Author: Kenneth H. Ward
Publisher: Xlibris Corporation
ISBN: 1493124927
Category : Music
Languages : en
Pages : 90
Book Description
This book is written with the intent of simplifying the process of learning music. Music theory should be a subject of study like Science, or Mathematics; when, at the conclusion of the course you understand fully the detail of the theory, and the text yields full understanding and appreciation. Through the years of studying good music, many have the feeling, Now what? or Where do we go from here? It shows evidence the musical vocation has not been made clear. Music, a universal language, is as important as Hot Dogs at a ballgame and should be an occupation to provide for those who live in its midst. Back to the Science and Mathematics! They earn us a good living with their knowledge properly applied! Let us start with first things first. Study music without instrumentation from the basics first. Require it in the school system like History. Then for those who want to continue, let them turn out some works that will surpass the present system with much greater strength!
The Abcs of Music
Author: Kenneth H. Ward
Publisher: Xlibris Corporation
ISBN: 1493124927
Category : Music
Languages : en
Pages : 90
Book Description
This book is written with the intent of simplifying the process of learning music. Music theory should be a subject of study like Science, or Mathematics; when, at the conclusion of the course you understand fully the detail of the theory, and the text yields full understanding and appreciation. Through the years of studying good music, many have the feeling, Now what? or Where do we go from here? It shows evidence the musical vocation has not been made clear. Music, a universal language, is as important as Hot Dogs at a ballgame and should be an occupation to provide for those who live in its midst. Back to the Science and Mathematics! They earn us a good living with their knowledge properly applied! Let us start with first things first. Study music without instrumentation from the basics first. Require it in the school system like History. Then for those who want to continue, let them turn out some works that will surpass the present system with much greater strength!
Publisher: Xlibris Corporation
ISBN: 1493124927
Category : Music
Languages : en
Pages : 90
Book Description
This book is written with the intent of simplifying the process of learning music. Music theory should be a subject of study like Science, or Mathematics; when, at the conclusion of the course you understand fully the detail of the theory, and the text yields full understanding and appreciation. Through the years of studying good music, many have the feeling, Now what? or Where do we go from here? It shows evidence the musical vocation has not been made clear. Music, a universal language, is as important as Hot Dogs at a ballgame and should be an occupation to provide for those who live in its midst. Back to the Science and Mathematics! They earn us a good living with their knowledge properly applied! Let us start with first things first. Study music without instrumentation from the basics first. Require it in the school system like History. Then for those who want to continue, let them turn out some works that will surpass the present system with much greater strength!
Music and the Benefit Performance in Eighteenth-Century Britain
Author: Matthew Gardner
Publisher: Cambridge University Press
ISBN: 1108492932
Category : Music
Languages : en
Pages : 303
Book Description
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Publisher: Cambridge University Press
ISBN: 1108492932
Category : Music
Languages : en
Pages : 303
Book Description
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Australian Music and Modernism, 1960-1975
Author: Michael Hooper
Publisher: Bloomsbury Publishing USA
ISBN: 1501348191
Category : History
Languages : en
Pages : 448
Book Description
Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.
Publisher: Bloomsbury Publishing USA
ISBN: 1501348191
Category : History
Languages : en
Pages : 448
Book Description
Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.
26 Italian songs and arias
Author: John Glenn Paton
Publisher: Alfred Music Publishing
ISBN: 9780739000137
Category : Music
Languages : en
Pages : 156
Book Description
This book contains fresh, new versions of early Italian songs.
Publisher: Alfred Music Publishing
ISBN: 9780739000137
Category : Music
Languages : en
Pages : 156
Book Description
This book contains fresh, new versions of early Italian songs.
The Cambridge Companion to the Harpsichord
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1108667929
Category : Music
Languages : en
Pages : 407
Book Description
Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.
Publisher: Cambridge University Press
ISBN: 1108667929
Category : Music
Languages : en
Pages : 407
Book Description
Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.
Information Literacy in Music
Author: Beth Christensen
Publisher: A-R Editions, Inc.
ISBN: 0895798565
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
Information Literacy in Music: An Instructor’s Companion is a practical guide to information literacy instruction for busy librarians and music faculty. This book contains examples of course-integrated assignments designed to help postsecondary music students develop foundational skills in information literacy. These assignments have been solicited from experienced librarians and faculty across the United States, and they represent a broad spectrum of approaches to music research, from historical to applied studies. Be inspired by new and creative solutions to students’ information literacy challenges and by the many examples of successful collaborations between librarians and music faculty.
Publisher: A-R Editions, Inc.
ISBN: 0895798565
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
Information Literacy in Music: An Instructor’s Companion is a practical guide to information literacy instruction for busy librarians and music faculty. This book contains examples of course-integrated assignments designed to help postsecondary music students develop foundational skills in information literacy. These assignments have been solicited from experienced librarians and faculty across the United States, and they represent a broad spectrum of approaches to music research, from historical to applied studies. Be inspired by new and creative solutions to students’ information literacy challenges and by the many examples of successful collaborations between librarians and music faculty.
The Music of Béla Bartók
Author: Elliott Antokoletz
Publisher: Univ of California Press
ISBN: 9780520067479
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.
Publisher: Univ of California Press
ISBN: 9780520067479
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.
Foundations in Music Bibliography
Author: Richard D Green
Publisher: Routledge
ISBN: 1136586695
Category : Music
Languages : en
Pages : 413
Book Description
As more and more music literature is published each year, librarians, scholars, and bibliographers are turning to music bibliography to retain control over the flood of information. Based on the Conference of Music Bibliography, this timely book provides vital information on the most important aspects of the scholarly practice of music bibliography. Foundations in Music Bibliography provides librarians with great insight into bibliographic issues they face every day including bibliographic control of primary and secondary sources, the emergence of enumerative and analytical bibliography, bibliographic instruction, and bibliographic lacunae. Foundations in Music Bibliography features the perspectives of prominent scholars and music librarians on contemporary issues in music bibliography often encountered by music librarians. It offers practical insights and includes chapters on teaching students how to use microcomputer programs to search music bibliographies, organizing a graduate course in music bibliography, and researching film music bibliography. The book also provides a supplement to Steven D. Westcott’s A Comprehensive Bibliography of Music for Film and Television. This insightful volume demonstrates the many ways that bibliography relates music publications to each other and endows grander meaning to individual scholarly observations. Some of the fascinating topics covered by Foundations in Music Bibliography include: the history of thematic catalogs indexing Gregorian chant manuscripts general principles of bibliographic instruction analyses of Debussy discographies musical ephemera and their importance in various types of musicological research bibliographical lacunae (i.e. lack of access to visual sources, failure to control primary sources, and lack of communication with the rest of the performing arts) Foundations in Music Bibliography shows librarians how bibliography can be used to help music students and researchers find the information they need among the innumerable available sources. It is an indispensable asset to the shelves of all music reference libraries that wish to provide their patrons with the latest bibliographic tools.
Publisher: Routledge
ISBN: 1136586695
Category : Music
Languages : en
Pages : 413
Book Description
As more and more music literature is published each year, librarians, scholars, and bibliographers are turning to music bibliography to retain control over the flood of information. Based on the Conference of Music Bibliography, this timely book provides vital information on the most important aspects of the scholarly practice of music bibliography. Foundations in Music Bibliography provides librarians with great insight into bibliographic issues they face every day including bibliographic control of primary and secondary sources, the emergence of enumerative and analytical bibliography, bibliographic instruction, and bibliographic lacunae. Foundations in Music Bibliography features the perspectives of prominent scholars and music librarians on contemporary issues in music bibliography often encountered by music librarians. It offers practical insights and includes chapters on teaching students how to use microcomputer programs to search music bibliographies, organizing a graduate course in music bibliography, and researching film music bibliography. The book also provides a supplement to Steven D. Westcott’s A Comprehensive Bibliography of Music for Film and Television. This insightful volume demonstrates the many ways that bibliography relates music publications to each other and endows grander meaning to individual scholarly observations. Some of the fascinating topics covered by Foundations in Music Bibliography include: the history of thematic catalogs indexing Gregorian chant manuscripts general principles of bibliographic instruction analyses of Debussy discographies musical ephemera and their importance in various types of musicological research bibliographical lacunae (i.e. lack of access to visual sources, failure to control primary sources, and lack of communication with the rest of the performing arts) Foundations in Music Bibliography shows librarians how bibliography can be used to help music students and researchers find the information they need among the innumerable available sources. It is an indispensable asset to the shelves of all music reference libraries that wish to provide their patrons with the latest bibliographic tools.
A Performer's Guide to Transcribing, Editing, and Arranging Early Music
Author: Alon Schab
Publisher: Oxford University Press
ISBN: 0197600654
Category : Arrangement (Music)
Languages : en
Pages : 289
Book Description
Provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources - manuscripts, prints, and treatises - in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions - determining what constitutes a 'version' of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment.
Publisher: Oxford University Press
ISBN: 0197600654
Category : Arrangement (Music)
Languages : en
Pages : 289
Book Description
Provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources - manuscripts, prints, and treatises - in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions - determining what constitutes a 'version' of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment.
Musical Composition in the Context of Globalization
Author: Christian Utz
Publisher: transcript Verlag
ISBN: 3839450950
Category : Music
Languages : en
Pages : 531
Book Description
Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.
Publisher: transcript Verlag
ISBN: 3839450950
Category : Music
Languages : en
Pages : 531
Book Description
Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.