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Author: David F. Garcia
Publisher: Duke University Press
ISBN: 0822373114
Category : Music
Languages : en
Pages : 360
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Book Description
In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance’s African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity’s promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, Garcia traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, Garcia demonstrates, modernity’s determinations of unraced, heteronormative, and productive bodies, and of scientific truth that helped defer the realization of individual and political freedom in the world.
Author: David F. Garcia
Publisher: Duke University Press
ISBN: 0822373114
Category : Music
Languages : en
Pages : 360
Get Book Here
Book Description
In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance’s African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity’s promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, Garcia traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, Garcia demonstrates, modernity’s determinations of unraced, heteronormative, and productive bodies, and of scientific truth that helped defer the realization of individual and political freedom in the world.
Author: Mary Caton Lingold
Publisher: University of Virginia Press
ISBN: 0813949793
Category : History
Languages : en
Pages : 236
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Book Description
Music, that fundamental form of human expression, is one of the most powerful cultural continuities fostered by enslaved Africans and their descendants throughout the Americas. The roots of so much of the music beloved around the world today are drawn directly from the men and women carried across the Atlantic in chains, from the west coast of Africa to the shores of the so-called New World. This important new book bridges African diaspora studies, music studies, and transatlantic and colonial American literature to trace the lineage of African and African diasporic musical life in the early modern period. Mary Caton Lingold meticulously analyzes surviving sources, especially European travelogues, to recover the lives of African performers, the sounds they created, and the meaning their musical creations held in Africa and later for enslaved communities in the Caribbean and throughout the plantation Americas. The book provides a rich history of early African sound and a revelatory analysis of the many ways that music shaped enslavement and colonization in the Americas.
Author: The Indian State Broadcasting Service,Bombay
Publisher: The Indian State Broadcasting Service,Bombay
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 46
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Book Description
The Indian Listener began in 22 December, 1935 and was the successor to the Indian Radio Times, which was published beginning in July of 1927 with editions in Bengali.The Indian Listener became "Akashvani" in January, 1958.It consist of list of programmes,Programme information and photographs of different performing arrtist of ALL INDIA RADIO. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-05-1936 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 46 VOLUME NUMBER: Vol. I. No. 10. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 500-518, 520-531, 533 Document ID:INL-1935-36 (D-D) Vol-I (10)
Author: Chike Jeffers
Publisher: SUNY Press
ISBN: 1438447434
Category : Philosophy
Languages : en
Pages : 216
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Book Description
Contemporary African philosophy in indigenous African languages and English translation. A groundbreaking contribution to the discipline of philosophy, this volume presents a collection of philosophical essays written in indigenous African languages by professional African philosophers with English translations on the facing pagesdemonstrating the linguistic and conceptual resources of African languages for a distinctly African philosophy. Hailing from five different countries and writing in six different languages, the seven authors featured include some of the most prominent African philosophers of our time. They address a range of topics, including the nature of truth, different ways of conceiving time, the linguistic status of proverbs, how naming practices work, gender equality and inequality in traditional society, the relationship between language and thought, and the extent to which morality is universal or culturally variable.
Author: Robert McCammon
Publisher: Open Road Media
ISBN: 1504094948
Category : Fiction
Languages : en
Pages : 315
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Book Description
The New York Times–bestselling author “masterfully combines historical thriller and supernatural horror . . . [for] fans of occult thrillers like those by Dean Koontz” (Booklist, starred review). Economic collapse. Crushing unemployment and breadlines crowding city streets as crime spirals out of control. The Great Depression has enough misery for all, and some to spare. But for angel-faced grifter John Partlow, the American South in 1934 is a land of opportunity. The small-time confidence man stumbles into the big leagues when he partners up with beautiful hustler Ginger LaFrance. Seduced into her high stakes plot to kidnap the young children of a New Orleans shipping magnate, John realizes he’s in over his head when Ginger’s fierce desire to see her scheme succeed could mean a gruesome end for their innocent victims. Unless young Nilla can wield her secret gift in time. Though she’s never heard the term, nine-year-old Nilla is a Listener—someone who can telepathically pick up on the thoughts of others like themselves. Nilla has started to communicate with another Listener—a young black man struggling to find his way as a porter at the Union Station. Their lives couldn’t be more different, and though they have never met, their shared bond is so strong that Curtis is ready to risk it all to answer her cry for help. But will it be enough to save two children from the merciless hands of hardened criminals? “Race relations are one subject of this seductive slice of supernatural noir set in 1934 New Orleans . . . McCammon conjures believable characters whose sympathetic plight pulls the reader headlong into the novel’s volatile mix of crime and fantasy. Its tense finale, paced at breakneck speed, will have readers turning pages until its surprise-packed end.” —Publishers Weekly
Author: All India Radio (AIR),New Delhi
Publisher: All India Radio (AIR),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 100
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Book Description
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-11-1941 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 100 VOLUME NUMBER: Vol. VI, No. 22 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 33-92 ARTICLE: 1. The War of Words 2. Parents and the New Education 3. India's Eastern Bastion AUTHOR: 1. D. P. Mukerji 2. M. G. Singh 3. H. H. the Maharaja of patiala KEYWORDS: 1. Wars, Words, Radio 2. Parent, Education, Child, Knowledge 3. Empire, Malaya, Singapore Document ID: INL-1940-41 (J-D) Vol- II (10)
Author: David Evans
Publisher: Penguin
ISBN: 9780399530722
Category : Music
Languages : en
Pages : 294
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Book Description
Examining the changing face of the genre from its beginnings at the end of the 19th century to its international popularity today, this book traces the social climate that inspired the blues and takes a look at the unmistakable influences that blues had on 20th-century music. Includes information on performances from Muddy Waters to Eric Clapton.
Author: Loren Schoenberg
Publisher: Penguin
ISBN: 9780399527944
Category : Music
Languages : en
Pages : 310
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Book Description
A concise history of jazz The noteworthy composers and musicians, from Jelly Roll Morton and Thelonious Monk to Miles Davis and Charles Mingus Major performers from Louis Armstrong and Ella Fitzgerald to Nat King Cole and Duke Ellington Classic songs and compositions The most influential recordings of all time A complete guide to jazz terminology and lingo Valuable resources for the Curious Listener
Author: Diane Pecknold
Publisher: Duke University Press
ISBN: 0822351633
Category : Music
Languages : en
Pages : 391
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Book Description
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever
Author: Elochukwu Eugene Uzukwu
Publisher: Wipf and Stock Publishers
ISBN: 1597528986
Category : Religion
Languages : en
Pages : 193
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Book Description
AIDS. Famine. Ethnic strife. Refugees. Poverty. Debt. Environmental degradation. These form the wounded face of Africa today, the reality confronting the church of Africa. To heal Africa, Spiritan Father Elochukwu Uzukwu argues that the church in Africa must become a credible and effective agent of change by making full use of African resources--natural and sociohistorical--including traditional patterns of social organization. In order to renew itself, the church must remember that it does not exist for itself but for the people--to bear witness in Africa to the risen Lord. Focusing on the Catholic Church in Africa today, A Listening Church proposes a fresh approach to ecclesiology. Following closely on the African Synod of Bishops, Uzukwu proposes the initiation of serious theological discussion on the structure of the Church in Africa that came out of that historic occasion. Simply speaking, the African churches must listen to their people, and the Church in Rome must listen to the churches in Africa.
