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Author: Debashish Banerji
Publisher: SAGE Publications Pvt. Limited
ISBN: 9788132102397
Category : Art
Languages : en
Pages : 0
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Book Description
This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the national school of Indian painting, popularly known as the Bengal School of Art. The book categorically argues that the art of Abanindranath, which developed during the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of national or oriental principle, but was a hermeneutic negotiation between modernity and community. It establishes that his form of art—embedded in communitarian practices like kirtan, alpona, pet-naming, syncretism, and storytelling through oral allegories—sought a social identity within the inter-subjective context of locality, regionality, nationality, and trans-nationality. The author presents Abanindranath as a creative agent who, through his art, conducted a critical engagement with post-Enlightenment modernity and regional subalternity.
Author: Debashish Banerji
Publisher: SAGE Publications Pvt. Limited
ISBN: 9788132102397
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the national school of Indian painting, popularly known as the Bengal School of Art. The book categorically argues that the art of Abanindranath, which developed during the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of national or oriental principle, but was a hermeneutic negotiation between modernity and community. It establishes that his form of art—embedded in communitarian practices like kirtan, alpona, pet-naming, syncretism, and storytelling through oral allegories—sought a social identity within the inter-subjective context of locality, regionality, nationality, and trans-nationality. The author presents Abanindranath as a creative agent who, through his art, conducted a critical engagement with post-Enlightenment modernity and regional subalternity.
Author: Rajeev Kinra
Publisher: Univ of California Press
ISBN: 0520286464
Category : Biography & Autobiography
Languages : en
Pages : 394
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Writing Self, Writing Empire examines the life, career, and writings of the Mughal state secretary, or munshi, Chandar Bhan “Brahman” (d. c.1670), one of the great Indo-Persian poets and prose stylists of early modern South Asia. Chandar Bhan’s life spanned the reigns of four different emperors, Akbar (1556-1605), Jahangir (1605-1627), Shah Jahan (1628-1658), and Aurangzeb ‘Alamgir (1658-1707), the last of the “Great Mughals” whose courts dominated the culture and politics of the subcontinent at the height of the empire’s power, territorial reach, and global influence. As a high-caste Hindu who worked for a series of Muslim monarchs and other officials, forming powerful friendships along the way, Chandar Bhan’s experience bears vivid testimony to the pluralistic atmosphere of the Mughal court, particularly during the reign of Shah Jahan, the celebrated builder of the Taj Mahal. But his widely circulated and emulated works also touch on a range of topics central to our understanding of the court’s literary, mystical, administrative, and ethical cultures, while his letters and autobiographical writings provide tantalizing examples of early modern Indo-Persian modes of self-fashioning. Chandar Bhan’s oeuvre is a valuable window onto a crucial, though surprisingly neglected, period of Mughal cultural and political history.
Author: David Kopf
Publisher: Univ of California Press
ISBN: 0520317173
Category : History
Languages : en
Pages : 336
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Author: Tapati Guha-Thakurta
Publisher: Cambridge University Press
ISBN: 9780521052733
Category : History
Languages : en
Pages : 0
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Book Description
This book offers a path-breaking analysis of the transformations that occurred in the art and aesthetic values of Bengal during the colonial and nationalist periods. Tapati Guha-Thakurta moves beyond most existing assumptions and narratives to explore the complexities and diversities of the changes generated by Western contacts and nationalist preoccupation's in art. She examines the shifts both in the forms and practices of painting as well as in the ideas and opinions about Indian art during the late nineteenth and early twentieth centuries.
Author: Parul Pandya Dhar
Publisher:
ISBN: 9788124605974
Category : Art
Languages : en
Pages : 0
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Book Description
Papers presented at the Seminar "Historiography of Indian Art : Emergent Methodological Concerns", held at New Delhi during 19-21 September 2006.
Author: Debashish Banerji
Publisher:
ISBN: 9788132112808
Category : Nationalism and art
Languages : en
Pages : 136
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Book Description
The Alternate Nation of Abanindranath Tagore provides a revisionary critique of the art of Abanindranath Tagore, the founder of a 'national' school of Indian painting, popularly known as the Bengal School of Art. It categorically argues that the art of Abanindranath, which developed as part of what has been called the Bengal Renaissance in the 19th-20th centuries, was not merely a normalization of nationalist or orientalist principles, but was a hermeneutic negotiation between modernity and community, geared toward the fashioning of an alternate nation, resistant to the stereotyping identity f.
Author: Partha Mitter
Publisher: Reaktion Books
ISBN: 1861896360
Category : Art
Languages : en
Pages : 282
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Book Description
The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of “oriental art,” and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, The Triumph of Modernism will be essential reading for scholars of art, British studies, and Indian history.
Author: Iftikhar Dadi
Publisher: Univ of North Carolina Press
ISBN: 0807895962
Category : Art
Languages : en
Pages : 356
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Book Description
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Author: Debashish Banerji
Publisher: Springer
ISBN: 8132236378
Category : Social Science
Languages : en
Pages : 283
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Book Description
This volume is a critical exploration of multiple posthuman possibilities in the 21st century and beyond. Due to the global engagement with advanced technology, we are witness to a species-wise blurring of boundaries at the edge of the human. On the one hand, we find ourselves in a digital age in which human identity is being transformed through networked technological intervention, a large part of our consciousness transferred to "smart" external devices. On the other hand, we are assisted---or assailed---by an unprecedented proliferation of quasi-human substitutes and surrogates, forming a spectrum of humanoids with fuzzy borders. Under these conditions, critical posthumanism asks, who will occupy and control our planet: Will the "superhuman" merely serve as another sign under which new regimes of dominance are spread across the earth? Or can we discover or invent technologies of existence to counter such dominance? It is issues such as these which are at the heart of this new volume of explorations of the posthuman. The essays in this volume offer leading-edge thought on the subject, with special emphases on postmodern and postcolonial futures. They engage with questions of subalternity and feminism vis-à-vis posthumanism, dealing with issues of subjugation, dispensability and surrogacy, as well as the possibilities of resistance, ethical politics or subjective transformation from South Asian archives of cultural and spiritual practice. This volume is a valuable addition to the on-going global dialogues on posthumanism, indispensable to those, from across several disciplines, who are interested in postcolonial and planetary futures.
Author: Sarvani Gooptu
Publisher:
ISBN: 9789384082215
Category : History
Languages : en
Pages : 188
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Book Description
The Actress in the Public Theatres of Calcutta tells the story of this bold new generation of women who, for the first time in the history of Bengali theatre, performed in the public theatres of Calcutta. It traces the journey of these women who not only dared to be a part of the Calcutta-based theatre groups but also put their life and soul into this magical world."
