Author: Caroline Guthrie
Publisher: Rutgers University Press
ISBN: 1978818807
Category : History
Languages : en
Pages : 163
Book Description
The American Historical Imaginary: Contested Narratives of the Past in Mass Culture analyzes the shared understanding of America's past that is formed through entertainment, education, and politics. Caroline Guthrie examines our historical imaginary and argues it is crucial to understanding our national identity.
The American Historical Imaginary
Author: Caroline Guthrie
Publisher: Rutgers University Press
ISBN: 1978818807
Category : History
Languages : en
Pages : 163
Book Description
The American Historical Imaginary: Contested Narratives of the Past in Mass Culture analyzes the shared understanding of America's past that is formed through entertainment, education, and politics. Caroline Guthrie examines our historical imaginary and argues it is crucial to understanding our national identity.
Publisher: Rutgers University Press
ISBN: 1978818807
Category : History
Languages : en
Pages : 163
Book Description
The American Historical Imaginary: Contested Narratives of the Past in Mass Culture analyzes the shared understanding of America's past that is formed through entertainment, education, and politics. Caroline Guthrie examines our historical imaginary and argues it is crucial to understanding our national identity.
Imaginary Citizens
Author: Courtney Weikle-Mills
Publisher: JHU Press
ISBN: 1421408074
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
How did Ichabod Crane and other characters from children’s literature shape the ideal of American citizenship? 2015 Honor Book Award, Children's Literature Association From the colonial period to the end of the Civil War, children’s books taught young Americans how to be good citizens and gave them the freedom, autonomy, and possibility to imagine themselves as such, despite the actual limitations of the law concerning child citizenship. Imaginary Citizens argues that the origin and evolution of the concept of citizenship in the United States centrally involved struggles over the meaning and boundaries of childhood. Children were thought of as more than witnesses to American history and governance—they were representatives of “the people” in general. Early on, the parent-child relationship was used as an analogy for the relationship between England and America, and later, the president was equated to a father and the people to his children. There was a backlash, however. In order to contest the patriarchal idea that all individuals owed childlike submission to their rulers, Americans looked to new theories of human development that limited political responsibility to those with a mature ability to reason. Yet Americans also based their concept of citizenship on the idea that all people are free and accountable at every age. Courtney Weikle-Mills discusses such characters as Goody Two-Shoes, Ichabod Crane, and Tom Sawyer in terms of how they reflect these conflicting ideals.
Publisher: JHU Press
ISBN: 1421408074
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
How did Ichabod Crane and other characters from children’s literature shape the ideal of American citizenship? 2015 Honor Book Award, Children's Literature Association From the colonial period to the end of the Civil War, children’s books taught young Americans how to be good citizens and gave them the freedom, autonomy, and possibility to imagine themselves as such, despite the actual limitations of the law concerning child citizenship. Imaginary Citizens argues that the origin and evolution of the concept of citizenship in the United States centrally involved struggles over the meaning and boundaries of childhood. Children were thought of as more than witnesses to American history and governance—they were representatives of “the people” in general. Early on, the parent-child relationship was used as an analogy for the relationship between England and America, and later, the president was equated to a father and the people to his children. There was a backlash, however. In order to contest the patriarchal idea that all individuals owed childlike submission to their rulers, Americans looked to new theories of human development that limited political responsibility to those with a mature ability to reason. Yet Americans also based their concept of citizenship on the idea that all people are free and accountable at every age. Courtney Weikle-Mills discusses such characters as Goody Two-Shoes, Ichabod Crane, and Tom Sawyer in terms of how they reflect these conflicting ideals.
Architecture and the Late Ottoman Historical Imaginary
Author: Dr Ahmet A Ersoy
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472431391
Category : Art
Languages : en
Pages : 337
Book Description
While European eclecticism is examined as a critical moment in western art history, little research has been conducted in the historicist pursuits of late Ottoman architects as they negotiated the nineteenth century’s vast inventory of styles and embarked on a revivalist/Orientalist program they identified as the ‘Ottoman Renaissance.’ Ersoy’s book examines the complex historicist discourse underlying this ‘renaissance’ through a close reading of a text conceived as the movement’s canonizing manifesto: the Usul-i Mi‘mari-i ‘Osmani.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472431391
Category : Art
Languages : en
Pages : 337
Book Description
While European eclecticism is examined as a critical moment in western art history, little research has been conducted in the historicist pursuits of late Ottoman architects as they negotiated the nineteenth century’s vast inventory of styles and embarked on a revivalist/Orientalist program they identified as the ‘Ottoman Renaissance.’ Ersoy’s book examines the complex historicist discourse underlying this ‘renaissance’ through a close reading of a text conceived as the movement’s canonizing manifesto: the Usul-i Mi‘mari-i ‘Osmani.
Imaginary Gardens
Author: Charles Sullivan
Publisher: Harry N. Abrams
ISBN: 9780810911307
Category : Young Adult Nonfiction
Languages : en
Pages : 124
Book Description
Includes a selection of poems by American poets and works of art by a variety of artists. A collection of well-known poems, from Ogden Nash to Walt Whitman, with accompanying illustrations that also represent a wide range of artists and styles. A number of garden poems are matched with beautiful color reproductions of famous paintings. Includes a selection of poems by American poets and works of art by a variety of artists.
Publisher: Harry N. Abrams
ISBN: 9780810911307
Category : Young Adult Nonfiction
Languages : en
Pages : 124
Book Description
Includes a selection of poems by American poets and works of art by a variety of artists. A collection of well-known poems, from Ogden Nash to Walt Whitman, with accompanying illustrations that also represent a wide range of artists and styles. A number of garden poems are matched with beautiful color reproductions of famous paintings. Includes a selection of poems by American poets and works of art by a variety of artists.
The Dominican Racial Imaginary
Author: Milagros Ricourt
Publisher: Rutgers University Press
ISBN: 0813584493
Category : History
Languages : en
Pages : 283
Book Description
This book begins with a simple question: why do so many Dominicans deny the African components of their DNA, culture, and history? Seeking answers, Milagros Ricourt uncovers a complex and often contradictory Dominican racial imaginary. Observing how Dominicans have traditionally identified in opposition to their neighbors on the island of Hispaniola—Haitians of African descent—she finds that the Dominican Republic’s social elite has long propagated a national creation myth that conceives of the Dominican as a perfect hybrid of native islanders and Spanish settlers. Yet as she pores through rare historical documents, interviews contemporary Dominicans, and recalls her own childhood memories of life on the island, Ricourt encounters persistent challenges to this myth. Through fieldwork at the Dominican-Haitian border, she gives a firsthand look at how Dominicans are resisting the official account of their national identity and instead embracing the African influence that has always been part of their cultural heritage. Building on the work of theorists ranging from Edward Said to Édouard Glissant, this book expands our understanding of how national and racial imaginaries develop, why they persist, and how they might be subverted. As it confronts Hispaniola’s dark legacies of slavery and colonial oppression, The Dominican Racial Imaginary also delivers an inspiring message on how multicultural communities might cooperate to disrupt the enduring power of white supremacy.
Publisher: Rutgers University Press
ISBN: 0813584493
Category : History
Languages : en
Pages : 283
Book Description
This book begins with a simple question: why do so many Dominicans deny the African components of their DNA, culture, and history? Seeking answers, Milagros Ricourt uncovers a complex and often contradictory Dominican racial imaginary. Observing how Dominicans have traditionally identified in opposition to their neighbors on the island of Hispaniola—Haitians of African descent—she finds that the Dominican Republic’s social elite has long propagated a national creation myth that conceives of the Dominican as a perfect hybrid of native islanders and Spanish settlers. Yet as she pores through rare historical documents, interviews contemporary Dominicans, and recalls her own childhood memories of life on the island, Ricourt encounters persistent challenges to this myth. Through fieldwork at the Dominican-Haitian border, she gives a firsthand look at how Dominicans are resisting the official account of their national identity and instead embracing the African influence that has always been part of their cultural heritage. Building on the work of theorists ranging from Edward Said to Édouard Glissant, this book expands our understanding of how national and racial imaginaries develop, why they persist, and how they might be subverted. As it confronts Hispaniola’s dark legacies of slavery and colonial oppression, The Dominican Racial Imaginary also delivers an inspiring message on how multicultural communities might cooperate to disrupt the enduring power of white supremacy.
Imaginary Peaks
Author: Katie Ives
Publisher: Mountaineers Books
ISBN: 1594859817
Category : History
Languages : en
Pages : 427
Book Description
Author is a renowned writer in international climbing community Fascinating story of hoax that inspired a quest for a North American Shangri-La Vivid recounting of fabled mountains from across the world Using an infamous deception about a fake mountain range in British Columbia as her jumping-off point, Katie Ives, the well-known editor of Alpinist, explores the lure of blank spaces on the map and the value of the imagination. In Imaginary Peaks she details the cartographical mystery of the Riesenstein Hoax within the larger context of climbing history and the seemingly endless quest for newly discovered peaks and claims of first ascents. Imaginary Peaks is an evocative, thought-provoking tale, immersed in the literature of exploration, study of maps, and basic human desire.
Publisher: Mountaineers Books
ISBN: 1594859817
Category : History
Languages : en
Pages : 427
Book Description
Author is a renowned writer in international climbing community Fascinating story of hoax that inspired a quest for a North American Shangri-La Vivid recounting of fabled mountains from across the world Using an infamous deception about a fake mountain range in British Columbia as her jumping-off point, Katie Ives, the well-known editor of Alpinist, explores the lure of blank spaces on the map and the value of the imagination. In Imaginary Peaks she details the cartographical mystery of the Riesenstein Hoax within the larger context of climbing history and the seemingly endless quest for newly discovered peaks and claims of first ascents. Imaginary Peaks is an evocative, thought-provoking tale, immersed in the literature of exploration, study of maps, and basic human desire.
Time, History and the Religious Imaginary in South Asia
Author: Anne Murphy
Publisher: Routledge
ISBN: 113670728X
Category : Religion
Languages : en
Pages : 253
Book Description
Religious imaginary is a way of conceiving and structuring the world within the conceptual and imaginative traditions of the religious. Using religious imaginary as a reference, this book analyses temporal ideologies and expressions of historicity in South Asia in the early modern, pre-colonial and early colonial period. Chapters explore the multiple understandings of time and the past that informed the historical imagination in various kinds of literary representations, including historiographical and literary texts, hagiography, and religious canonical literature. The book addresses the contributing forces and comparative implications of the formation of religious and communitarian sensibilities as expressed through the imagination of the past, and suggests how these relate to each other within and across traditions in South Asia. By bringing diverse materials together, this book presents new commonalities and distinctions that inform a larger understanding of how religion and other cultural formations impinge on the concept of temporality, and the representation of it as history.
Publisher: Routledge
ISBN: 113670728X
Category : Religion
Languages : en
Pages : 253
Book Description
Religious imaginary is a way of conceiving and structuring the world within the conceptual and imaginative traditions of the religious. Using religious imaginary as a reference, this book analyses temporal ideologies and expressions of historicity in South Asia in the early modern, pre-colonial and early colonial period. Chapters explore the multiple understandings of time and the past that informed the historical imagination in various kinds of literary representations, including historiographical and literary texts, hagiography, and religious canonical literature. The book addresses the contributing forces and comparative implications of the formation of religious and communitarian sensibilities as expressed through the imagination of the past, and suggests how these relate to each other within and across traditions in South Asia. By bringing diverse materials together, this book presents new commonalities and distinctions that inform a larger understanding of how religion and other cultural formations impinge on the concept of temporality, and the representation of it as history.
Geographies of Liberation
Author: Alex Lubin
Publisher: UNC Press Books
ISBN: 1469612887
Category : History
Languages : en
Pages : 251
Book Description
Geographies of Liberation: The Making of an Afro-Arab Political Imaginary
Publisher: UNC Press Books
ISBN: 1469612887
Category : History
Languages : en
Pages : 251
Book Description
Geographies of Liberation: The Making of an Afro-Arab Political Imaginary
Unsettled Visions
Author: Margo Machida
Publisher: Duke University Press
ISBN: 0822391740
Category : Social Science
Languages : en
Pages : 386
Book Description
In Unsettled Visions, the activist, curator, and scholar Margo Machida presents a pioneering, in-depth exploration of contemporary Asian American visual art. Machida focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway. Machida conducted extensive interviews with ten artists working during this transformative period: women and men of Chinese, Filipino, Indian, Vietnamese, Korean, and Japanese descent, most of whom migrated to the United States. In dialogue with the artists, Machida illuminates and contextualizes the origins of and intent behind bodies of their work. Unsettled Visions is an engrossing look at a vital art scene and a subtle account of the multiple, shifting meanings of “Asianness” in Asian American art. Analyses of the work of individual artists are grouped around three major themes that Asian American artists engaged with during the 1990s: representations of the Other; social memory and trauma; and migration, diaspora, and sense of place. Machida considers the work of the photographers Pipo Nguyen-duy and Hanh Thi Pham, the printmaker and sculptor Zarina Hashmi, and installations by the artists Tomie Arai, Ming Fay, and Yong Soon Min. She examines the work of Marlon Fuentes, whose films and photographs play with the stereotyping conventions of visual anthropology, and prints in which Allan deSouza addresses the persistence of Orientalism in American popular culture. Machida reflects on Kristine Aono’s museum installations embodying the multigenerational effects of the internment of Japanese Americans during World War II and on Y. David Chung’s representations of urban spaces transformed by migration in works ranging from large-scale charcoal drawings to multimedia installations and an “electronic rap opera.”
Publisher: Duke University Press
ISBN: 0822391740
Category : Social Science
Languages : en
Pages : 386
Book Description
In Unsettled Visions, the activist, curator, and scholar Margo Machida presents a pioneering, in-depth exploration of contemporary Asian American visual art. Machida focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway. Machida conducted extensive interviews with ten artists working during this transformative period: women and men of Chinese, Filipino, Indian, Vietnamese, Korean, and Japanese descent, most of whom migrated to the United States. In dialogue with the artists, Machida illuminates and contextualizes the origins of and intent behind bodies of their work. Unsettled Visions is an engrossing look at a vital art scene and a subtle account of the multiple, shifting meanings of “Asianness” in Asian American art. Analyses of the work of individual artists are grouped around three major themes that Asian American artists engaged with during the 1990s: representations of the Other; social memory and trauma; and migration, diaspora, and sense of place. Machida considers the work of the photographers Pipo Nguyen-duy and Hanh Thi Pham, the printmaker and sculptor Zarina Hashmi, and installations by the artists Tomie Arai, Ming Fay, and Yong Soon Min. She examines the work of Marlon Fuentes, whose films and photographs play with the stereotyping conventions of visual anthropology, and prints in which Allan deSouza addresses the persistence of Orientalism in American popular culture. Machida reflects on Kristine Aono’s museum installations embodying the multigenerational effects of the internment of Japanese Americans during World War II and on Y. David Chung’s representations of urban spaces transformed by migration in works ranging from large-scale charcoal drawings to multimedia installations and an “electronic rap opera.”
Weimar Cinema and After
Author: Thomas Elsaesser
Publisher: Routledge
ISBN: 1135078599
Category : Performing Arts
Languages : en
Pages : 486
Book Description
German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined. Weimar Cinema and After offers a fresh perspective on this most 'national' of national cinemas, re-evaluating the arguments which view genres and movements such as 'films of the fantastic', 'Nazi Cinema', 'film noir' and 'New German Cinema' as typically German contributions to twentieth century visual culture. Thomas Elsaesser questions conventional readings which link these genres to romanticism and expressionism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry' and in a Germany constantly reinventing itself both geographically and politically. Elsaesser argues that German cinema's significance lies less in its ability to promote democracy or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, he argues, German cinema anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory, and invented traditions.
Publisher: Routledge
ISBN: 1135078599
Category : Performing Arts
Languages : en
Pages : 486
Book Description
German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined. Weimar Cinema and After offers a fresh perspective on this most 'national' of national cinemas, re-evaluating the arguments which view genres and movements such as 'films of the fantastic', 'Nazi Cinema', 'film noir' and 'New German Cinema' as typically German contributions to twentieth century visual culture. Thomas Elsaesser questions conventional readings which link these genres to romanticism and expressionism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry' and in a Germany constantly reinventing itself both geographically and politically. Elsaesser argues that German cinema's significance lies less in its ability to promote democracy or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, he argues, German cinema anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory, and invented traditions.