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Author: Murray Krieger
Publisher: Stanford University Press
ISBN: 9780804720984
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
One of the more important and original collections of theoretical essays in the field. . . . The issues it addresses are no less pertinent now than they were in 1987; they seem, indeed, to be of perennial importance. -- Anton Kaes, University of California, Berkeley
Author: Murray Krieger
Publisher: Stanford University Press
ISBN: 9780804720984
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
One of the more important and original collections of theoretical essays in the field. . . . The issues it addresses are no less pertinent now than they were in 1987; they seem, indeed, to be of perennial importance. -- Anton Kaes, University of California, Berkeley
Author: Ben Blumson
Publisher: Open Book Publishers
ISBN: 1783740728
Category : Philosophy
Languages : en
Pages : 225
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Book Description
It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.
Author: Angela Potochnik
Publisher: University of Chicago Press
ISBN: 022675944X
Category : Philosophy
Languages : en
Pages : 263
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Book Description
Introduction : doing science in a complex world. Science by humans ; Science in a complex world ; The payoff : idealizations and many aims -- Complex causality and simplified representation. Causal patterns in the face of complexity ; Causal patterns ; Causal complexity ; Simplification by idealization ; Reasons to idealize ; Idealizations' representational role ; Rampant and unchecked idealization -- The diversity of scientific projects. Broad patterns : modeling cooperation ; A specific phenomenon : variation in human aggression ; Predictions and idealizations in the physical sciences ; Surveying the diversity -- Science isn't after the truth. The aims of science ; Understanding as science's epistemic aim ; Separate pursuit of science's aims ; Understanding, truth, and knowledge ; The nature of scientific understanding ; The role of truth and scientific knowledge -- Causal pattern explanations. Explanation, communication, and understanding ; An account of scientific explanation ; The scope of causal patterns ; The crucial role of the audience ; Adequate explanations -- Levels and fields of science. Levels in philosophy and science ; Going without levels ; Against hierarchy ; Prizing apart forms of stratification ; The fields of science and how they relate -- Scientific pluralism and its limits. The entrenchment of social values ; How science doesn't inform metaphysics ; Scientific progress.
Author: Will Godfrey
Publisher: Cambridge Scholars Publishing
ISBN: 1443815187
Category : Performing Arts
Languages : en
Pages : 152
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Book Description
Crash Cinema: Representation in Film is a collection of essays that emerged from Crash Cinema an annual symposium that is an integral part of the Bradford Film Festival at the National Media Museum (UK). The symposium was created by academics and curators who share the common aim of promoting the importance of film both as an academic study and for critical public appreciation. Films can be enjoyed as entertainment, they can educate and inform and they can excite and disturb. Films are powerful pieces of culture. The films that we now ‘consume’ do more than simply amuse or horrify. Cinema not only thrills us but also communicates to us about ourselves and in the twentieth and twenty-first century moving images have become the dominant form of this communication. Bombarded by images, we inhabit a media intensive world in which every aspect of life is pervaded by visual signs. In these circumstances it becomes increasingly significant to engage with the politics of representation. Through this vital process we can acknowledge that all cultural forms, whether in high art or the mass media, are in the broadest sense political. We can also appreciate that it is a complex agenda of interests that shapes specific ideological meanings. Fulsomely equipped, we can apply this essential tool to the exciting task of decoding the political, social and cultural meanings articulated through the making, promotion and consumption of film. This book aims to offer an arena for the analysis of these representations. Representations cannot depict the ‘truth’ and the essays in this book do not claim to search for the ‘truth’. We ask whose ‘truth’ is being represented, how is it represented and why is it represented like that? We also ask how do representations tell us something about the culture within which they are created. Yet the essays in this volume are not ‘stuck’ in the representational concerns of the past and try instead to uncover the power of cinema to shock and surprise whether that be through visceral impact, subversive content, experiments with identity or the exploration of the taboo. Representation, as defined by the eleven essays in this book, is a fluid and dynamic approach to the study of film. The study of film, to which this book contributes some unique case studies, is as popular as ever and has withstood growing challenge from the new media such as CG Animations, the internet and computer, console and online gaming. This is because the pleasure of film is still the most humanistic and because the sophistication of the representations offered by cinematic expression remain ever more complex and pleasurable to decipher. This book can therefore be read by any student, academic, writer or filmmaker hooked on these delights.
Author: F. R. Ankersmit
Publisher: Stanford University Press
ISBN: 9780804739801
Category : History
Languages : en
Pages : 340
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Book Description
Focusing on the notion of representation and on the necessity of distinguishing between representation and description, this book argues that the traditional semantic apparatus of meaning, truth, and reference that we use for description must be redefined if we are to understand properly the nature of historical writing.
Author: J. Robert G. Williams
Publisher: Oxford University Press
ISBN: 0192590596
Category : Philosophy
Languages : en
Pages : 240
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Book Description
Representation is puzzling. Physical events in our heads andsounds inour mouths come to be 'about' the worldaround us, equipping us to think and talk about anything fromthe mostfundamentalregularities in the universe to trivial matters of gossip.InThe Metaphysics of Representation, Robert Williams tells a story about how representational properties arise out of a fundamentally non-representational world. The representational properties of language are reduced, via convention, to the representational properties of thoughts. The representational properties of thoughts are reduced, via principles of rationalization, to the representational properties of perception and intention. This most fundamental layer of representation is grounded in the functions these structures have to cause and be caused by events in the world. Williams integrates work from rival traditions to present a combined perspective in the metaphysics of representation, gives new predictions and explanations of representational phenomena, and offers new solutions to long-standing problems.
Author: Murray Krieger
Publisher: New York : Columbia University Press
ISBN: 9780231065849
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Author: William M. Ramsey
Publisher: Cambridge University Press
ISBN: 9780521859875
Category : Philosophy
Languages : en
Pages : 284
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Book Description
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Author: F. R. Ankersmit
Publisher: Stanford University Press
ISBN: 9780804739825
Category : Political Science
Languages : en
Pages : 284
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Book Description
Contemporary political philosophy disregards history as irrelevant to the nature of politics and to what constitutes a political problem. The author argues that this view reduces politics and political philosophy to a vapid academic game that is insensitive to both the essence and practice of politics. He proposes that an indissoluble link between history and politics lies in the notion of representation.
Author: Harry Redner
Publisher: Routledge
ISBN: 0429720491
Category : Political Science
Languages : en
Pages : 388
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Book Description
This book deals with representation in science, politics and art both in its historical dimensions and in its contemporary expression. It aims to reveal the current trends of culture and guide these towards the goal of a future culture for the coming global technological civilization.
