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Author: Herbert Marcuse
Publisher: Beacon Press
ISBN: 0807024007
Category : Political Science
Languages : en
Pages : 108
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Book Description
Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society.
Author: Herbert Marcuse
Publisher: Beacon Press
ISBN: 0807024007
Category : Political Science
Languages : en
Pages : 108
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Book Description
Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society.
Author: Jakub Stejskal
Publisher: Cambridge Scholars Publishing
ISBN: 1443824321
Category : Art
Languages : en
Pages : 197
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Book Description
How can aesthetic enquiry contribute to the study of visual culture? There seems to be little doubt that aesthetic theory ought to be of interest to the study of visual culture. For one thing, aesthetic vocabulary has far from vanished from contemporary debates on the nature of our visual experiences and its various shapes, a fact especially pertinent where dissatisfaction with vulgar value relativism prevails. Besides, the very question—ubiquitous in the debates on visual culture—of what is natural and what is acquired in our visual experiences has been a topic in aesthetics at least since the Enlightenment. And last but not least, despite attempts to study visual culture without employing the concept of art, there is no prospect of this central subject of aesthetic theory ebbing away from visual studies. The essays compiled in this volume show a variety of points of intersection and involvement between aesthetics and visual studies; some consider the future of visual art, some the conditions and characteristics of contemporary visual aesthetic experience, while others take on the difficult question of the relation between visual representation and reality. What unites them is their authors’ willingness to think about contemporary visual culture in the conceptual frame of aesthetics. This book will be of great interest to students and scholars of philosophical aesthetics, art history, and cultural studies.
Author: Herbert Marcuse
Publisher: Beacon Press
ISBN: 0807015199
Category : Political Science
Languages : en
Pages : 110
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Book Description
Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society.
Author: Herbert Marcuse
Publisher:
ISBN: 9780333266731
Category : Aesthetics
Languages : en
Pages : 104
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Book Description
Author: Dan Krier
Publisher: SUNY Press
ISBN: 1438477759
Category : Political Science
Languages : en
Pages : 344
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Book Description
Analyzes contemporary capitalism through the products of culture and art for fresh insight into emancipatory possibilities concealed within capitalism’s darkest dynamics. Aesthetic objects, crafted as poetic reflections of the contradictory worlds that they inhabit, are simultaneously theorized and theorizing. In Capital in the Mirror, eminent critical theorists explore the aesthetic dimension for reflective visions of capital that are difficult to obtain through even the most rigorous statistical analyses. Chapters address inequality, alienation, ideology, warfare, and other problems of contemporary capitalism through the cultural prisms of Herman Melville, Thomas Mann, Charles Dickens, J. W. Goethe, Friedrich Hölderlin, Walt Whitman, Bertolt Brecht, and science-fiction cinema. Famous narrative elements in their works, such as Ahab’s pursuit of the white whale in Melville’s Moby-Dick, demonic production and perverse desire in Mann’s Doctor Faustus, socially electrified bodies of Whitman’s Leaves of Grass, and dystopian projections of current sci-fi cinema, are theorized as stylistically distorted reflections of social life within capital. The authors reveal theoretical powers latent within these condensed images that prefigure the dark dynamics of capitalism. Focusing on dark images of domination and also prophetic images of transformation, the book points the way toward emancipation, social regeneration, and human flourishing. “This book makes a very important contribution to critical theory and the critical ‘human sciences’ and is a model of how to do a larger analysis of contemporary capitalist cultural products.” — Jeffrey A. Halley, coeditor of Bourdieu in Question: New Directions in French Sociology of Art
Author: Mihai Spariosu
Publisher: Cornell University Press
ISBN: 1501746286
Category : Philosophy
Languages : en
Pages : 337
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Book Description
Mihai Spariosu here explores the significance of the closely linked concepts of play and aestheticism in philosophical and scientific discourse since the end of the eighteenth century. Spariosu points out that since its birth in archaic and classical Hellenic thought the concept of play has always been subject to the influences of various rational and prerational sets of values. Spariosu maintains that there have been not one but two major modern concepts of aestheticism: artistic aestheticism, related to a prerational mentality and introduced in modern thought by Schopenhauer and Nietzsche; and philosophicalscientific aestheticism, initiated by Kant and Schiller and shaped by rationalism. According to Spariosu, the first has often arisen in response to the attempts of philosophy and science to impose their standards on art, and the second has often been called on to deal with the epistemological crises that periodically shake these disciplines. Spariosu also looks closely at some of the play concepts that surface in modern science in connection with the Darwinian theory of evolution and the play of scientific discourse itself, as exemplified by the new physics and the contemporary philosophy of science. A penetrating and cogently argued book, Dionysus Reborn will be welcomed by readers interested in Continental philosophy, scientific discourse, and the aesthetics of play, including literary theorists, comparatists, philosophers, intellectual historians, and social scientists.
Author: Robert E. Innis
Publisher: State University of New York Press
ISBN: 1438488262
Category : Philosophy
Languages : en
Pages : 300
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Book Description
We encounter in our lives things and situations that elicit from us special forms of attention. They affect and inform us in various ways, drawing us in and holding us in their grasp or turning us away. Works of art of all sorts, and nature in its myriad manifestations, exemplify these luring and repelling qualities and potencies. Dimensions of Aesthetic Encounters explores central perceptual, interpretative, and semiotic dimensions of these encounters, combining a wide range of examples and intellectual resources from pragmatist, hermeneutical, and semiotic frameworks. Practicing a kind of "method of rotation" Robert E. Innis breaks down barriers in aesthetic theory and shows their complementary powers. Recurring themes link each chapter, throwing a powerful light on aesthetic encounters by foregrounding such pivotal notions as play, fundedness and the role of memory, the defining quality of an artwork, energies of objects, potencies, rhythm, form, presentational abstraction, medium, symbolization, intuition, role of the body, and the non-argumentative nature of art.
Author: Cindy Weinstein
Publisher: Columbia University Press
ISBN: 0231156170
Category : American literature
Languages : en
Pages : 442
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Book Description
These diverse essays recast the place of aesthetics in production & consumption of American literature. Contributors showcase the interpretive possibilities available to those who bring politics, culture, ideology, & conceptions of identity into their critiques, combining close readings of individual works & authors with theoretical discussions.
Author: John Ryder
Publisher: BRILL
ISBN: 9004429182
Category : Philosophy
Languages : en
Pages : 242
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Book Description
In Knowledge, Art, and Power John Ryder develops a pragmatic naturalist theory of experience that posits the cognitive (knowledge), the aesthetic (art), and the political (power) as the most general and pervasive dimensions of all human experience.
Author: Zainab Bahrani
Publisher:
ISBN: 9781780232775
Category : Aesthetics, Ancient
Languages : en
Pages : 0
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Book Description
In the ancient civilizations of the Near East and Mediterranean, images were used as a way to create reality and reach out to the infinite. Reviving the fascination that gripped the avant-garde and the surrealists when confronted with the arts of the ancient Near East, The Infinite Image presents a radical new reading of Mesopotamian art as an aesthetic realm defined by objects that transcend time in order to carry traces of the past into the present. Zainab Bahrani's book opens in the early twentieth century, when artists and intellectuals like Alberto Giacometti, Henry Moore, and Georges Bataille were captivated by the ancient sculptures they encountered in European museums--before the question of the aesthetic in ancient art was rejected by rationalist scientific archaeology later in the century. She then travels back through the writings of Derrida, Hegel, Kant, and Plato to Mesopotamia, using these thinkers to argue that ancient images formed an aesthetic dimension that was both historical and evolving. She also addresses issues of the politics of cultural heritage important to Near Eastern art in the context of the wars in Iraq and Afghanistan and current instabilities in the Middle East. With over one hundred illustrations, The Infinite Image will be necessary reading for anyone interested in the questions at the center of contemporary history and the anthropology of art.
