest that American society was inescapably multicultural from its very beginnings and that this representation of cultural differences fundamentally defined American culture. While recent scholarship has looked extensively at the ethnic formation of modern American culture, this study focuses on the eighteenth century and colonial American values that have been previously overlooked in the debate, arguing that a culture shaped by responses to ethnic and racial difference is not merely a modern circumstance but one at the base of American history. Written by a group of first-class contributors, the essays in this collection discuss the representation of cultural differences between European immigrants and Native Americans, the circumstances of the first African-American autobiographical narratives, rhetorical negotiations among different European-American cultural groups, ethnic representation in the genre literature of jest books and execution narratives, and the ethnic conceptions of Michel de Crevecoeur, Phillis Wheatley, and Thomas Jefferson. A Mixed Race offers agile and original yet scholarly readings of ethnicity and ethnic formation from some of our best critics of early American culture. Moving from questions of race and ethnicity to varieties of ethnic representation, and finally to individual confrontations, this volume sheds light on the confrontations of ethnically diverse peoples, and launches a timely, full-scale investigation of the construction of American culture.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 188

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Author: George Brinley
Publisher:
ISBN:
Category : America
Languages : en
Pages : 538

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Author: George Brinley
Publisher:
ISBN:
Category : America
Languages : en
Pages : 300

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Author: Raymond Pettibon
Publisher: David Zwirner Books
ISBN: 9780989980944
Category : Art
Languages : en
Pages : 188

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Book Description
In the summer of 2013, Raymond Pettibon took over one of David Zwirner’s gallery spaces in New York, transforming the high-ceilinged, garage-like white cube into his studio in order to prepare a show of drawings and collages within—and sometimes directly on—its walls. Titled To Wit, evoking the Middle English expression that has come to express a certain formality today and is defined as “namely,” or “that is to say,” the exhibition gave new meaning to the term “site specific,” featuring vibrant, gestural works Pettibon created in conversation with his surroundings that operated as a sort of archive, both product and record of his relationship to that space and time. Unified by their bold, vivid lines and unconventional framing, they feature allusions to a wide spectrum of American “high” and “low” culture, from violence, humor, and sex to literature, youth, art history, and sports—embodying the artist’s signature mix of social and political commentary, diary entry, and automatic drawing. This publication, presenting large color plates of the works created over that summer by Pettibon, who also produced an original drawing for its sturdy cardboard cover, explores the intricate relationship between image and language that has long fascinated the artist. Just as the works in the exhibition existed at once as art and document, so too does the book itself have the hefty, physical presence of a work of art. Extensive installation views capture the dynamic combination of visual imagery and text that has come to characterize Pettibon’s practice, and a selection of gritty black-and-white photographs by Andreas Laszlo Konrath offers an intimate glimpse into the artist’s working process. Context is provided by Lucas Zwirner, who accompanied the artist throughout this period and contributed the book’s essay, “A Month with Raymond.” As Zwirner describes it, the show functioned “as an essayistic whole held together by imaginative leaps and subtle connections which Raymond has left unexplained and uninterpreted.” That perspective is rounded out in an interview with the artist by Kim Gordon, a visual artist and musician, who first encountered Pettibon’s work in the early 1980s in Los Angeles.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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Author: Charles Brockden Brown
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 498

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Author: John Crace
Publisher: RDR Books
ISBN: 9781571431592
Category : Literary Criticism
Languages : en
Pages : 296

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Book Description
Literary ombudsman John Crace never met an important book he didn't like to deconstruct. From Salman Rushdie to John Grisham, Crace retells the big books in just 500 bitingly satirical words, pointing his pen at the clunky plots, stylistic tics and pretensions of Big Ideas, as he turns publishers' golden dream books into dross.