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Author: Gulnaz Sharafutdinova
Publisher: Bloomsbury Publishing
ISBN: 1350167746
Category : History
Languages : en
Pages : 137
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Book Description
Almost three decades after the collapse of the Soviet Union, today more often than ever, global media and intellectuals rely on the concept of homo sovieticus to explain Russia's authoritarian ills. Homo sovieticus - or the Soviet man - is understood to be a double-thinking, suspicious and fearful conformist with no morality, an innate obedience to authority and no public demands; they have been forged in the fires of the totalitarian conditions in which they find themselves. But where did this concept come from? What analytical and ideological pillars does it stand on? What is at stake in using this term today? The Afterlife of the 'Soviet Man' addresses all these questions and even explains why – at least in its contemporary usage – this concept should be abandoned altogether.
Author: Gulnaz Sharafutdinova
Publisher: Bloomsbury Publishing
ISBN: 1350167746
Category : History
Languages : en
Pages : 137
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Book Description
Almost three decades after the collapse of the Soviet Union, today more often than ever, global media and intellectuals rely on the concept of homo sovieticus to explain Russia's authoritarian ills. Homo sovieticus - or the Soviet man - is understood to be a double-thinking, suspicious and fearful conformist with no morality, an innate obedience to authority and no public demands; they have been forged in the fires of the totalitarian conditions in which they find themselves. But where did this concept come from? What analytical and ideological pillars does it stand on? What is at stake in using this term today? The Afterlife of the 'Soviet Man' addresses all these questions and even explains why – at least in its contemporary usage – this concept should be abandoned altogether.
Author: Francisco Martinez
Publisher: UCL Press
ISBN: 1787353532
Category : Social Science
Languages : en
Pages : 285
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Book Description
What happens to legacies that do not find any continuation? In Estonia, a new generation that does not remember the socialist era and is open to global influences has grown up. As a result, the impact of the Soviet memory in people’s conventional values is losing its effective power, opening new opportunities for repair and revaluation of the past. Francisco Martinez brings together a number of sites of interest to explore the vanquishing of the Soviet legacy in Estonia: the railway bazaar in Tallinn where concepts such as ‘market’ and ‘employment’ take on distinctly different meanings from their Western use; Linnahall, a grandiose venue, whose Soviet heritage now poses diffi cult questions of how to present the building’s history; Tallinn’s cityscape, where the social, spatial and temporal co-evolution of the city can be viewed and debated; Narva, a city that marks the border between the Russian Federation, NATO and the European Union, and represents a place of continual negotiation of belonging; and the new Estonian National Museum in Raadi, an area on the outskirts of Tartu, that has been turned into a memory field. The anthropological study of all these places shows that national identity and historical representations can be constructed in relation to waste and disrepair too, also demonstrating how we can understand generational change in a material sense. Praise for Remains of the Soviet Past in Estonia 'By adopting the tropes of ‘repair’ and ‘waste’, this book innovatively manages to link various material registers from architecture, intergenerational relations, affect and museums with ways of making the past present. Through a rigorous yet transdisciplinary method, Martínez brings together different scales and contexts that would often be segregated out. In this respect, the ethnography unfolds a deep and nuanced analysis, providing a useful comparative and insightful account of the processes of repair and waste making in all their material, social and ontological dimensions.' Victor Buchli, Professor of Material Culture at UCL 'This book comprises an endearingly transdisciplinary ethnography of postsocialist material culture and social change in Estonia. Martínez creatively draws on a number of critical and cultural theorists, together with additional research on memory and political studies scholarship and the classics of anthropology. Grappling concurrently with time and space, the book offers a delightfully thick description of the material effects generated by the accelerated post-Soviet transformation in Estonia, inquiring into the generational specificities in experiencing and relating to the postsocialist condition through the conceptual anchors of wasted legacies and repair. This book defies disciplinary boundaries and shows how an attention to material relations and affective infrastructures might reinvigorate political theory.' Maria Mälksoo, Senior Lecturer, Brussels School of International Studies at the University of Kent
Author: Eleonory Gilburd
Publisher: Belknap Press
ISBN: 0674980719
Category : History
Languages : en
Pages : 481
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Book Description
A Foreign Affairs Best Book of the Year Winner of the AATSEEL Prize for Best Book in Cultural Studies Winner of the Laura Shannon Prize in Contemporary European Studies Winner of the Marshall D. Shulman Book Prize Winner of the Wayne S. Vucinich Book Prize The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. At the heart of this history is a process of translation, in which Western figures took on Soviet roles: Pablo Picasso as a political rabble-rouser; Rockwell Kent as a quintessential American painter; Erich Maria Remarque and Ernest Hemingway as teachers of love and courage under fire; J. D. Salinger and Giuseppe De Santis as saviors from Soviet clichés. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. The main protagonists of To See Paris and Die are small-town teachers daydreaming of faraway places, college students vicariously discovering a wider world, and factory engineers striving for self-improvement. They invested Western imports with political and personal significance, transforming foreign texts into intimate belongings. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd’s history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.
Author: Jeffrey S. Hardy
Publisher: Bloomsbury Publishing
ISBN: 1350128201
Category : History
Languages : en
Pages : 145
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Book Description
A vivid account of the Gulag, the Soviet Union's infamous penal system, this book charts how Bolshevik visions of a humane alternative to Tsarist exile and Western penitentiaries became a chaotic and violent system of mass incarceration that bore a tragic human toll. As the first concise history in the English language, The Soviet Gulag: History and Memory provides an illuminating account of the Gulag from 1917, through to the end of the Soviet Union and the contested memory of the Gulag that persists today. Beginning with their conception, during the various penal experiments of the 1920s, their expansion, during the campaigns against perceived enemies of the Soviet regime in the 1930s, and their decline in the years proceeding Stalin's death, Jeffrey S. Hardy explores how many facets of Gulag life endured right up until the collapse of the Soviet Union in 1991. He addresses both the intentions of administrators and the experience of inmates, as well as covering the main scholarly debates surrounding these issues, Crucially, the book also examines the post-Soviet era. You discover how politicians, nongovernmental organizations, and Gulag survivors have debated how or even if to commemorate the victims of the Gulag. Hardy reveals that despite numerous monuments and museum displays emerging out of these discussions, the Gulag's legacy remains hotly contested in Russia today
Author: Otto Boele
Publisher: Springer Nature
ISBN: 3031698169
Category :
Languages : en
Pages : 236
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Book Description
Author: Brigid O'Keeffe
Publisher: Bloomsbury Publishing
ISBN: 1350136794
Category : History
Languages : en
Pages : 153
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Book Description
This book is the first to offer a concise, accessible overview of the evolution of the Soviet Union as a multiethnic empire. It reflects on how the Soviet Union was home to many ethnic minorities, and how their fates, and that of the USSR itself, were bound to the question of how the Soviet state responded variously throughout its existence to the fundamental question of ethnic difference across its vast and diverse territory. The book then examines how the Soviet collapse in 1991 fractured the Union along markedly national lines, leading to a variety of new nation-states – including the Russian Federation – being born. Brigid O'Keeffe explains how and why the Bolsheviks inscribed ethnic difference into the bedrock of the Soviet Union and explores how minority peoples experienced the potential advantages and disadvantages of ethnic politics within the Soviet Union. Ukrainians and Georgians, Jews and Roma, Chechens and Poles, Kazakhs and Uzbeks – these and many other minority groups all distinctively shaped and were shaped by the Soviet and post-Soviet politics of ethnic difference. The Multiethnic Soviet Union and its Demise gives you the historical context necessary to understand contemporary Russia's relationships and conflicts with its 'post-Soviet' neighbors and the wider world beyond.
Author: David Remnick
Publisher: Vintage
ISBN: 0804173583
Category : History
Languages : en
Pages : 626
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Book Description
Winner of the Pulitzer Prize One of the Best Books of the Year: The New York Times From the editor of The New Yorker: a riveting account of the collapse of the Soviet Union, which has become the standard book on the subject. Lenin’s Tomb combines the global vision of the best historical scholarship with the immediacy of eyewitness journalism. Remnick takes us through the tumultuous 75-year period of Communist rule leading up to the collapse and gives us the voices of those who lived through it, from democratic activists to Party members, from anti-Semites to Holocaust survivors, from Gorbachev to Yeltsin to Sakharov. An extraordinary history of an empire undone, Lenin’s Tomb stands as essential reading for our times.
Author: Gennady Estraikh
Publisher: Bloomsbury Publishing
ISBN: 1350296260
Category : History
Languages : en
Pages : 153
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Book Description
Gennady Estraikh's book explores the birth, growth, demise and afterlife of the Birobidzhan Jewish Autonomous Region (JAR). The History of Birobidzhan looks at how the shtetl was widely used in Soviet propaganda as a perfect solution to the 'Jewish question', arguing that in reality, while being demographically and culturally insignificant, the JAR played a key, and essentially detrimental, role in determining Jewish rights and entitlements in the Soviet world. Estraikh brings together a broad range of Russian and Yiddish sources, including archival materials, newspaper articles, travelogues, memoirs, belles-letters, and scholarly publications, as he describes and analyses the project and its realization not in isolation, but rather in the context of developments in both domestic and international life. As well as offering an assessment of the Birobidzhan project in the contexts of Soviet and Jewish history, the book also focuses on the contemporary 'Jewish' role of the region which now has only a few thousand Jewish occupants amongst its residents.
Author: Grzegorz Rossolinski
Publisher: Columbia University Press
ISBN: 3838266846
Category : History
Languages : en
Pages : 655
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Book Description
Author: Lucy Weir
Publisher: Taylor & Francis
ISBN: 1040118666
Category : Art
Languages : en
Pages : 279
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Book Description
This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present. Inspired by the gendered nature of discussion around self-harm, the book challenges established readings of risk-taking and self-injury in global performance practice. The interdisciplinary methodology draws from art history and sociology to provide a new critical analysis of the relationship between masculinity and self-inflicted injury. Based upon interviews with a range of artists around the world, it offers an innovative understanding of the diverse meanings behind self-injury in performance, and delves into the gendered coding of self-harming bodies. Individual chapters examine the work of Ron Athey, Günter Brus, Wafaa Bilal, Franko B, André Stitt, Pyotr Pavlensky, and Yang Zhichao, offering a new perspective on the forms and functions of self-injury in performance art. The book will be of interest to scholars working in art history, performance studies, gender studies, and cultural studies.
