Author: John A. Lomax
Publisher: Courier Corporation
ISBN: 048631992X
Category : Music
Languages : en
Pages : 719
Book Description
Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Black Betty, The Hammer Song, Jesse James, Down in the Valley, The Ballad of Davy Crockett, and many more.
American Ballads and Folk Songs
Author: John A. Lomax
Publisher: Courier Corporation
ISBN: 048631992X
Category : Music
Languages : en
Pages : 719
Book Description
Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Black Betty, The Hammer Song, Jesse James, Down in the Valley, The Ballad of Davy Crockett, and many more.
Publisher: Courier Corporation
ISBN: 048631992X
Category : Music
Languages : en
Pages : 719
Book Description
Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Black Betty, The Hammer Song, Jesse James, Down in the Valley, The Ballad of Davy Crockett, and many more.
"The Music of American Folk Song" and Selected Other Writings on American Folk Music
Author: Ruth Crawford Seeger
Publisher: University Rochester Press
ISBN: 9781580460958
Category : Music
Languages : en
Pages : 220
Book Description
This is the first publication of an annotated monograph by the noted composer and folksong scholar Ruth Crawford Seeger. Originally written as a foreword for the 1940 book Our Singing Country, it was considered too long and was replaced by a much shorter version. According to her stepson, Pete Seeger, when the original was not included "Ruth suffered one of the biggest disappointments of the last ten years of her life. It just killed her . . . She was trying to analyze the whole style and problem of performing this music." Along with her children Mike and Peggy Seeger, he has long desired to see this work in print as it was meant to be read. The manuscript has been edited from several varying sources by Larry Polansky, with the assistance of Seeger's biographer Judith Tick. It is divided into two sections: I. "A Note on Transcription" and II. "Notes on the Songs and on Manners of Singing." Seeger examines all aspects of the relationship between singer, song, notation, the eventual performer, and the transcriber. In Section I, Seeger develops a complex and well-organized system of notation for these songs which is meant to be both descritive (transcription as cultural preservation) and prescriptive (she intended that others would be able to perform these songs). In Section II, she provides an interpretive theory for performance of this music, and suggests how performers might make the songs "their own" through a deep knowledge of the original styles. Ruth Crawford Seeger considered this work to be both a major accomplishment and a central statement of her own ideas on the topic. Larry Polansky is Associate Professor of Music at Dartmouth College, and a well-known composer and theorist on American music. Judith Tick is Professor of Music at Northeastern University and author of the first major biography of Ruth Crawford Seeger.
Publisher: University Rochester Press
ISBN: 9781580460958
Category : Music
Languages : en
Pages : 220
Book Description
This is the first publication of an annotated monograph by the noted composer and folksong scholar Ruth Crawford Seeger. Originally written as a foreword for the 1940 book Our Singing Country, it was considered too long and was replaced by a much shorter version. According to her stepson, Pete Seeger, when the original was not included "Ruth suffered one of the biggest disappointments of the last ten years of her life. It just killed her . . . She was trying to analyze the whole style and problem of performing this music." Along with her children Mike and Peggy Seeger, he has long desired to see this work in print as it was meant to be read. The manuscript has been edited from several varying sources by Larry Polansky, with the assistance of Seeger's biographer Judith Tick. It is divided into two sections: I. "A Note on Transcription" and II. "Notes on the Songs and on Manners of Singing." Seeger examines all aspects of the relationship between singer, song, notation, the eventual performer, and the transcriber. In Section I, Seeger develops a complex and well-organized system of notation for these songs which is meant to be both descritive (transcription as cultural preservation) and prescriptive (she intended that others would be able to perform these songs). In Section II, she provides an interpretive theory for performance of this music, and suggests how performers might make the songs "their own" through a deep knowledge of the original styles. Ruth Crawford Seeger considered this work to be both a major accomplishment and a central statement of her own ideas on the topic. Larry Polansky is Associate Professor of Music at Dartmouth College, and a well-known composer and theorist on American music. Judith Tick is Professor of Music at Northeastern University and author of the first major biography of Ruth Crawford Seeger.
Introducing American Folk Music
Author: Kip Lornell
Publisher: McGraw-Hill Companies
ISBN:
Category : Folk music
Languages : en
Pages : 338
Book Description
Publisher: McGraw-Hill Companies
ISBN:
Category : Folk music
Languages : en
Pages : 338
Book Description
African American Folksong and American Cultural Politics
Author: Bruce M. Conforth
Publisher: Scarecrow Press
ISBN: 0810884895
Category : Music
Languages : en
Pages : 299
Book Description
In African American Folksong and American Cultural Politics: The Lawrence Gellert Story, scholar and musician Bruce Conforth tells the story of one of the most unusual collections of African American folk music ever amassed—and the remarkable story of the man who produced it: Lawrence Gellert. Compiled between the World Wars, Gellert's recordings were immediately adopted by the American Left as the voice of the true American proletariat, with the songs—largely variants of traditional work songs or blues—dubbed by the Left as "songs of protest." As both the songs and Gellert’s standing itself turned into propaganda weapons of left-wing agitators, Gellert experienced a meteoric rise within the circles of left-wing organizations and the American Communist party. But such success proved ephemeral, with Gellert contributing to his own neglect by steadfastly refusing to release information about where and from whom he had collected his recordings. Later scholars, as a result, would skip over his closely held, largely inaccessible research, with some asserting Gellert’s work had been doctored for political purposes. And to a certain extent they were correct. Conforth reveals how Gellert at least "assisted" in the creation of some of his more political material. But hidden behind the few protest songs that Gellert allowed to become public was a vast body of legitimate African America folksongs—enough to rival the work of any of his contemporary collectors. Had Gellert granted access to all his material, scholars would have quickly seen that it comprised an incredibly complete and diverse collection of all African American song genres: work songs, blues, chants, spirituals, as well as the largest body of African American folktales about Irish Americans (what were referred to as "One Time I'shman" tales). It also included vast swaths of African American oral literature collected by Gellert as part of the Federal Writers' Project. In African American Folksong and American Cultural Politics, Conforth brings to light for the first time the entire body of work collected by Lawrence Gellert, establishing his place, and the place for the material he collected, within the pages of American folk song scholarship. In addition to shedding new light on the concept of "protest music" within African American folk music, Conforth discusses the unique relationship of the American Left to this music and how personal psychology and the demands of the American Communist party would come to ruin Gellert’s life. African American Folksong and American Cultural Politics will appeal to students and scholars in the fields of American social and political history, African American studies, the history of American folk music, and ethnomusicology.
Publisher: Scarecrow Press
ISBN: 0810884895
Category : Music
Languages : en
Pages : 299
Book Description
In African American Folksong and American Cultural Politics: The Lawrence Gellert Story, scholar and musician Bruce Conforth tells the story of one of the most unusual collections of African American folk music ever amassed—and the remarkable story of the man who produced it: Lawrence Gellert. Compiled between the World Wars, Gellert's recordings were immediately adopted by the American Left as the voice of the true American proletariat, with the songs—largely variants of traditional work songs or blues—dubbed by the Left as "songs of protest." As both the songs and Gellert’s standing itself turned into propaganda weapons of left-wing agitators, Gellert experienced a meteoric rise within the circles of left-wing organizations and the American Communist party. But such success proved ephemeral, with Gellert contributing to his own neglect by steadfastly refusing to release information about where and from whom he had collected his recordings. Later scholars, as a result, would skip over his closely held, largely inaccessible research, with some asserting Gellert’s work had been doctored for political purposes. And to a certain extent they were correct. Conforth reveals how Gellert at least "assisted" in the creation of some of his more political material. But hidden behind the few protest songs that Gellert allowed to become public was a vast body of legitimate African America folksongs—enough to rival the work of any of his contemporary collectors. Had Gellert granted access to all his material, scholars would have quickly seen that it comprised an incredibly complete and diverse collection of all African American song genres: work songs, blues, chants, spirituals, as well as the largest body of African American folktales about Irish Americans (what were referred to as "One Time I'shman" tales). It also included vast swaths of African American oral literature collected by Gellert as part of the Federal Writers' Project. In African American Folksong and American Cultural Politics, Conforth brings to light for the first time the entire body of work collected by Lawrence Gellert, establishing his place, and the place for the material he collected, within the pages of American folk song scholarship. In addition to shedding new light on the concept of "protest music" within African American folk music, Conforth discusses the unique relationship of the American Left to this music and how personal psychology and the demands of the American Communist party would come to ruin Gellert’s life. African American Folksong and American Cultural Politics will appeal to students and scholars in the fields of American social and political history, African American studies, the history of American folk music, and ethnomusicology.
Artists of American Folk Music
Author: Phil Hood
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
Book Description
"Except for original pieces about Bob Dylan and Peter, Paul and Mary, the articles compiled here about folk, bluegrass and new acoustic musicians first appeared in Guitar Player and Frets magazines. Most pieces have been updated; they profile the artists' backgrounds, careers and contributions to their musical forms. (The articles on Odetta, Pete Seeger, Bill Monroe and Richie Havens include interviews with the musicians.) Subjects represent different eras of modern folk music: from the early days (Woody Guthrie and Malvina Reynolds) to the height of popularity 25 years ago (the Kingston Trio, Joan Baez and Arlo Guthrie) to new acoustic artists (David Grisman and Tony Trischka). Also of note: an article about the Lomax family, the archivists who have made extensive recordings of folk music that might otherwise have been lost. Although this book gives the novice a general background, it adds little new information."-- Publishers Weekly.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
Book Description
"Except for original pieces about Bob Dylan and Peter, Paul and Mary, the articles compiled here about folk, bluegrass and new acoustic musicians first appeared in Guitar Player and Frets magazines. Most pieces have been updated; they profile the artists' backgrounds, careers and contributions to their musical forms. (The articles on Odetta, Pete Seeger, Bill Monroe and Richie Havens include interviews with the musicians.) Subjects represent different eras of modern folk music: from the early days (Woody Guthrie and Malvina Reynolds) to the height of popularity 25 years ago (the Kingston Trio, Joan Baez and Arlo Guthrie) to new acoustic artists (David Grisman and Tony Trischka). Also of note: an article about the Lomax family, the archivists who have made extensive recordings of folk music that might otherwise have been lost. Although this book gives the novice a general background, it adds little new information."-- Publishers Weekly.
Romancing the Folk
Author: Benjamin Filene
Publisher: UNC Press Books
ISBN: 9780807848623
Category : Music
Languages : en
Pages : 344
Book Description
In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo
Publisher: UNC Press Books
ISBN: 9780807848623
Category : Music
Languages : en
Pages : 344
Book Description
In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo
American Negro Folk-songs
Author: Newman Ivey White
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 520
Book Description
While his father works in the city over the winter, a young boy thinks of some good times they've shared and looks forward to his return to their South African home in the spring.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 520
Book Description
While his father works in the city over the winter, a young boy thinks of some good times they've shared and looks forward to his return to their South African home in the spring.
American Folk Songs for Children
Author: Ruth Crawford Seegar
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 190
Book Description
The American Folksong
Author: Edward Phillip Banghart
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 150
Book Description
Recentering Anglo/American Folksong
Author: Roger Dev Renwick
Publisher: Univ. Press of Mississippi
ISBN: 9781604732542
Category : Music
Languages : en
Pages : 208
Book Description
An attempt to wrest folksong from contemporary theorists and return it to textual study
Publisher: Univ. Press of Mississippi
ISBN: 9781604732542
Category : Music
Languages : en
Pages : 208
Book Description
An attempt to wrest folksong from contemporary theorists and return it to textual study