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Author: Paul Virilio
Publisher: Semiotext(e)
ISBN:
Category : Philosophy
Languages : en
Pages : 132
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Book Description
Focusing on the logistics of perception, this title introduces the author's understanding of 'picnolepsy' - the epileptic state of consciousness produced by speed, or rather, the consciousness invented by the subject through its very absence: the gaps, glitches, and speed bumps lacing through and defining it.
Author: Paul Virilio
Publisher: Semiotext(e)
ISBN:
Category : Philosophy
Languages : en
Pages : 132
Get Book Here
Book Description
Focusing on the logistics of perception, this title introduces the author's understanding of 'picnolepsy' - the epileptic state of consciousness produced by speed, or rather, the consciousness invented by the subject through its very absence: the gaps, glitches, and speed bumps lacing through and defining it.
Author: Paul Virilio
Publisher: Semiotext(e)
ISBN:
Category : Aesthetics
Languages : en
Pages : 132
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Book Description
Paul Virilio traces out the relationship of biological optics to the technological production of appearance.
Author: Paul Virilio
Publisher: Semiotext(e)
ISBN:
Category : Fiction
Languages : en
Pages : 134
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Book Description
Paul Virilio traces out the relationship of biological optics to the technological production of appearance.
Author: Paul Virilio
Publisher: National Geographic Books
ISBN: 1584351179
Category : Social Science
Languages : en
Pages : 0
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Book Description
A vision of the city as a web of interactive, informational networks that turn our world into a prison-house of illusory transcendence. “Where does the city without gates begin? Perhaps inside that fugitive anxiety, that shudder that seizes the minds of those who, just returning from a long vacation, contemplate the imminent encounter with mounds of unwanted mail or with a house that's been broken into and emptied of its contents. It begins with the urge to flee and escape for a second from an oppressive technological environment, to regain one's senses and one's sense of self.” —from Lost Dimension Originally written in French in 1983, Lost Dimension remains a cornerstone book in the work of Paul Virilio: the one most closely tied to his background as an urban planner and architect, and the one that most clearly anticipates the technologically wired urban space we live in today: a city of permanent transit and internalized borders, where time has overtaken space, and where telecommunications has replaced both our living and our working environments. We are living in the realm of the lost dimension, where the three-dimensional public square of our urban past has collapsed into the two-dimensional interface of the various screens that function as gateways to home, office, and public spaces, be they the flat-screen televisions on our walls, the computer screens on our desktops, or the smartphones in our pockets. In this multidisciplinary tapestry of contemporary physics, architecture, aesthetic theory, and sociology, Virilio describes the effects of today's hyperreality on our understanding of space. Having long since passed the opposition of city and country, and city and suburb, the speed-ridden city and space of today are an opposition between the nomadic and the sedentary: a web of interactive, informational networks that turn our world into a prison-house of illusory transcendence.
Author: Redhead Steve Redhead
Publisher: Edinburgh University Press
ISBN: 1474471889
Category : SOCIAL SCIENCE
Languages : en
Pages : 288
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Book Description
A critic of the art of technology, Paul Virilio has taught us that much media image is a strategy of war and that accident is becoming indistinguishable from attack. In these times of fierce conflict over which kind of capitalism is to take over the shrinking globe, and indeed which modernities we will live in during the twenty-first century, Paul Virilio is a significant contemporary theorist. But Virilio's work, originally published in French and stretching back to the 1950s, has until now been very difficult to access in full in English translation, available as it is in expensive little books or obscure catalogues and journals. The Paul Virilio Reader collects together for the first time readable extracts of Virilio's work from the entire range of his career. It is prefaced by an editorial introduction showing that Virilio has produced important - if controversial - 'theory at the speed of light' that can uncannily illuminate the impact of new information and communications technologies in a world which collapses time and distance as never before. Features* Extracts have been carefully selected to reflect the whole of Virilio's diverse career* A chronological ordering illustrates the development, and interconnectedness, of Virilio's work* Each extract is prefaced by a bibliographical and contextual commentary, and the book is completed by an innovative guide to reading Virilio.
Author: Paul Virilio
Publisher: MIT Press
ISBN: 1584350598
Category : Philosophy
Languages : en
Pages : 257
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Book Description
Virilio and Lotringer revisit their prescient book on the invisible war waged by technology against humanity since World War II. In June 2007, Paul Virilio and Sylvère Lotringer met in La Rochelle, France to reconsider the premises they developed twenty-five years before in their frighteningly prescient classic, Pure War. Pure War described the invisible war waged by technology against humanity, and the lack of any real distinction since World War II between war and peace. Speaking with Lotringer in 1982, Virilio noted the “accidents” that inevitably arise with every technological development: from car crashes to nuclear spillage, to the extermination of space and the derealization of time wrought by instant communication. In this new and updated edition, Virilio and Lotringer consider how the omnipresent threat of the “accident”—both military and economic—has escalated. With the fall of the Soviet bloc, the balance of power between East and West based on nuclear deterrence has given way to a more diffuse multi-polar nuclear threat. Moreover, as the speed of communication has increased exponentially, “local” accidents—like the collapse of the Asian markets in the late 1980s—escalate, with the speed of contagion, into global events instantaneously. “Globalization,” Virilio argues, is the planet's ultimate accident.Paul Virilio was born in Paris in 1932 to an immigrant Italian family. Trained as an urban planner, he became the director of the École Speciale d'Architecture in the wake of the 1968 rebellion. He has published twenty-five books, including Pure War (1988) (his first in English) and The Accident of Art (2005), both with Sylvère Lotringer and published by Semiotext(e). Sylvère Lotringer, general editor of Semiotext(e), lives in New York and Baja California. He is the author of Overexposed: Perverting Perversions (Semiotext(e), 2007) and other books.
Author: Kitty Hauser
Publisher: OUP Oxford
ISBN: 0191525650
Category : History
Languages : en
Pages : 328
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Book Description
At certain times of the day - at sunrise, and sunset - the outlines of prehistoric fields, barrows and hill-forts in the British landscape may be thrown into relief. Such 'shadow sites', best seen from above, and captured by an airborne camera, are both examples of, and metaphors for, a particular way of seeing the landscape. At a time of rapid modernisation and urbanisation in mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanted a number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into evocative interpretations of the landscape and looks at the affinities between photography as a medium to capture traces of the past as well as their absence.
Author: Dorota Glowacka
Publisher: University of Washington Press
ISBN: 0295804157
Category : Social Science
Languages : en
Pages : 304
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Book Description
In Disappearing Traces, Dorota Glowacka examines the tensions between the ethical and aesthetic imperatives in literary, artistic, and philosophical works about the Holocaust, in a search for new ways to understand the traumatic past and its impact on the present. She engages with the work of leading 20th-century philosophers and theorists, including Levinas, Benjamin, Lyotard, and Derrida, to consider the role of language in the construction and transmission of traumatic memories; the relation between self-identity and the act of bearing witness; and the ethical implications of representing trauma. Glowacka's work draws on a wide range of discourses and disciplines, bringing into conversation various genres of writing and artistic production. It reveals the need to find innovative idioms and new means of engaging with the past, and to create alliances between different disciplines and modes of representing the past that transform and transcend existing paradigms of representation.
Author: Diana Taylor
Publisher: Duke University Press
ISBN: 9780822318682
Category : History
Languages : en
Pages : 332
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Book Description
Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond.
Author: Kutter Callaway
Publisher: Fortress Press
ISBN: 1506439896
Category : Religion
Languages : en
Pages : 292
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Book Description
To really understand God, you have to understand atheism. Atheism and Christianity are often placed at polar opposite ends of a spectrum, forever in stark conflict with each other. In The Aesthetics of Atheism, Kutter Callaway and Barry Taylor propose a radical alternative: atheism and theism need each other. In fact, atheism offers profound and necessary theological insights into the heart of Christianity itself. To get at these truths, Callaway and Taylor dive into the aesthetic dimensions of atheism, using everything from Stranger Things to Damien Hirst's controversial sculptures to the music of David Bowie, Nick Cave, and Leonard Cohen. This journey through contemporary culture and its imagination offers readers a deeper understanding of theology, culture, and how to engage faith in a chaotic and complex world where God is present in the most unexpected place: atheism.
