Author: Nicky Huys
Publisher: Nicky Huys Books
ISBN:
Category : Philosophy
Languages : en
Pages : 105
Book Description
"What is Darkness?" delves into the enigmatic nature of darkness and its impact on the human psyche. Through a collection of captivating stories and thought-provoking essays, this book explores the primal fear of the unknown, the psychological effects of darkness, and the eternal struggle between light and dark. From the depths of the human mind to the vast expanse of the universe, "What is Darkness?" invites readers to confront their fears and contemplate the profound mysteries that shroud the concept of darkness. This compelling work offers a unique blend of fiction and philosophy, shedding light on the profound significance of darkness in our lives.
The Aesthetics of Darkness
Author: Evina Sistakou
Publisher:
ISBN: 9789042926547
Category : Greek literature
Languages : en
Pages : 0
Book Description
Darkness in literature manifests itself as a fascination with the evil passions of man, an emphasis on the ugly and the monstrous, an obsession with morbidity and death, a blurring of the boundaries between reality and imagination; its effect ranges from pleasure in the representation of horror to the overwhelming sense of the sublime. The premise that these trends find their most powerful expression in Romantic literature forms the basis for the exploration of darkness in Hellenistic poetry in the present study: Apollonius' Argonautica, a dark romance building around a heroic quest, is read against the background of fantasy literature and the Gothic novel; Lycophron's Alexandra, a dark remake of Kassandra's prophecy, is seen as an extreme paradigm of Gothic aesthetics; Nicander's Theriaca and Alexipharmaca, two didactic poems on snakes and their antidotes, are reviewed in the light of Romantic science and the aesthetics of Decadence. The introduction provides the theoretical framework where key notions are discussed-the fantastic, the Gothic, the grotesque, the uncanny-, whereas the afterword offers an explanation for the parallelism between the Hellenistic and the Romantic era by reference to their ideological and cultural contexts. The Aesthetics of Darkness is a comparative study which combines the 'close reading' of the Greek texts with literary criticism as well as with specific examples drawn from nineteenth century literature; by thus transcending the boundaries of conventional scholarship, the book attempts to capture the Romantic awakenings of post-Classical literature.
Publisher:
ISBN: 9789042926547
Category : Greek literature
Languages : en
Pages : 0
Book Description
Darkness in literature manifests itself as a fascination with the evil passions of man, an emphasis on the ugly and the monstrous, an obsession with morbidity and death, a blurring of the boundaries between reality and imagination; its effect ranges from pleasure in the representation of horror to the overwhelming sense of the sublime. The premise that these trends find their most powerful expression in Romantic literature forms the basis for the exploration of darkness in Hellenistic poetry in the present study: Apollonius' Argonautica, a dark romance building around a heroic quest, is read against the background of fantasy literature and the Gothic novel; Lycophron's Alexandra, a dark remake of Kassandra's prophecy, is seen as an extreme paradigm of Gothic aesthetics; Nicander's Theriaca and Alexipharmaca, two didactic poems on snakes and their antidotes, are reviewed in the light of Romantic science and the aesthetics of Decadence. The introduction provides the theoretical framework where key notions are discussed-the fantastic, the Gothic, the grotesque, the uncanny-, whereas the afterword offers an explanation for the parallelism between the Hellenistic and the Romantic era by reference to their ideological and cultural contexts. The Aesthetics of Darkness is a comparative study which combines the 'close reading' of the Greek texts with literary criticism as well as with specific examples drawn from nineteenth century literature; by thus transcending the boundaries of conventional scholarship, the book attempts to capture the Romantic awakenings of post-Classical literature.
The Dark Side of Camp Aesthetics
Author: Ingrid Hotz-Davies
Publisher: Routledge
ISBN: 1351809512
Category : Social Science
Languages : en
Pages : 326
Book Description
"Camp" is often associated with glamour, surfaces and an ostentatious display of chic, but as these authors argue, there is an underside to it that has often gone unnoticed: camp’s simultaneous investment in dirt, vulgarity, the discarded and rejected, the abject. This book explores how camp challenges and at the same time celebrates what is arguably the single most important and foundational cultural division, that between the dirty and the clean. In refocusing camp as a phenomenon of the dark underside as much as of the glamorous surface, the collection hopes to offer an important contribution to our understanding of the cultural politics and aesthetics of camp.
Publisher: Routledge
ISBN: 1351809512
Category : Social Science
Languages : en
Pages : 326
Book Description
"Camp" is often associated with glamour, surfaces and an ostentatious display of chic, but as these authors argue, there is an underside to it that has often gone unnoticed: camp’s simultaneous investment in dirt, vulgarity, the discarded and rejected, the abject. This book explores how camp challenges and at the same time celebrates what is arguably the single most important and foundational cultural division, that between the dirty and the clean. In refocusing camp as a phenomenon of the dark underside as much as of the glamorous surface, the collection hopes to offer an important contribution to our understanding of the cultural politics and aesthetics of camp.
The Dark Side of Game Play
Author: Torill Elvira Mortensen
Publisher: Routledge
ISBN: 131757446X
Category : Social Science
Languages : en
Pages : 280
Book Description
Games allow players to experiment and play with subject positions, values and moral choice. In game worlds players can take on the role of antagonists; they allow us to play with behaviour that would be offensive, illegal or immoral if it happened outside of the game sphere. While contemporary games have always handled certain problematic topics, such as war, disasters, human decay, post-apocalyptic futures, cruelty and betrayal, lately even the most playful of genres are introducing situations in which players are presented with difficult ethical and moral dilemmas. This volume is an investigation of "dark play" in video games, or game play with controversial themes as well as controversial play behaviour. It covers such questions as: Why do some games stir up political controversies? How do games invite, or even push players towards dark play through their design? Where are the boundaries for what can be presented in a games? Are these boundaries different from other media such as film and books, and if so why? What is the allure of dark play and why do players engage in these practices?
Publisher: Routledge
ISBN: 131757446X
Category : Social Science
Languages : en
Pages : 280
Book Description
Games allow players to experiment and play with subject positions, values and moral choice. In game worlds players can take on the role of antagonists; they allow us to play with behaviour that would be offensive, illegal or immoral if it happened outside of the game sphere. While contemporary games have always handled certain problematic topics, such as war, disasters, human decay, post-apocalyptic futures, cruelty and betrayal, lately even the most playful of genres are introducing situations in which players are presented with difficult ethical and moral dilemmas. This volume is an investigation of "dark play" in video games, or game play with controversial themes as well as controversial play behaviour. It covers such questions as: Why do some games stir up political controversies? How do games invite, or even push players towards dark play through their design? Where are the boundaries for what can be presented in a games? Are these boundaries different from other media such as film and books, and if so why? What is the allure of dark play and why do players engage in these practices?
What Is Darkness?
Author: Nicky Huys
Publisher: Nicky Huys Books
ISBN:
Category : Philosophy
Languages : en
Pages : 105
Book Description
"What is Darkness?" delves into the enigmatic nature of darkness and its impact on the human psyche. Through a collection of captivating stories and thought-provoking essays, this book explores the primal fear of the unknown, the psychological effects of darkness, and the eternal struggle between light and dark. From the depths of the human mind to the vast expanse of the universe, "What is Darkness?" invites readers to confront their fears and contemplate the profound mysteries that shroud the concept of darkness. This compelling work offers a unique blend of fiction and philosophy, shedding light on the profound significance of darkness in our lives.
Publisher: Nicky Huys Books
ISBN:
Category : Philosophy
Languages : en
Pages : 105
Book Description
"What is Darkness?" delves into the enigmatic nature of darkness and its impact on the human psyche. Through a collection of captivating stories and thought-provoking essays, this book explores the primal fear of the unknown, the psychological effects of darkness, and the eternal struggle between light and dark. From the depths of the human mind to the vast expanse of the universe, "What is Darkness?" invites readers to confront their fears and contemplate the profound mysteries that shroud the concept of darkness. This compelling work offers a unique blend of fiction and philosophy, shedding light on the profound significance of darkness in our lives.
The Politics and Aesthetics of Hunger and Disgust
Author: Michel Delville
Publisher: Routledge
ISBN: 1315472198
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
This study examines how hunger narratives and performances contribute to a reconsideration of neglected or prohibited domains of thinking which only a full confrontation with the body’s heterogeneity and plasticity can reveal. From literary motif or psychosomatic symptom to revolutionary gesture or existential malady, the double crux of hunger and disgust is a powerful force which can define the experience of embodiment. Kafka’s fable of the "Hunger Artist" offers a matrix for the fast, while its surprising last-page revelation introduces disgust as a correlative of abstinence, conscious or otherwise. Grounded in Kristeva’s theory of abjection, the figure of the fraught body lurking at the heart of the negative grotesque gathers precision throughout this study, where it is employed in a widening series of contexts: suicide through overeating, starvation as self-performance or political resistance, the teratological versus the totalitarian, the anorexic harboring of death. In the process, writers and artists as diverse as Herman Melville, Percy Bysshe Shelley, Christina Rossetti, George Orwell, Knut Hamsun, J.M. Coetzee, Cindy Sherman, Pieter Breughel, Marina Abramovic, David Nebreda, Paul McCarthy, and others are brought into the discussion. By looking at the different acts of visceral, affective, and ideological resistance performed by the starving body, this book intensifies the relationship between hunger and disgust studies while offering insight into the modalities of the "dark grotesque" which inform the aesthetics and politics of hunger. It will be of value to anyone interested in the culture, politics, and subjectivity of embodiment, and scholars working within the fields of disgust studies, food studies, literary studies, cultural theory, and media studies.
Publisher: Routledge
ISBN: 1315472198
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
This study examines how hunger narratives and performances contribute to a reconsideration of neglected or prohibited domains of thinking which only a full confrontation with the body’s heterogeneity and plasticity can reveal. From literary motif or psychosomatic symptom to revolutionary gesture or existential malady, the double crux of hunger and disgust is a powerful force which can define the experience of embodiment. Kafka’s fable of the "Hunger Artist" offers a matrix for the fast, while its surprising last-page revelation introduces disgust as a correlative of abstinence, conscious or otherwise. Grounded in Kristeva’s theory of abjection, the figure of the fraught body lurking at the heart of the negative grotesque gathers precision throughout this study, where it is employed in a widening series of contexts: suicide through overeating, starvation as self-performance or political resistance, the teratological versus the totalitarian, the anorexic harboring of death. In the process, writers and artists as diverse as Herman Melville, Percy Bysshe Shelley, Christina Rossetti, George Orwell, Knut Hamsun, J.M. Coetzee, Cindy Sherman, Pieter Breughel, Marina Abramovic, David Nebreda, Paul McCarthy, and others are brought into the discussion. By looking at the different acts of visceral, affective, and ideological resistance performed by the starving body, this book intensifies the relationship between hunger and disgust studies while offering insight into the modalities of the "dark grotesque" which inform the aesthetics and politics of hunger. It will be of value to anyone interested in the culture, politics, and subjectivity of embodiment, and scholars working within the fields of disgust studies, food studies, literary studies, cultural theory, and media studies.
Spirit in the Dark
Author: Josef Sorett
Publisher: Oxford University Press
ISBN: 0199844933
Category : History
Languages : en
Pages : 313
Book Description
While many of the most significant black intellectual movements of the second half of the twentieth century have been perceived as secular, Josef Sorett demonstrates in this book that religion was actually a fertile, fluid and formidable force within these movements. Spirit in the Dark examines how African American literary visions were animated and organized by religion and spirituality, from the New Negro Renaissance of the 1920s to the Black Arts movement of the 1960s.
Publisher: Oxford University Press
ISBN: 0199844933
Category : History
Languages : en
Pages : 313
Book Description
While many of the most significant black intellectual movements of the second half of the twentieth century have been perceived as secular, Josef Sorett demonstrates in this book that religion was actually a fertile, fluid and formidable force within these movements. Spirit in the Dark examines how African American literary visions were animated and organized by religion and spirituality, from the New Negro Renaissance of the 1920s to the Black Arts movement of the 1960s.
Crimson Peak: The Art of Darkness
Author: Mark Salisbury
Publisher: Titan Books
ISBN: 9781783293711
Category :
Languages : en
Pages : 160
Book Description
A powerful blend of psychological thriller, gothic horror, and romance, 'Crimson Peak' sees del Toro return to the genre he helped define. This book chronicles the creative journey behind the film, showing how del Toro's sublimely sinister story was dynamically rendered for the screen. It features a number of special removable items, interviews with the director and crew and a broad range of spectacular concept art.
Publisher: Titan Books
ISBN: 9781783293711
Category :
Languages : en
Pages : 160
Book Description
A powerful blend of psychological thriller, gothic horror, and romance, 'Crimson Peak' sees del Toro return to the genre he helped define. This book chronicles the creative journey behind the film, showing how del Toro's sublimely sinister story was dynamically rendered for the screen. It features a number of special removable items, interviews with the director and crew and a broad range of spectacular concept art.
In Praise of Shadows
Author: Junichiro Tanizaki
Publisher: Random House
ISBN: 1446475573
Category : Antiques & Collectibles
Languages : en
Pages : 94
Book Description
A fully illustrated, beautifully produced edition of Junichiro Tanizaki's wise and evocative essay on Japanese culture. ‘We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates... Were it not for shadows, there would be no beauty.’ This book is in fact a portal. Reading it, you will be led by Junichiro Tanizaki’s light touch into a mysterious and tranquil world of darkness and shadows, where gold flashes in the gloom and a deep stillness reigns. If you are accustomed to equate light with clarity, the faded with the worthless and the dim with the dreary, prepare for a courteous but powerful realignment of your ideas. In Praise of Shadows is a poetic paean to traditional Japanese aesthetics – in a free-ranging style that moves from architecture to No theatre, and from cookery to lighting, Tanizaki teaches us to see the beauty in tarnished metal, the sombre dignity in unglazed pottery, the primacy of organic materials that bear witness to the regular touch of human hands. It is also astonishingly prescient, offering a gentle warning against the quest for airbrushed perfection, and reminding us that too much light can pollute and obscure our natural world. In this special edition, the text is accompanied by specially selected images to complement Tanizaki’s reflections and further illustrate the pattern and beauty of shadows.
Publisher: Random House
ISBN: 1446475573
Category : Antiques & Collectibles
Languages : en
Pages : 94
Book Description
A fully illustrated, beautifully produced edition of Junichiro Tanizaki's wise and evocative essay on Japanese culture. ‘We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates... Were it not for shadows, there would be no beauty.’ This book is in fact a portal. Reading it, you will be led by Junichiro Tanizaki’s light touch into a mysterious and tranquil world of darkness and shadows, where gold flashes in the gloom and a deep stillness reigns. If you are accustomed to equate light with clarity, the faded with the worthless and the dim with the dreary, prepare for a courteous but powerful realignment of your ideas. In Praise of Shadows is a poetic paean to traditional Japanese aesthetics – in a free-ranging style that moves from architecture to No theatre, and from cookery to lighting, Tanizaki teaches us to see the beauty in tarnished metal, the sombre dignity in unglazed pottery, the primacy of organic materials that bear witness to the regular touch of human hands. It is also astonishingly prescient, offering a gentle warning against the quest for airbrushed perfection, and reminding us that too much light can pollute and obscure our natural world. In this special edition, the text is accompanied by specially selected images to complement Tanizaki’s reflections and further illustrate the pattern and beauty of shadows.
Theatre in the Dark
Author: Adam Alston
Publisher: Bloomsbury Publishing
ISBN: 147425120X
Category : Performing Arts
Languages : en
Pages : 301
Book Description
Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre responds to a rising tide of experimentation in theatre practice that eliminates or obscures light. It brings together leading and emerging practitioners and researchers in a volume dedicated to exploring the phenomenon and showcasing a range of possible critical and theoretical approaches. This book considers the aesthetics and phenomenology of dark, gloomy and shadow-strewn theatre performances, as well as the historical and cultural significances of darkness, shadow and the night in theatre and performance contexts. It is concerned as much with the experiences elicited by darkness and obscured or diminished lighting as it is with the conditions that define, frame and at times re-shape what each might 'mean' and 'do'. Contributors provide surveys of relevant practice, interviews with practitioners, theoretical reflections and close critical analyses of work by key innovators in the aesthetics of light, shadow and darkness. The book has a particular focus on the work of contemporary theatre makers – including Sound&Fury, David Rosenberg and Glen Neath, Lundahl & Seitl, Extant, and Analogue – and seeks to deepen the engagement of theatre and performance studies with what might be called 'the sensory turn'. Theatre in the Dark explores ground-breaking areas that will appeal to researchers, practitioners and audiences alike.
Publisher: Bloomsbury Publishing
ISBN: 147425120X
Category : Performing Arts
Languages : en
Pages : 301
Book Description
Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre responds to a rising tide of experimentation in theatre practice that eliminates or obscures light. It brings together leading and emerging practitioners and researchers in a volume dedicated to exploring the phenomenon and showcasing a range of possible critical and theoretical approaches. This book considers the aesthetics and phenomenology of dark, gloomy and shadow-strewn theatre performances, as well as the historical and cultural significances of darkness, shadow and the night in theatre and performance contexts. It is concerned as much with the experiences elicited by darkness and obscured or diminished lighting as it is with the conditions that define, frame and at times re-shape what each might 'mean' and 'do'. Contributors provide surveys of relevant practice, interviews with practitioners, theoretical reflections and close critical analyses of work by key innovators in the aesthetics of light, shadow and darkness. The book has a particular focus on the work of contemporary theatre makers – including Sound&Fury, David Rosenberg and Glen Neath, Lundahl & Seitl, Extant, and Analogue – and seeks to deepen the engagement of theatre and performance studies with what might be called 'the sensory turn'. Theatre in the Dark explores ground-breaking areas that will appeal to researchers, practitioners and audiences alike.
The Aesthetics of Failure
Author: Marcin Tereszewski
Publisher: Cambridge Scholars Publishing
ISBN: 1443855243
Category : Literary Criticism
Languages : en
Pages : 105
Book Description
Although Beckett scholarship has in recent decades experienced a renaissance as a result of various poststructuralist approaches that tend to emphasize destabilization and inexpressibility as the defining features of Beckett’s output, relatively little attention has been paid to the ethical aspects of his aesthetics of failure. This book fits into that renaissance, but draws on a distinct, though rarely addressed, connection that Samuel Beckett’s work shares with that of Maurice Blanchot and Emmanuel Levinas. It is within this philosophical context that the significance of Beckett’s aesthetics of failure becomes most visible. Beckett’s work can be described as one of gradual reduction and disintegration of language, a stripping away of the tools rendering expression at all possible for the sake of approaching the inexpressible. Traditional representation yields to silence and linguistic aporia; language yields to images of absence and emptiness. The primary purpose of this study is to trace this movement of ‘unwording’ and analyze the role inexpressibility plays in Beckett’s prose in its visual, linguistic and ethical manifestations, as the aesthetics of inexpressibility is intrinsically bound with the ethical responsibility of literature understood as maintaining a relation with alterity.
Publisher: Cambridge Scholars Publishing
ISBN: 1443855243
Category : Literary Criticism
Languages : en
Pages : 105
Book Description
Although Beckett scholarship has in recent decades experienced a renaissance as a result of various poststructuralist approaches that tend to emphasize destabilization and inexpressibility as the defining features of Beckett’s output, relatively little attention has been paid to the ethical aspects of his aesthetics of failure. This book fits into that renaissance, but draws on a distinct, though rarely addressed, connection that Samuel Beckett’s work shares with that of Maurice Blanchot and Emmanuel Levinas. It is within this philosophical context that the significance of Beckett’s aesthetics of failure becomes most visible. Beckett’s work can be described as one of gradual reduction and disintegration of language, a stripping away of the tools rendering expression at all possible for the sake of approaching the inexpressible. Traditional representation yields to silence and linguistic aporia; language yields to images of absence and emptiness. The primary purpose of this study is to trace this movement of ‘unwording’ and analyze the role inexpressibility plays in Beckett’s prose in its visual, linguistic and ethical manifestations, as the aesthetics of inexpressibility is intrinsically bound with the ethical responsibility of literature understood as maintaining a relation with alterity.