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Author: Adrienne Kennedy
Publisher: U of Minnesota Press
ISBN: 1452904855
Category : Drama
Languages : en
Pages : 327
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Book Description
Introduction by Werner Sollors Adrienne Kennedy has been a force in American theatre since the early 1960s, influencing generations of playwrights with her hauntingly fragmentary lyrical dramas. Exploring the violence racism visits upon people's lives, Kennedy's plays express poetic alienation, transcending the particulars of character and plot through ritualistic repetition and radical structural experimentation. Frequently produced, read, and taught, they continue to hold a significant place among the most exciting dramas of the past fifty years. This first comprehensive collection of her most important works traces the development of Kennedy's unique theatrical oeuvre from her Obie-winning Funnyhouse of a Negro (1964) through significant later works such as A Movie Star Has to Star in Black and White (1976), Ohio State Murders (1992), and June and Jean in Concert, for which she won an Obie in 1996. The entire contents of Kennedy's groundbreaking collections In One Act and The Alexander Plays are included, as is her earliest work "Because of the King of France" and the play An Evening with Dead Essex (1972). More recent prose writings "Secret Paragraphs about My Brother," "A Letter to Flowers," and "Sisters Etta and Ella" are fascinating refractions of the themes and motifs of her dramatic works, even while they explore new material on teaching and writing. An introduction by Werner Sollors provides a valuable overview of Kennedy's career and the trajectory of her literary development. Adrienne Kennedy (b. 1931) is a three-time Obie-award winning playwright whose works have been widely performed and anthologized. Among her many honors are the American Academy of Arts and Letters award and the Guggenheim fellowship. In 1995-6, the Signature Theatre Company dedicated its entire season to presenting her work. She has been commissioned to write works for the Public Theater, Jerome Robbins, the Royal Court Theatre, the Mark Taper Forum, and Juilliard, and she has been a visiting professor at Yale, Princeton, Brown, the University of California at Berkeley, and Harvard. She lives in New York City.
Author: Adrienne Kennedy
Publisher: U of Minnesota Press
ISBN: 1452904855
Category : Drama
Languages : en
Pages : 327
Get Book Here
Book Description
Introduction by Werner Sollors Adrienne Kennedy has been a force in American theatre since the early 1960s, influencing generations of playwrights with her hauntingly fragmentary lyrical dramas. Exploring the violence racism visits upon people's lives, Kennedy's plays express poetic alienation, transcending the particulars of character and plot through ritualistic repetition and radical structural experimentation. Frequently produced, read, and taught, they continue to hold a significant place among the most exciting dramas of the past fifty years. This first comprehensive collection of her most important works traces the development of Kennedy's unique theatrical oeuvre from her Obie-winning Funnyhouse of a Negro (1964) through significant later works such as A Movie Star Has to Star in Black and White (1976), Ohio State Murders (1992), and June and Jean in Concert, for which she won an Obie in 1996. The entire contents of Kennedy's groundbreaking collections In One Act and The Alexander Plays are included, as is her earliest work "Because of the King of France" and the play An Evening with Dead Essex (1972). More recent prose writings "Secret Paragraphs about My Brother," "A Letter to Flowers," and "Sisters Etta and Ella" are fascinating refractions of the themes and motifs of her dramatic works, even while they explore new material on teaching and writing. An introduction by Werner Sollors provides a valuable overview of Kennedy's career and the trajectory of her literary development. Adrienne Kennedy (b. 1931) is a three-time Obie-award winning playwright whose works have been widely performed and anthologized. Among her many honors are the American Academy of Arts and Letters award and the Guggenheim fellowship. In 1995-6, the Signature Theatre Company dedicated its entire season to presenting her work. She has been commissioned to write works for the Public Theater, Jerome Robbins, the Royal Court Theatre, the Mark Taper Forum, and Juilliard, and she has been a visiting professor at Yale, Princeton, Brown, the University of California at Berkeley, and Harvard. She lives in New York City.
Author: Adrienne Kennedy
Publisher: Theatre Communications Grou
ISBN: 9781559361255
Category : Biography & Autobiography
Languages : en
Pages : 148
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Book Description
A revealing collection of words, memories and pictures-an autobiographical scrapbook--by an outstanding contemporary playwright.
Author: Adrienne Kennedy
Publisher: Samuel French, Inc.
ISBN: 9780573621666
Category : Drama
Languages : en
Pages : 26
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Book Description
"Drama / 3m, 5f / wing and drop"--Back cover.
Author: Adrienne Kennedy
Publisher: Theatre Communications Group
ISBN: 1559369280
Category : Drama
Languages : en
Pages : 100
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Book Description
In her first new work in a decade, Adrienne Kennedy journeys into Georgia and New York City in the 1940s to lay bare the devastating effects of segregation and its aftermath. The story of a doomed interracial love affair unfolds through fragmented pieces--letters, recollections from family members, songs from the time--to present a multifaceted view of our cultural history that resists simple interpretation. This volume also includes Etta and Ella on the Upper West Side and Mom, How Did You Meet The Beatles?
Author: Adrienne Kennedy
Publisher: Samuel French, Inc.
ISBN: 0573662355
Category : Drama
Languages : en
Pages : 41
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Book Description
An intriguing, unusual and chilling look at the destructiveness of racism in the U.S.
Author: Adam P. Kennedy
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822218128
Category : Drama
Languages : en
Pages : 68
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Book Description
THE STORY: In this autobiographical drama, a broken taillight leads to the brutal beating of a highly educated, middle-class black man by a policeman in suburban Virginia. The Kennedys interweave the trial of the victimized son (accused of assaulti
Author: Adrienne Kennedy
Publisher: U of Minnesota Press
ISBN: 9781452901510
Category : American drama
Languages : en
Pages : 152
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Book Description
Adrienne Kennedy's plays, which have been said to have transformed the landscape of Black American theatre in the past two decades, are highly experimental. Infused with colliding images of torment and tranquility, violence and peace, horror and beauty, her surrealistic dramas open a window into her life. Her characters are a condensed expression of a theatrical mind that aims to integrate autobiographical, political and aesthetic images into a personal narrative. This book is an extension of Kennedy's plays. It consists of two separate, yet linked, entities, The "Theatre Mystery" (fiction) and "Theatre Journal" (non-fiction) exist as mirror images of one another. Each presents layer upon layer of images rather than progressive action to develop their story, an interior monologue that sees the character as author coming to terms with the life of the author as character.
Author: Adrienne Kennedy
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 132
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Book Description
The Alexander Plays consists of four pieces that are, like all of Kennedy's works, complex, intense, and experimental. They revolve loosely around a writer named Suzanne Alexander. In She Talks to Beethoven (previously published in Antaeus in 1991), Alexander has a discussion with Beethoven. In The Ohio State Murders , when asked why her works are so violent, Alexander tells a chilling story about the murder of one of her twin daughters. The Film Club (a monolog) and The Dramatic Circle (a radio play) concern Suzanne's anxiety while awaiting the release of her husband, who has been imprisoned in Ghana. Village Voice writer Alisa Solomon provides a perceptive foreword to the plays. Bryant-Jackson and Overbeck's fine collection will help in appreciating Kennedy's work. The volume is divided into four sections. The first, largely biographical, includes an interview with the playwright. The second discusses Kennedy's work in light of such traditions as transcendentalism, German Expressionism, and African American women's literature. The third, on critical interpretations, is likely the most significant section. Articles by Kimberly Benston on the importance of race in Kennedy's plays are especially illuminating. The final section is a series of interviews with people involved in the production of Kennedy's plays. The book includes good primary and secondary bibliographies. These two volumes will help secure Kennedy's rightful place as a major figure in American literature. Essential for all libraries interested in contemporary drama.
Author: Henry D. Miller
Publisher: McFarland
ISBN: 0786460148
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
The rich history of African-American theatre has often been overlooked, both in theoretical discourse and in practice. This volume seeks a critical engagement with black theatre artists and theorists of the twentieth century. It reveals a comprehensive view of the Art or Propaganda debate that dominated twentieth century African-American dramatic theory. Among others, this text addresses the writings of Langston Hughes, W.E.B. DuBois, Alain Locke, Lorraine Hansberry, Amiri Baraka, Adrienne Kennedy, Sidney Poitier, and August Wilson. Of particular note is the manner in which black theory collides or intersects with canonical theorists, including Aristotle, Keats, Ibsen, Nietzsche, Shaw, and O'Neill.
Author: Annette Saddik
Publisher: Edinburgh University Press
ISBN: 074863066X
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality.
