Author: Andre Pirro
Publisher: Rowman & Littlefield
ISBN: 1442232919
Category : Music
Languages : en
Pages : 517
Book Description
The Aesthetic of Johann Sebastian Bach (L’Esthéthique de Jean-Sébastien Bach), by the celebrated French musicologist André Pirro (1869‒1943), was originally published in 1907 and reissued in 1973. It is offered here for the first time in English, as translated by Joe Armstrong. Pirro’s work is based primarily on an examination of the close relationships between language and music in Bach’s vocal works and provides us with an extensive and well-researched “lexicon” of the expressive resources of Bach and his contemporaries. Pirro’s study thus serves as a still sound basis for understanding and interpreting Bach’s instrumental works. Pirro’s engaging analysis that has informed and even moved discerning readers for more than a century. This translation introduces his work to a new audience of performers, music teachers and their students, composers, musicologists, and all who wish to have a greater understanding of the expressive import of Bach’s music.
The Aesthetic of Johann Sebastian Bach
Author: Andre Pirro
Publisher: Rowman & Littlefield
ISBN: 1442232919
Category : Music
Languages : en
Pages : 517
Book Description
The Aesthetic of Johann Sebastian Bach (L’Esthéthique de Jean-Sébastien Bach), by the celebrated French musicologist André Pirro (1869‒1943), was originally published in 1907 and reissued in 1973. It is offered here for the first time in English, as translated by Joe Armstrong. Pirro’s work is based primarily on an examination of the close relationships between language and music in Bach’s vocal works and provides us with an extensive and well-researched “lexicon” of the expressive resources of Bach and his contemporaries. Pirro’s study thus serves as a still sound basis for understanding and interpreting Bach’s instrumental works. Pirro’s engaging analysis that has informed and even moved discerning readers for more than a century. This translation introduces his work to a new audience of performers, music teachers and their students, composers, musicologists, and all who wish to have a greater understanding of the expressive import of Bach’s music.
Publisher: Rowman & Littlefield
ISBN: 1442232919
Category : Music
Languages : en
Pages : 517
Book Description
The Aesthetic of Johann Sebastian Bach (L’Esthéthique de Jean-Sébastien Bach), by the celebrated French musicologist André Pirro (1869‒1943), was originally published in 1907 and reissued in 1973. It is offered here for the first time in English, as translated by Joe Armstrong. Pirro’s work is based primarily on an examination of the close relationships between language and music in Bach’s vocal works and provides us with an extensive and well-researched “lexicon” of the expressive resources of Bach and his contemporaries. Pirro’s study thus serves as a still sound basis for understanding and interpreting Bach’s instrumental works. Pirro’s engaging analysis that has informed and even moved discerning readers for more than a century. This translation introduces his work to a new audience of performers, music teachers and their students, composers, musicologists, and all who wish to have a greater understanding of the expressive import of Bach’s music.
Becoming Bach
Author: Thomas Leonard
Publisher: Macmillan
ISBN: 1626722862
Category : Juvenile Nonfiction
Languages : en
Pages : 45
Book Description
Highlights the life and achievements of the eighteenth-century German composer and musician, and examines the development of his most important compositions.
Publisher: Macmillan
ISBN: 1626722862
Category : Juvenile Nonfiction
Languages : en
Pages : 45
Book Description
Highlights the life and achievements of the eighteenth-century German composer and musician, and examines the development of his most important compositions.
Bach & God
Author: Michael Marissen
Publisher: Oxford University Press
ISBN: 0190606967
Category : Music
Languages : en
Pages : 289
Book Description
Bach & God explores the religious character of Bach's vocal and instrumental music in seven interrelated essays. Noted musicologist Michael Marissen offers wide-ranging interpretive insights from careful biblical and theological scrutiny of the librettos. Yet he also shows how Bach's pitches, rhythms, and tone colors can make contributions to a work's plausible meanings that go beyond setting texts in an aesthetically satisfying manner. In some of Bach's vocal repertory, the music puts a "spin" on the words in a way that turns out to be explainable as orthodox Lutheran in its orientation. In a few of Bach's vocal works, his otherwise puzzlingly fierce musical settings serve to underscore now unrecognized or unacknowledged verbal polemics, most unsettlingly so in the case of his church cantatas that express contempt for Jews and Judaism. Finally, even Bach's secular instrumental music, particularly the late collections of "abstract" learned counterpoint, can powerfully project certain elements of traditional Lutheran theology. Bach's music is inexhaustible, and Bach & God suggests that through close contextual study there is always more to discover and learn.
Publisher: Oxford University Press
ISBN: 0190606967
Category : Music
Languages : en
Pages : 289
Book Description
Bach & God explores the religious character of Bach's vocal and instrumental music in seven interrelated essays. Noted musicologist Michael Marissen offers wide-ranging interpretive insights from careful biblical and theological scrutiny of the librettos. Yet he also shows how Bach's pitches, rhythms, and tone colors can make contributions to a work's plausible meanings that go beyond setting texts in an aesthetically satisfying manner. In some of Bach's vocal repertory, the music puts a "spin" on the words in a way that turns out to be explainable as orthodox Lutheran in its orientation. In a few of Bach's vocal works, his otherwise puzzlingly fierce musical settings serve to underscore now unrecognized or unacknowledged verbal polemics, most unsettlingly so in the case of his church cantatas that express contempt for Jews and Judaism. Finally, even Bach's secular instrumental music, particularly the late collections of "abstract" learned counterpoint, can powerfully project certain elements of traditional Lutheran theology. Bach's music is inexhaustible, and Bach & God suggests that through close contextual study there is always more to discover and learn.
Evening in the Palace of Reason
Author: James Gaines
Publisher: HarperCollins UK
ISBN: 0007153937
Category : History
Languages : en
Pages : 372
Book Description
Tells the story of the history-making meeting between scorned master composer Johann Sebastian Bach and Prussia's Frederick the Great.
Publisher: HarperCollins UK
ISBN: 0007153937
Category : History
Languages : en
Pages : 372
Book Description
Tells the story of the history-making meeting between scorned master composer Johann Sebastian Bach and Prussia's Frederick the Great.
Johann Sebastian Bach's Art of Fugue
Author: Ewald Demeyere
Publisher:
ISBN: 9058679403
Category : Biography & Autobiography
Languages : en
Pages : 254
Book Description
This book, by a leading Bach performer, is designed to provide a practical guide to the performance of the "Art of Fugue."
Publisher:
ISBN: 9058679403
Category : Biography & Autobiography
Languages : en
Pages : 254
Book Description
This book, by a leading Bach performer, is designed to provide a practical guide to the performance of the "Art of Fugue."
Johann Sebastian Bach
Author: Johann Nikolaus Forkel
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 382
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 382
Book Description
Johann Sebastian Bach: His Life, Art, and Work
Author: Johann Nikolaus Forkel
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 286
Book Description
Johann Nikolaus Forkel's 'Johann Sebastian Bach: His Life, Art, and Work' is an in-depth exploration of the life and music of one of the greatest composers in history. Forkel delves into Bach's compositions, highlighting his groundbreaking innovations in music theory and the profound emotional depth of his work. The book not only provides a close analysis of Bach's musical style but also offers a comprehensive look at his personal life and the historical context in which he lived and worked. Forkel's writing is both scholarly and accessible, making it a valuable resource for music enthusiasts and scholars alike. With detailed discussions of Bach's most famous works and insightful commentary on his legacy, this book serves as a definitive study of the composer's lasting impact on music history. Johann Nikolaus Forkel, a respected musicologist and biographer, was uniquely positioned to write about Bach, having been a contemporary of many of Bach's students and colleagues. As the first biographer of Bach, Forkel's work laid the foundation for future scholars to explore the life and music of the renowned composer. His passion for music and meticulous research shine through in this seminal work. For anyone interested in delving deeper into the life and music of Johann Sebastian Bach, Johann Nikolaus Forkel's 'Johann Sebastian Bach: His Life, Art, and Work' is an essential read. This comprehensive study offers a rich exploration of Bach's genius, providing valuable insights into the mind of a musical master.
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 286
Book Description
Johann Nikolaus Forkel's 'Johann Sebastian Bach: His Life, Art, and Work' is an in-depth exploration of the life and music of one of the greatest composers in history. Forkel delves into Bach's compositions, highlighting his groundbreaking innovations in music theory and the profound emotional depth of his work. The book not only provides a close analysis of Bach's musical style but also offers a comprehensive look at his personal life and the historical context in which he lived and worked. Forkel's writing is both scholarly and accessible, making it a valuable resource for music enthusiasts and scholars alike. With detailed discussions of Bach's most famous works and insightful commentary on his legacy, this book serves as a definitive study of the composer's lasting impact on music history. Johann Nikolaus Forkel, a respected musicologist and biographer, was uniquely positioned to write about Bach, having been a contemporary of many of Bach's students and colleagues. As the first biographer of Bach, Forkel's work laid the foundation for future scholars to explore the life and music of the renowned composer. His passion for music and meticulous research shine through in this seminal work. For anyone interested in delving deeper into the life and music of Johann Sebastian Bach, Johann Nikolaus Forkel's 'Johann Sebastian Bach: His Life, Art, and Work' is an essential read. This comprehensive study offers a rich exploration of Bach's genius, providing valuable insights into the mind of a musical master.
Cantata Texts, Sacred and Secular
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 704
Book Description
Polish Style in the Music of Johann Sebastian Bach
Author: Szymon Paczkowski
Publisher: Rowman & Littlefield
ISBN: 0810888947
Category : Music
Languages : en
Pages : 419
Book Description
Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book explores the semantic and rhetorical functions that undergird the symbolism of the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. This comprehensive study of the way Bach used the Polish style in his music moves beyond technical analysis to place the pieces within the context of Baroque customs and discourse. This ambitious and inspiring study is an original contribution to the scholarly conversation concerning Bach’s music, focusing on the symbolism of the polonaise, the most popular and recognizable Polish dance in 18th-century Saxony. In Saxony at this time the polonaise was associated with the ceremonies of the royal-electoral court in Dresden, and Saxon musicians regarded it as a musical symbol of royalty. Paczkowski explores this symbolism of the Polish royal dance in Bach’s instrumental music and, which is also to be found to an even greater extent, in his vocal works. The Polish Style in the Music of Johann Sebastian Bach provides wide-ranging interpretations based on a careful analysis of the sources explored within historical and theological context. The book is a valuable source for both teaching and further research, and will find readers not only among musicologists, but also historians, art historians, and readers in cultural studies. All lovers of Bach’s music will appreciate this lucid and intriguing study.
Publisher: Rowman & Littlefield
ISBN: 0810888947
Category : Music
Languages : en
Pages : 419
Book Description
Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book explores the semantic and rhetorical functions that undergird the symbolism of the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. This comprehensive study of the way Bach used the Polish style in his music moves beyond technical analysis to place the pieces within the context of Baroque customs and discourse. This ambitious and inspiring study is an original contribution to the scholarly conversation concerning Bach’s music, focusing on the symbolism of the polonaise, the most popular and recognizable Polish dance in 18th-century Saxony. In Saxony at this time the polonaise was associated with the ceremonies of the royal-electoral court in Dresden, and Saxon musicians regarded it as a musical symbol of royalty. Paczkowski explores this symbolism of the Polish royal dance in Bach’s instrumental music and, which is also to be found to an even greater extent, in his vocal works. The Polish Style in the Music of Johann Sebastian Bach provides wide-ranging interpretations based on a careful analysis of the sources explored within historical and theological context. The book is a valuable source for both teaching and further research, and will find readers not only among musicologists, but also historians, art historians, and readers in cultural studies. All lovers of Bach’s music will appreciate this lucid and intriguing study.
Aesthetic Concepts
Author: Emily Brady
Publisher: Oxford University Press
ISBN: 9780198241010
Category : Philosophy
Languages : en
Pages : 266
Book Description
Aesthetic Concepts is an exploration of key topics in contemporary aesthetics that arise from the seminal work of Frank Sibley (1923-1996). Sibley developed a distinctive aesthetic theory through a number of papers published between 1955 and 1995 (a selection of which, entitled Approach toAesthetics, is also published by OUP). Sibley's theory is grounded in the important and influential distinction he made between aesthetic and non-aesthetic concepts in his ground-breaking paper, 'Aesthetic Concepts'. Thirteen specially written essays by British and American philosophical aestheticians bring Sibley's insight into a contemporary framework, exploring the ways his ideas give rise to important new discussion about issues in aesthetics that greatly interested him. These include: the differences andrelationships between aesthetic concepts and other types of concepts, aesthetic realism and objectivity, methods of aesthetic evaluation in practice and in theory, the boundaries of aesthetics, and aesthetics of nature versus aesthetics of art. This collection will be of interest to scholars inphilosophy, art theory, and art criticism.
Publisher: Oxford University Press
ISBN: 9780198241010
Category : Philosophy
Languages : en
Pages : 266
Book Description
Aesthetic Concepts is an exploration of key topics in contemporary aesthetics that arise from the seminal work of Frank Sibley (1923-1996). Sibley developed a distinctive aesthetic theory through a number of papers published between 1955 and 1995 (a selection of which, entitled Approach toAesthetics, is also published by OUP). Sibley's theory is grounded in the important and influential distinction he made between aesthetic and non-aesthetic concepts in his ground-breaking paper, 'Aesthetic Concepts'. Thirteen specially written essays by British and American philosophical aestheticians bring Sibley's insight into a contemporary framework, exploring the ways his ideas give rise to important new discussion about issues in aesthetics that greatly interested him. These include: the differences andrelationships between aesthetic concepts and other types of concepts, aesthetic realism and objectivity, methods of aesthetic evaluation in practice and in theory, the boundaries of aesthetics, and aesthetics of nature versus aesthetics of art. This collection will be of interest to scholars inphilosophy, art theory, and art criticism.