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Author: Umberto Eco
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 116
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Book Description
In this short discussion of the Irish modernist writer, the author establishes a link between the mind of James Joyce and medieval theology. He shows how Joyce's fiction was suffused by his reading of St. Thomas Aquinas, Giordano Bruno and Nicola da Cusa and the book creates a dialogue between the saint, the novelist and the critic.
Author: Umberto Eco
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 116
Get Book Here
Book Description
In this short discussion of the Irish modernist writer, the author establishes a link between the mind of James Joyce and medieval theology. He shows how Joyce's fiction was suffused by his reading of St. Thomas Aquinas, Giordano Bruno and Nicola da Cusa and the book creates a dialogue between the saint, the novelist and the critic.
Author: Cristina Farronato
Publisher: University of Toronto Press
ISBN: 9780802085863
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his spectacular concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what constitutes the peculiarity of his critical and fiction writing is the tension between a typically medieval search for a code and the hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos. In this brilliant assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and re-play them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyzes The Name of the Rose in relation to William of Ockham's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to Early Modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as an historical/fantastic novel that once again situates the Middle Ages in a postmodern context. Eco's Chaosmos demonstrates how Eco's use of semiotic theory is important for an understanding of the postmodern aspects of today's literature and culture.
Author: Philip Kuberski
Publisher: SUNY Press
ISBN: 9780791419137
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This book shows how writers like James Joyce, James Merrill, and Doris Lessing; scientists like Gregory Bateson, Ilya Prigogine, and David Bohm; and theorists like Jacques Derrida, Jacques Lacan, and Michel Serres forecasted and initiated a shift away from modernist conceptions of the world as a machine; the self as an isolated, enclosed principle, and representation as a reductive survey of the world and the self. The focus of this book is the "chaosmos" (a Joycean coinage) apparent within the atom and also within analogous "nuclear" sites such as the self, the word, the organism, and the world. By "chaosmos," Kuberski intends a unitary and yet untotalized--a chiasmic--concept of the world as a field of inevitable and intermittent interference and convergence, a multi-leveled complexity from which emerge organisms, languages, and selves. In exploring and mapping chaosmos, Kuberski emphasizes significant convergences of literary and philosophic, deconstructive and organistic, Eastern and Western, and scientific and humanistic points of view.
Author: Douglass Merrell
Publisher: Springer
ISBN: 3319547895
Category : Philosophy
Languages : en
Pages : 295
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Book Description
This book provides a philosophical overview of Umberto Eco's historical and cultural development as a unique, internationally recognized public intellectual who communicates his ideas to both an academic and a popular audience. It describes Eco’s intellectual development from his childhood during World War II and student involvement as a Catholic youth activist and scholar of the Middle Ages, to his early writings on the "openness" of modern works such as Joyce's Finnegans Wake. Merrell also explores Eco’s pioneering role in semiotics and his later career as a novelist.
Author: Umberto Eco
Publisher: Harvard University Press
ISBN: 9780674006768
Category : Philosophy
Languages : en
Pages : 306
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Book Description
The well-known Italian semiotician and novelist Umberto Eco discloses for the first time to English-speaking readers the unsuspected richness, breadth, complexity, and originality of the aesthetic theories advanced by the influential medieval thinker Thomas Aquinas, heretofore known principally as a scholastic theologian. Inheriting his basic ideas and conceptions of art and beauty from the classical world, Aquinas transformed or modified these ideas in the light of Christian theology and of developments in metaphysics and optics during the thirteenth century. Setting the stage with an account of the vivid aesthetic and artistic sensibility that flourished in medieval times, Eco examines Aquinas's conception of transcendental beauty, his theory of aesthetic perception or visio, and his account of the three conditions of beauty--integrity, proportion, and clarity--that, centuries later, emerged again in the writings of the young James Joyce. He examines the concrete application of these theories in Aquinas's reflections on God, mankind, music, poetry, and scripture. He discusses Aquinas's views on art and compares his poetics with Dante's. In a final chapter added to the second Italian edition, Eco examines how Aquinas's aesthetics came to be absorbed and superseded in late medieval times and draws instructive parallels between Thomistic methodology and contemporary structuralism. As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and anyone involved in poetics, aesthetics, or the history of ideas.
Author: Umberto Eco
Publisher: Harvard University Press
ISBN: 9780674639768
Category : Art
Languages : en
Pages : 324
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Book Description
This book is significant for its concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.
Author: Félix Guattari
Publisher: Indiana University Press
ISBN: 9780253210043
Category : Philosophy
Languages : en
Pages : 148
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Book Description
Guattari's final book is a succinct summary of his socio-philosophical outlook. It includes critical reflections on Lacanian psychoanalysis, structuralism, information theory, postmodernism, and the thought of Heidegger, Bakhtin, Barthes, and others.
Author: Umberto Eco
Publisher: Yale University Press
ISBN: 9780300093049
Category : Art
Languages : en
Pages : 160
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Book Description
In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture. "[A] delightful study. . . . [Eco's] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject." --Robert Taylor, Boston Globe "The book lays out so many exciting ideas and interesting facts that readers will find it gripping." --Washington Post Book World "A lively introduction to the subject." --Michael Camille, The Burlington Magazine "If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco's short volume." --D. C. Barrett, Art Monthly
Author: Martin Meisel
Publisher: Columbia University Press
ISBN: 0231540469
Category : Literary Criticism
Languages : en
Pages : 604
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Book Description
The stories we tell in our attempt to make sense of the world—our myths and religion, literature and philosophy, science and art—are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos. He uses examples from literature, philosophy, painting, graphic art, science, linguistics, music, and film, particularly exploring the remarkable shift in the eighteenth and nineteenth centuries from conceiving of chaos as disruptive to celebrating its liberating and energizing potential. Discussions of Sophocles, Plato, Lucretius, Calderon, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett, among others, are matched with incisive readings of art by Brueghel, Rubens, Goya, Turner, Dix, Dada, and the futurists. Meisel addresses the revolution in mapping energy and entropy and the manifold effect of thermodynamics. He then uses this chaotic frame to elaborate on purpose, mortality, meaning, and mind.
Author: Fiona Bannon
Publisher: Springer
ISBN: 3319917315
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
This book asks important questions about making performance through the means of collaboration and co-created practice. It argues that we can align ethics and aesthetics with collaborative performance to realise the importance of being in association with one another, and being engaged through our shared imaginations. Evident in the examples of practice visited in this study is the attention given by a number of practitioners to the development of shared, co-operative modes of creation. Here, we can appreciate ethical work as being relational, forged in association with the others as we cultivate ideas that matter. In looking at a range of work from practitioners including Meg Stuart, Rosemary Lee, Deufert&Philschke and Fevered Sleep, Considering Ethics in Dance, Theatre and Performance explores ways that we rehearse by attending to ethics, aesthetics and co-creation. In learning to listen, to observe, to co-operate and to negotiate, these practitioners reveal the ways that they bring their work into existence through the transmission of shared meaning.
