Author: Bernard W. Bell
Publisher: Amherst : University of Massachusetts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
This study is an addition to the growing body of scholarly analysis examining the Afro-American contribution. It is based on the premise that in the last 25 years the traditional canon of American literature excluded important minority authors. Proceeding chronologically from William Wells Brown's Clotel (1853), to experimental novels of the 1980s, Bell comments on more than 150 works, with close readings of 41 novelists. His remarks are framed by an inquiry into the distinctive elements of Afro-American fiction. ISBN 0-87023-568-0 : $25.00.
The Afro-American Novel and Its Tradition
Author: Bernard W. Bell
Publisher: Amherst : University of Massachusetts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
This study is an addition to the growing body of scholarly analysis examining the Afro-American contribution. It is based on the premise that in the last 25 years the traditional canon of American literature excluded important minority authors. Proceeding chronologically from William Wells Brown's Clotel (1853), to experimental novels of the 1980s, Bell comments on more than 150 works, with close readings of 41 novelists. His remarks are framed by an inquiry into the distinctive elements of Afro-American fiction. ISBN 0-87023-568-0 : $25.00.
Publisher: Amherst : University of Massachusetts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
This study is an addition to the growing body of scholarly analysis examining the Afro-American contribution. It is based on the premise that in the last 25 years the traditional canon of American literature excluded important minority authors. Proceeding chronologically from William Wells Brown's Clotel (1853), to experimental novels of the 1980s, Bell comments on more than 150 works, with close readings of 41 novelists. His remarks are framed by an inquiry into the distinctive elements of Afro-American fiction. ISBN 0-87023-568-0 : $25.00.
The Origins of African American Literature, 1680-1865
Author: Dickson D. Bruce
Publisher: University of Virginia Press
ISBN: 9780813920672
Category : History
Languages : en
Pages : 396
Book Description
From the earliest texts of the colonial period to works contemporary with Emancipation, African American literature has been a dialogue across color lines, and a medium through which black writers have been able to exert considerable authority on both sides of that racial demarcation. Dickson D. Bruce argues that contrary to prevailing perceptions of African American voices as silenced and excluded from American history, those voices were loud and clear. Within the context of the wider culture, these writers offered powerful, widely read, and widely appreciated commentaries on American ideals and ambitions. The Origins of African American Literature provides strong evidence to demonstrate just how much writers engaged in a surprising number of dialogues with society as a whole. Along with an extensive discussion of major authors and texts, including Phillis Wheatley's poetry, Frederick Douglass's Narrative, Harriet Jacobs' Incidents in the Life of a Slave Girl, and Martin Delany's Blake, Bruce explores less-prominent works and writers as well, thereby grounding African American writing in its changing historical settings. The Origins of African American Literature is an invaluable revelation of the emergence and sources of the specifically African American literary tradition and the forces that helped shape it.
Publisher: University of Virginia Press
ISBN: 9780813920672
Category : History
Languages : en
Pages : 396
Book Description
From the earliest texts of the colonial period to works contemporary with Emancipation, African American literature has been a dialogue across color lines, and a medium through which black writers have been able to exert considerable authority on both sides of that racial demarcation. Dickson D. Bruce argues that contrary to prevailing perceptions of African American voices as silenced and excluded from American history, those voices were loud and clear. Within the context of the wider culture, these writers offered powerful, widely read, and widely appreciated commentaries on American ideals and ambitions. The Origins of African American Literature provides strong evidence to demonstrate just how much writers engaged in a surprising number of dialogues with society as a whole. Along with an extensive discussion of major authors and texts, including Phillis Wheatley's poetry, Frederick Douglass's Narrative, Harriet Jacobs' Incidents in the Life of a Slave Girl, and Martin Delany's Blake, Bruce explores less-prominent works and writers as well, thereby grounding African American writing in its changing historical settings. The Origins of African American Literature is an invaluable revelation of the emergence and sources of the specifically African American literary tradition and the forces that helped shape it.
Passing and the Rise of the African American Novel
Author: Maria Giulia Fabi
Publisher: University of Illinois Press
ISBN: 9780252026676
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
Passing and the Rise of the African American Novel restores to its rightful place a body of American literature that has long been overlooked, dismissed, or misjudged. This insightful reconsideration of nineteenth-century African-American fiction uncovers the literary artistry and ideological complexity of a body of work that laid the foundation for the Harlem Renaissance and changed the course of American letters. Focusing on the trope of passing -- black characters lightskinned enough to pass for white -- M. Giulia Fabi shows how early African-American authors such as William Wells Brown, Frank J. Webb, Charles W. Chesnutt, Sutton E. Griggs, James Weldon Johnson, Frances E. W. Harper, and Edward A. Johnson transformed traditional representations of blackness and moved beyond the tragic mulatto motif. Celebrating a distinctive, African-American history, culture, and worldview, these authors used passing to challenge the myths of racial purity and the color line. Fabi examines how early black writers adapted existing literary forms, including the sentimental romance, the domestic novel, and the utopian novel, to express their convictions and concerns about slavery, segregation, and racism. She also gives a historical overview of the canon-making enterprises of African-American critics from the 1850s to the 1990s and considers how their concerns about crafting a particular image for African-American literature affected their perceptions of nineteenth-century black fiction.
Publisher: University of Illinois Press
ISBN: 9780252026676
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
Passing and the Rise of the African American Novel restores to its rightful place a body of American literature that has long been overlooked, dismissed, or misjudged. This insightful reconsideration of nineteenth-century African-American fiction uncovers the literary artistry and ideological complexity of a body of work that laid the foundation for the Harlem Renaissance and changed the course of American letters. Focusing on the trope of passing -- black characters lightskinned enough to pass for white -- M. Giulia Fabi shows how early African-American authors such as William Wells Brown, Frank J. Webb, Charles W. Chesnutt, Sutton E. Griggs, James Weldon Johnson, Frances E. W. Harper, and Edward A. Johnson transformed traditional representations of blackness and moved beyond the tragic mulatto motif. Celebrating a distinctive, African-American history, culture, and worldview, these authors used passing to challenge the myths of racial purity and the color line. Fabi examines how early black writers adapted existing literary forms, including the sentimental romance, the domestic novel, and the utopian novel, to express their convictions and concerns about slavery, segregation, and racism. She also gives a historical overview of the canon-making enterprises of African-American critics from the 1850s to the 1990s and considers how their concerns about crafting a particular image for African-American literature affected their perceptions of nineteenth-century black fiction.
The Afro-American Novel and Its Tradition
Author: Bernard W. Bell
Publisher: Univ of Massachusetts Press
ISBN:
Category : History
Languages : en
Pages : 452
Book Description
This study is an addition to the growing body of scholarly analysis examining the Afro-American contribution. It is based on the premise that in the last 25 years the traditional canon of American literature excluded important minority authors. Proceeding chronologically from William Wells Brown's Clotel (1853), to experimental novels of the 1980s, Bell comments on more than 150 works, with close readings of 41 novelists. His remarks are framed by an inquiry into the distinctive elements of Afro-American fiction. ISBN 0-87023-568-0 : $25.00.
Publisher: Univ of Massachusetts Press
ISBN:
Category : History
Languages : en
Pages : 452
Book Description
This study is an addition to the growing body of scholarly analysis examining the Afro-American contribution. It is based on the premise that in the last 25 years the traditional canon of American literature excluded important minority authors. Proceeding chronologically from William Wells Brown's Clotel (1853), to experimental novels of the 1980s, Bell comments on more than 150 works, with close readings of 41 novelists. His remarks are framed by an inquiry into the distinctive elements of Afro-American fiction. ISBN 0-87023-568-0 : $25.00.
Engaging Tradition, Making It New
Author: Stephanie Brown
Publisher: Cambridge Scholars Publishing
ISBN: 1527563723
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
Engaging Tradition, Making It New offers a rich collection of fresh scholarly and pedagogical approaches to new African American literature. Organized around the theme of transgression, the collection focuses on those writers who challenge the reading habits and expectations of students and instructors, whether by engaging themes and literary forms not usually associated with African American literature or by departing from traditional modes of approaching historical, social, or legal struggles. Each chapter offers a specific reading of a particular novel, memoir, or poetry collection, sometimes in concert with a second, related text, and suggests both a useful critical context and one or more pedagogical approaches. Engaging Tradition, Making It New points the way toward exciting new methods of teaching and researching authors in this dynamic field.
Publisher: Cambridge Scholars Publishing
ISBN: 1527563723
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
Engaging Tradition, Making It New offers a rich collection of fresh scholarly and pedagogical approaches to new African American literature. Organized around the theme of transgression, the collection focuses on those writers who challenge the reading habits and expectations of students and instructors, whether by engaging themes and literary forms not usually associated with African American literature or by departing from traditional modes of approaching historical, social, or legal struggles. Each chapter offers a specific reading of a particular novel, memoir, or poetry collection, sometimes in concert with a second, related text, and suggests both a useful critical context and one or more pedagogical approaches. Engaging Tradition, Making It New points the way toward exciting new methods of teaching and researching authors in this dynamic field.
A History of the African American Novel
Author: Valerie Babb
Publisher: Cambridge University Press
ISBN: 1107061725
Category : History
Languages : en
Pages : 499
Book Description
This History is intended for a broad audience seeking knowledge of how novels interact with and influence their cultural landscape. Its interdisciplinary approach will appeal to those interested in novels and film, graphic novels, novels and popular culture, transatlantic blackness, and the interfacing of race, class, gender, and aesthetics.
Publisher: Cambridge University Press
ISBN: 1107061725
Category : History
Languages : en
Pages : 499
Book Description
This History is intended for a broad audience seeking knowledge of how novels interact with and influence their cultural landscape. Its interdisciplinary approach will appeal to those interested in novels and film, graphic novels, novels and popular culture, transatlantic blackness, and the interfacing of race, class, gender, and aesthetics.
Teaching African American Literature
Author: Marianna W. Davis
Publisher: Psychology Press
ISBN: 9780415916967
Category : African Americans
Languages : en
Pages : 268
Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780415916967
Category : African Americans
Languages : en
Pages : 268
Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Tradition and the Black Atlantic
Author: Henry Louis Gates Jr
Publisher: Civitas Books
ISBN: 0465022634
Category : Social Science
Languages : en
Pages : 223
Book Description
Henry Louis Gates, Jr.'s Tradition and the Black Atlantic is both a vibrant romp down the rabbit hole of cultural studies and an examination of the discipline's roots and role in contemporary thought. In this conversational tour through the halls of theory, Gates leaps from Richard Wright to Spike Lee, from Pat Buchanan to Frantz Fanon, and ultimately to the source of anticolonialist thought: the unlikely figure of Edmund Burke. Throughout Tradition and the Black Atlantic, Gates shows that the culture wars have presented us with a surfeit of either/ors -- tradition versus modernity; Eurocentrism versus Afrocentricism. Pointing us away from these facile dichotomies, Gates deftly combines rigorous scholarship with humor, looking back to the roots of cultural studies in order to map out its future course.
Publisher: Civitas Books
ISBN: 0465022634
Category : Social Science
Languages : en
Pages : 223
Book Description
Henry Louis Gates, Jr.'s Tradition and the Black Atlantic is both a vibrant romp down the rabbit hole of cultural studies and an examination of the discipline's roots and role in contemporary thought. In this conversational tour through the halls of theory, Gates leaps from Richard Wright to Spike Lee, from Pat Buchanan to Frantz Fanon, and ultimately to the source of anticolonialist thought: the unlikely figure of Edmund Burke. Throughout Tradition and the Black Atlantic, Gates shows that the culture wars have presented us with a surfeit of either/ors -- tradition versus modernity; Eurocentrism versus Afrocentricism. Pointing us away from these facile dichotomies, Gates deftly combines rigorous scholarship with humor, looking back to the roots of cultural studies in order to map out its future course.
Bearing Witness to African American Literature
Author: Bernard W. Bell
Publisher: African American Life (Paperba
ISBN: 9780814337141
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
An interdisciplinary, code-switching, critical collection by revisionist African American scholar and activist Bernard W. Bell.
Publisher: African American Life (Paperba
ISBN: 9780814337141
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
An interdisciplinary, code-switching, critical collection by revisionist African American scholar and activist Bernard W. Bell.
Sweet Home
Author: Charles Scruggs
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
In this groundbreaking book Charles Scruggs identifies the black urban experience as a driving force behind the twentieth-century Afro-American novel, resulting in a rich fictional tradition that runs from Paul Laurence Dunbar's "The Sport of the Gods" through Toni Morrison's "Beloved." Scruggs begins by discussing the treatment of the Great Migration to the city in Afro-American writing from W. E. B. DuBois and Dunbar through the Harlem writers, establishing both the continuities and breaks between that tradition and that of the writers coming after the Depression. He then considers how four post-Harlem Renaissance novelists--Richard Wright, James Baldwin, Ralph Ellison, and Toni Morrison--conceive of the modern city. Scruggs shows how these four writers see the Afro-American's relationship to elite, popular, and mass forms of culture in city life. He also explores the ways in which their writing presents "alternative spaces" that exist alongside of, and often counter to, the visible configurations of the dominant culture.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
In this groundbreaking book Charles Scruggs identifies the black urban experience as a driving force behind the twentieth-century Afro-American novel, resulting in a rich fictional tradition that runs from Paul Laurence Dunbar's "The Sport of the Gods" through Toni Morrison's "Beloved." Scruggs begins by discussing the treatment of the Great Migration to the city in Afro-American writing from W. E. B. DuBois and Dunbar through the Harlem writers, establishing both the continuities and breaks between that tradition and that of the writers coming after the Depression. He then considers how four post-Harlem Renaissance novelists--Richard Wright, James Baldwin, Ralph Ellison, and Toni Morrison--conceive of the modern city. Scruggs shows how these four writers see the Afro-American's relationship to elite, popular, and mass forms of culture in city life. He also explores the ways in which their writing presents "alternative spaces" that exist alongside of, and often counter to, the visible configurations of the dominant culture.