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Author: Marnin Young
Publisher: Yale University Press
ISBN: 0300208324
Category : Art
Languages : en
Pages : 273
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Book Description
The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Franocois Raffaeelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
Author: Marnin Young
Publisher: Yale University Press
ISBN: 0300208324
Category : Art
Languages : en
Pages : 273
Get Book Here
Book Description
The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Franocois Raffaeelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
Author: Laura Anne Kalba
Publisher: Penn State Press
ISBN: 0271079789
Category : Art
Languages : en
Pages : 713
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Book Description
This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Author: Denis Thomas
Publisher: Longmeadow Press
ISBN: 9780681416772
Category : Architecture
Languages : en
Pages : 264
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Book Description
Author: Anthea Callen
Publisher:
ISBN: 9781877082481
Category : Art
Languages : en
Pages : 192
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Book Description
Including over 200 specially commissioned photographs, this guide to Impressionist art reveals the techniques used by some of the greatest artists in order to create their works.
Author: Judith A. Barter
Publisher:
ISBN: 9780300175745
Category : Art
Languages : en
Pages : 0
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Book Description
The Art Institute of Chicago, although renowned for its holdings of works by the French Impressionists, also houses a wealth of superb examples by American proponents of this distinctive style. The breadth of the museum's collection of American Impressionism is rich, with a substantial body of paintings and watercolors by Winslow Homer, who is seen today as a precursor to Impressionism, as well as impressive portfolios of work by Americans living in Europe, such as James McNeill Whistler and John Singer Sargent, and the only American who was officially part of the French group, Mary Cassatt. In addition, important paintings and watercolors by notable artists such as Cecilia Beaux, William Merritt Chase, Childe Hassam, George Inness, Mauric Prendergast, and John Twachtman are included, along with handsomely reproduced images by lesser-known artists who worked in the Impressionist vein. Distributed for the Art Institute of Chicago
Author: Julie Manet
Publisher: Bloomsbury Publishing
ISBN: 1786721929
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
Julie Manet, the niece of Edouard Manet and the daughter of the most famous female Impressionist artist, Berthe Morisot, was born in Paris on 14 November 1878 into a wealthy and cultured milieu at the height of the Impressionist era. Many young girls still confide their inner thoughts to diaries and it is hardly surprising that, with her mother giving all her encouragement, Julie would prove to be no exception to the rule. At the age of ten, Julie began writing her `memoirs' but it wasn't until August 1893, at fourteen, that Julie began her diary in earnest: no neat leather-bound volume with lock and key but just untidy notes scribbled in old exercise books, often in pencil, the presentation as spontaneous as its contents. Her extraordinary diary - newly translated here by an expert on Impressionism - reveals a vivid depiction of a vital period in France's cultural history seen through the youthful and precocious eyes of the youngest member of what was surely the most prominent artistic family of the time.
Author: Sue Roe
Publisher: Harper Collins
ISBN: 0061978965
Category : Art
Languages : en
Pages : 370
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Book Description
New York Times Bestseller “Anyone who has ever lost themselves in Monet’s color-saturated gardens or swooned over Degas’s dancers will enjoy this revealing group portrait of the artists who founded the Impressionist movement. . . . For the armchair dilettante, as well as the art-history student, this is lively, required reading.” — People The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Berthe Morisot, and Mary Cassatt. Though they were often ridiculed or ignored by their contemporaries, today astonishing sums are paid for their paintings. Their dazzling works are familiar to even the most casual art lovers—but how well does the world know the Impressionists as people? Sue Roe's colorful, lively, poignant, and superbly researched biography, The Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and unforgettable, it casts a brilliant, revealing light on this unparalleled society of genius colleagues who lived and worked together for twenty years and transformed the art world forever with their breathtaking depictions of ordinary life.
Author: Susie Hodge
Publisher: Harper Collins
ISBN: 0060747919
Category : Art
Languages : en
Pages : 148
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Book Description
Impressionism has captured the imagination of people the world over since its first exhibition in Paris in 1874. People have long sought to understand how and why the Impressionists created their paintings and how their techniques might be replicated. Susie Hodge reveals the answers to these questions by assessing the techniques and styles of the great masters of Impressionism and showing how artists today can use their methods. An informative introduction explains how the Impressionist movement came about, explores its historical context, and defines the style and inspiration of the artists involved. The heart of the book, however, focuses on eight major Impressionist painters -- Monet, Pissarro, Renoir, Cassatt, Degas, Cezanne, Seurat and Van Gogh -- revealing how they worked and analyzing their well-known paintings. Each case includes step-by-step demonstrations that show the reader exactly how to re-create Impressionist painting details in appropriate style.
Author: Norma Broude
Publisher: Abradale Press
ISBN:
Category : Art
Languages : en
Pages : 424
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Book Description
As this major contribution to art history shows, Impressionism was far more than a French movement that spread to other countries; rather, it was an approach to art adopted by artists of all nationalities who responded to light and atmospheric conditions, to landscape and cityscape, with an explosion of enthusiasm that was felt around the globe.
Author: Russell Ash
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages :
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Book Description
