The Afro-Jamaican Jonkonnu Festival PDF Download
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Author: Judith Bettelheim
Publisher:
ISBN:
Category : Christmas
Languages : en
Pages : 1172
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Book Description
Author: Judith Bettelheim
Publisher:
ISBN:
Category : Christmas
Languages : en
Pages : 1172
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Book Description
Author: Steeve O. Buckridge
Publisher:
ISBN: 9789766401436
Category : Clothing and dress
Languages : en
Pages : 292
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Book Description
"His work contributes to the ongoing interest in the history of women and in the history of resistance."--Jacket.
Author: Kathleen E. A. Monteith
Publisher:
ISBN: 9789766401085
Category : History
Languages : en
Pages : 420
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Book Description
"Jamaica's rich history has been the subject of many books, articles and papers. This collection of eighteen original essays considers aspects of Jamaican history not covered in more general histories of the island, and illluminates more recent developments in Jamaican and West Indian history." "Unique in its interdisciplinary approach, the collection emphasizes the relevance of history to everyday life and the development of a national identity, culture and economy. The essays are organized in three sections: Historiography and Sources; Society, Culture and Heritage; and Economy, Labour and Politics, with contributions from scholars in the Departments of History, Literatures in English and Political Sciences and from the Main Library, University of the West Indies, Mona, Jamaica." -- Book Jacket.
Author: Courtnay Micots
Publisher: Rowman & Littlefield
ISBN: 1793643105
Category : Social Science
Languages : en
Pages : 313
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Book Description
Kakaamotobe, meaning to scare, is known across southern Ghana, West Africa, as Fancy Dress performance. Masqueraders dress in colorful costumes and wear fancy and fierce masks; they dance energetically to drums or brass band music through the main streets of town during holidays, especially during Christmastime. Competitions held in two towns are intense annual events. This lively secular masquerade is a carnival form that has been practiced for well over a century primarily by coastal Fante people, and many additional ethnicities participate today. Kakaamotobe: Fancy Dress Carnival in Ghana explores the fascinating history, aesthetics, performance, and underlying messages of this masquerade with ties to other carnivalesque practices in the Black Atlantic. While Fancy Dress may engage with global cultures through some of its aesthetics, the practice is profoundly African. The utilization of elaborate costumes, masks, and brass bands expresses not a desire to imitate outside cultures, but rather the impulse of youth to adapt traditional culture to the contemporary environment. Courtnay Micots argues that the outward impression of folly belies the more serious refashioning of power, identity, and modernity in the community.
Author: Jeffrey R. Kerr-Ritchie
Publisher: LSU Press
ISBN: 0807135704
Category : History
Languages : en
Pages : 295
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Book Description
In Rites of August First, J.R. Kerr-Ritchie provides the first detailed analysis of the origins, nature, and consequences of August First Daythe most important annual celebration of the emancipation of colonial slavery throughout the British Empire. Spanning the Western hemisphere, Kerr-Ritchie successfully unravels the cultural politics of emancipation celebrations, analyzing the social practices informed by public ritual, symbol, and spectacle designed to elicit feelings of common identity among blacks in the Atlantic world.
Author: Jerrilyn McGregory
Publisher: Univ. Press of Mississippi
ISBN: 1496834801
Category : Social Science
Languages : en
Pages : 278
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Book Description
For many, December 26 is more than the day after Christmas. Boxing Day is one of the world’s most celebrated cultural holidays. As a legacy of British colonialism, Boxing Day is observed throughout Africa and parts of the African diaspora, but, unlike Trinidadian Carnival and Mardi Gras, fewer know of Bermuda’s Gombey dancers, Bahamian Junkanoo, Dangriga’s Jankunú and Charikanari, St. Croix’s Crucian Christmas Festival, and St. Kitts’s Sugar Mas. One Grand Noise: Boxing Day in the Anglicized Caribbean World delivers a highly detailed, thought-provoking examination of the use of spectacular vernacular to metaphorically dramatize such tropes as “one grand noise,” “foreday morning,” and from “back o’ town.” In cultural solidarity and an obvious critique of Western values and norms, revelers engage in celebratory sounds, often donning masks, cross-dressing, and dancing with abandon along thoroughfares usually deemed anathema to them. Folklorist Jerrilyn McGregory demonstrates how the cultural producers in various island locations ritualize Boxing Day as a part of their struggles over identity, class, and gender relations in accordance with time and space. Based on ethnographic study undertaken by McGregory, One Grand Noise explores Boxing Day as part of a creolization process from slavery into the twenty-first century. McGregory traces the holiday from its Egyptian origins to today and includes chapters on the Gombey dancers of Bermuda, the evolution of Junkanoo/Jankunú in The Bahamas and Belize, and J'ouvert traditions in St. Croix and St. Kitts. Through her exploration of the holiday, McGregory negotiates the ways in which Boxing Day has expanded from small communal traditions into a common history of colonialism that keeps alive a collective spirit of resistance.
Author:
Publisher: Univ. Press of Mississippi
ISBN: 9781617035128
Category : Caribbean Area
Languages : en
Pages : 232
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Book Description
The first comprehensive study of the close ties between the American South and the Caribbean With essays and commentaries by Roger D. Abrahams, Kenneth Bilby, David Eltis, Stanley L. Engerman, Aline Helg, Milton Jamail, Charles Joyner, Daniel C. Littlefield, Bonham C. Richardson, and Ralph Lee Woodward, Jr. Download Plain Text version With the trade of sugar, rum, and African slaves in the islands that form a perimeter around the Gulf of Mexico, the broad expanse of water known as the Caribbean ringed what came to be known as the South. Today concise political boundaries separate the coasts of the American South from the multicultural worlds that dominate the islands. Yet all anecdotal evidence suggests far greater ties. One listens to the reggae in the streets of New Orleans or to the rumba in Atlanta. One notes the moans of the blues in the cafes of Veracruz and watches Major League games in which young Dominican athletes hurling lightning-fast balls become national heroes on their island homeland beset by political and economic woes. Do these human links suggest a greater regionalism than was previously acknowledged? This exciting study of two discrete yet kindred areas gives an affirmative answer. It comes to terms with what many have considered distinct yet fluctuating boundaries that separate and bond southern peoples. These papers from the Chancellor's Symposium at the University of Mississippi in 1998 focus on and examine the strong connections. Geographer Bonham C. Richardson analyzes the territory as a cultural region "with Little Rock at the northwest corner and French Guiana at the southeast that also includes the eastern rim of Central America as well as the Bahamas." Other contributors explore the creative cultures that emerged when a brutal European economy enslaved Africans for labor. The essays also examine the economic connections that have created such dissimilar and lasting legacies as the plantation system and the love of baseball. The South and the Caribbean flow into each other culturally, economically, and socially. These papers and their commentaries suggest that future study of these regions must deal with them together in order to understand each. The merging of the two through music, dance, language, sports, and political aspiration -- all discussed in this book -- serves to give birth to a New South and a New Caribbean. At the University of Mississippi, Douglass Sullivan-González is an associate professor of history and Charles Reagan Wilson is the director of the Center for the Study of Southern Culture.
Author: Timothy Rommen
Publisher: Univ of California Press
ISBN: 0520265688
Category : History
Languages : en
Pages : 332
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Book Description
“Timothy Rommen has done it again. After the success of his earlier award-winning study of gospel music in Trinidad and the ethics of style, Rommen turns his attention to the complex and conflicted history of music in the Bahamas. Drawing upon extensive ethnographic and historical research, Rommen explores the interrelationships between rake-n-scrape, goombay, and Junkanoo performance, and shows how such ‘local’ musics are implicated in Bahamian understandings of national identity. In Funky Nassau, Timothy Rommen confirms his status as one of the best scholars of Caribbean music today.” —Michael Largey, author of Vodou Nation: Haitian Art Music and Cultural Nationalism "This sensitive, bittersweet account of music-making in the Bahamas shows how a small, fragmented country that has been buffeted by powerful currents emanating from both the United States and the Caribbean has managed to produce a vibrant popular music of its own. Rommen carefully maps the political and cultural economies that are integral to this story, but he keeps the musicians themselves, their aesthetics and strategies, at the center where they belong. The result is a vivid and finely nuanced portrait of a unique musical culture that deserves to be better known." —Kenneth Bilby, Center for Black Music Research, Columbia College Chicago
Author: Marvin Edward McAllister
Publisher: Univ of North Carolina Press
ISBN: 9780807854501
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
McAllister offers a history of black theater pioneer William Brown's career and places his productions within the broader context of U.S. social, political, and cultural history.
Author: Paul Youngquist
Publisher: Routledge
ISBN: 1317072189
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
In highlighting the crucial contributions of diasporic people to British cultural production, this important collection defamiliarizes prevailing descriptions of Romanticism as the expression of a national character or culture. The contributors approach the period from the perspective of the Atlantic maritime economy, making a strong case for viewing British Romanticism as the effect of myriad economic and cultural exchanges occurring throughout a circum-Atlantic world driven by an insatiable hunger for sugar and slaves. Typically taken for granted, the material contributions of slaves, sailors, and servants shaped Romanticism both in spite of and because of the severe conditions they experienced throughout the Atlantic world. The essays range from Sierra Leone to Jamaica to Nova Scotia to the metropole, examining not only the desperate circumstances of diasporic peoples but also the extraordinary force of their creativity and resistance. Of particular importance is the emergence of race as a category of identity, class, and containment. Race, Romanticism, and the Atlantic explores that process both economically and theoretically, showing how race ensures the persistence of servitude after abolition. At the same time, the collection never loses sight of the extraordinary contributions diasporic peoples made to British culture during the Romantic era.
