Author: Frank G. J. M. Müller
Publisher: BRILL
ISBN: 9004672982
Category : Art
Languages : en
Pages : 319
Book Description
One of the most intriguing works of art which have come down to us from antiquity is the Roman fresco known as 'The Aldobrandini Wedding'. As in the first two volumes of his iconological studies, the author's critical review of previous interpretations reveals that none of them will stand up to scrutiny. By applying a modern art-historical method, he arrives at a fundamentally new interpretation which accounts for the many iconographical details which are a distinctive feature of 'The Aldobrandini Wedding'. The painting turns out to be an idiosyncratic variant of a mythological theme that frequently crops up elsewhere in Roman art.
The Aldobrandini Wedding
Author: Frank G. J. M. Müller
Publisher: BRILL
ISBN: 9004672982
Category : Art
Languages : en
Pages : 319
Book Description
One of the most intriguing works of art which have come down to us from antiquity is the Roman fresco known as 'The Aldobrandini Wedding'. As in the first two volumes of his iconological studies, the author's critical review of previous interpretations reveals that none of them will stand up to scrutiny. By applying a modern art-historical method, he arrives at a fundamentally new interpretation which accounts for the many iconographical details which are a distinctive feature of 'The Aldobrandini Wedding'. The painting turns out to be an idiosyncratic variant of a mythological theme that frequently crops up elsewhere in Roman art.
Publisher: BRILL
ISBN: 9004672982
Category : Art
Languages : en
Pages : 319
Book Description
One of the most intriguing works of art which have come down to us from antiquity is the Roman fresco known as 'The Aldobrandini Wedding'. As in the first two volumes of his iconological studies, the author's critical review of previous interpretations reveals that none of them will stand up to scrutiny. By applying a modern art-historical method, he arrives at a fundamentally new interpretation which accounts for the many iconographical details which are a distinctive feature of 'The Aldobrandini Wedding'. The painting turns out to be an idiosyncratic variant of a mythological theme that frequently crops up elsewhere in Roman art.
The Roman Wedding
Author: Karen K. Hersch
Publisher: Cambridge University Press
ISBN: 0521124271
Category : History
Languages : en
Pages : 361
Book Description
This is the first book-length examination of Roman wedding ritual.
Publisher: Cambridge University Press
ISBN: 0521124271
Category : History
Languages : en
Pages : 361
Book Description
This is the first book-length examination of Roman wedding ritual.
The Aldobrandini Wedding
Author: Frank G. J. M. Müller
Publisher: J C Gieben
ISBN: 9789050632669
Category : Art
Languages : en
Pages : 207
Book Description
One of the most intriguing works of art which have come down to us from antiquity is the Roman fresco known as 'The Aldobrandini Wedding'. As in the first two volumes of his iconological studies, the author's critical review of previous interpretations reveals that none of them will stand up to scrutiny. By applying a modern art-historical method, he arrives at a fundamentally new interpretation which accounts for the many iconographical details which are a distinctive feature of 'The Aldobrandini Wedding'. The painting turns out to be an idiosyncratic variant of a mythological theme that frequently crops up elsewhere in Roman art.
Publisher: J C Gieben
ISBN: 9789050632669
Category : Art
Languages : en
Pages : 207
Book Description
One of the most intriguing works of art which have come down to us from antiquity is the Roman fresco known as 'The Aldobrandini Wedding'. As in the first two volumes of his iconological studies, the author's critical review of previous interpretations reveals that none of them will stand up to scrutiny. By applying a modern art-historical method, he arrives at a fundamentally new interpretation which accounts for the many iconographical details which are a distinctive feature of 'The Aldobrandini Wedding'. The painting turns out to be an idiosyncratic variant of a mythological theme that frequently crops up elsewhere in Roman art.
Looking at Lovemaking
Author: John R. Clarke
Publisher: Univ of California Press
ISBN: 0520935861
Category : Art
Languages : en
Pages : 407
Book Description
What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question—and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works—many newly discovered and previously unpublished—in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence. Roman artists pictured a great range of human sexual activities—far beyond those mentioned in classical literature—including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.
Publisher: Univ of California Press
ISBN: 0520935861
Category : Art
Languages : en
Pages : 407
Book Description
What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question—and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works—many newly discovered and previously unpublished—in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence. Roman artists pictured a great range of human sexual activities—far beyond those mentioned in classical literature—including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.
A Cultural History of Marriage in Antiquity
Author: Karen Klaiber Hersch
Publisher: Bloomsbury Publishing
ISBN: 1350179647
Category : History
Languages : en
Pages : 219
Book Description
Marriage, across cultures, is often defined as a union between consenting adults that lasts for the life of the partners. But is marriage a blessing, or curse? Does marriage represent the union of two hearts, or was it a necessary evil? Did matrimony bring a person a helpmeet for life, or was it a societally approved state entered into to improve one's social standing and produce legitimate heirs? The authors of this volume show that the peoples of the ancient Mediterranean were divided on all of these questions, and reveal ancient Greek and Roman opinions on marriage that were as varied and complex as they are today. Readers will discover in this book that ancients juggled multiple ideas that to the modern eye may appear to be contradictory. Thus, for example, Greek and Roman wives were expected to come to their grooms spotless virgins, while Greek and Roman husbands could enjoy multiple partnerships outside the marital union. Guided by our experts, we take an extensive journey through time and space, encountering evidence from such sources as diverse as Hammurabic law codes, Egyptian papyri, Greek epic and tragedy, Roman inscriptions and writings on the lives of early Christians. Applying innovative approaches and diverse methodologies, the authors of this volume reveal the tension and reconciliation between representations of marriage in antiquity and its lived reality. A Cultural History of Marriage in Antiquity presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.
Publisher: Bloomsbury Publishing
ISBN: 1350179647
Category : History
Languages : en
Pages : 219
Book Description
Marriage, across cultures, is often defined as a union between consenting adults that lasts for the life of the partners. But is marriage a blessing, or curse? Does marriage represent the union of two hearts, or was it a necessary evil? Did matrimony bring a person a helpmeet for life, or was it a societally approved state entered into to improve one's social standing and produce legitimate heirs? The authors of this volume show that the peoples of the ancient Mediterranean were divided on all of these questions, and reveal ancient Greek and Roman opinions on marriage that were as varied and complex as they are today. Readers will discover in this book that ancients juggled multiple ideas that to the modern eye may appear to be contradictory. Thus, for example, Greek and Roman wives were expected to come to their grooms spotless virgins, while Greek and Roman husbands could enjoy multiple partnerships outside the marital union. Guided by our experts, we take an extensive journey through time and space, encountering evidence from such sources as diverse as Hammurabic law codes, Egyptian papyri, Greek epic and tragedy, Roman inscriptions and writings on the lives of early Christians. Applying innovative approaches and diverse methodologies, the authors of this volume reveal the tension and reconciliation between representations of marriage in antiquity and its lived reality. A Cultural History of Marriage in Antiquity presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.
Wedding Bouquets and Flowers
Author: Jill Woodall
Publisher: The Crowood Press
ISBN: 1785002716
Category : Crafts & Hobbies
Languages : en
Pages : 495
Book Description
Flowers have been used in wedding ceremonies for centuries; fashions may change but their popularity endures. Today brides can choose from an ever-widening range of styles and designs including spectacular blooms, individual fantasies and simple, natural displays - the creative potential is huge when a love of flowers is combined with the confidence to experiment. This new book gives brides and florists a hands-on guide to floral designs to celebrate the happiest and most special of days. Packed with tips and tricks, it explains how to plan, prepare and transport the flowers, as well as advising on colour scheme and displays. Detailed instructions on techniques and demonstrations are supported by over 400 step-by-step photographs and there is also a complete guide to four seasonal weddings set in a church, a castle, a hotel and a garden.
Publisher: The Crowood Press
ISBN: 1785002716
Category : Crafts & Hobbies
Languages : en
Pages : 495
Book Description
Flowers have been used in wedding ceremonies for centuries; fashions may change but their popularity endures. Today brides can choose from an ever-widening range of styles and designs including spectacular blooms, individual fantasies and simple, natural displays - the creative potential is huge when a love of flowers is combined with the confidence to experiment. This new book gives brides and florists a hands-on guide to floral designs to celebrate the happiest and most special of days. Packed with tips and tricks, it explains how to plan, prepare and transport the flowers, as well as advising on colour scheme and displays. Detailed instructions on techniques and demonstrations are supported by over 400 step-by-step photographs and there is also a complete guide to four seasonal weddings set in a church, a castle, a hotel and a garden.
A Practical Treatise on the Manufacture of Colors for Painting
Author: Jean René Denis Riffault des Hêtres
Publisher:
ISBN:
Category : Paint
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category : Paint
Languages : en
Pages : 668
Book Description
A Practical Treatise on the Manufacture of Colors for Painting
Author: MM. Riffault
Publisher: BoD – Books on Demand
ISBN: 3368822667
Category : Fiction
Languages : en
Pages : 666
Book Description
Reprint of the original, first published in 1874.
Publisher: BoD – Books on Demand
ISBN: 3368822667
Category : Fiction
Languages : en
Pages : 666
Book Description
Reprint of the original, first published in 1874.
When Michelangelo Was Modern
Author:
Publisher: BRILL
ISBN: 9004513930
Category : Art
Languages : en
Pages : 277
Book Description
This book presents case studies of collectors, patrons, and agents whose activities redefined collecting and the art market during a period when the status of the artist, rise of connoisseurship, and patterns of consumption established new models for collecting and display.
Publisher: BRILL
ISBN: 9004513930
Category : Art
Languages : en
Pages : 277
Book Description
This book presents case studies of collectors, patrons, and agents whose activities redefined collecting and the art market during a period when the status of the artist, rise of connoisseurship, and patterns of consumption established new models for collecting and display.
European Fans in the 17th and 18th Centuries
Author: Miriam Volmert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311066173X
Category : Art
Languages : en
Pages : 346
Book Description
In 17th and 18th century Europe, folding fans were important, socially-coded fashion accessories. In the course of the 18th century, painted and printed fan leaves displayed an increasing variety of visual motifs and artistic subject matter, while many of them also addressed contemporary political and social topics. This book studies the visual and material diversity of fans from an interdisciplinary perspective. The individual essays analyze fans in the context of the fine and applied arts, discussing the role of fans in cultures of communication and examining them as souvenir objects and vehicles for political and social messages.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311066173X
Category : Art
Languages : en
Pages : 346
Book Description
In 17th and 18th century Europe, folding fans were important, socially-coded fashion accessories. In the course of the 18th century, painted and printed fan leaves displayed an increasing variety of visual motifs and artistic subject matter, while many of them also addressed contemporary political and social topics. This book studies the visual and material diversity of fans from an interdisciplinary perspective. The individual essays analyze fans in the context of the fine and applied arts, discussing the role of fans in cultures of communication and examining them as souvenir objects and vehicles for political and social messages.